I’ve lived my whole life along the I-64 corridor in Virginia — Norfolk until I graduated high school and then Richmond for college and beyond. It’s a stretch Gold Connections frontman and leading creative force Will Marsh knows just as well, given his Charlottesville roots and his time spent at the College of William & Mary in Williamsburg. His drive between home and school probably wasn’t too different from mine — between an hour and a half and two hours if the traffic was kind. Worse on summer weekends when the Outer Banks were in business.
We had the opportunity to speak over the phone early in June. The first full-length Gold Connections album, Popular Fiction, had come out a few weeks before, giving me more than enough time to fall hard for Marsh’s writing and knack for studio decision-making. I’d also gotten a kick out of tracing the way standout tracks like “Salt” and “Isabel” evolved from versions he recorded in 2014 with W&M contemporary Will Toledo of Car Seat Headrest for the self-titled Gold Connections EP, which didn’t end up being released until 2017. Hearing more about how those two projects took shape and the tremendous care Marsh puts into how his music is presented was really interesting, and it got me thinking about I-64. Whether long or short, there’s something sacred about the time between recording and releasing music. How many times did those songs provide a uniquely private soundtrack to a drive along that stretch of road? What else might the people next to us on the highway be carrying with them? What hopes, problems, and creations?
All that said, Marsh is looking and driving squarely forward, with an outstanding debut LP and the backing of Richmond’s EggHunt Records. Click here to read the River City Magazine article I wrote about our conversation. It’s in the inaugural issue of River City as a standalone publication, and I’d love it if you grabbed a copy around town or checked it out online. You can hear yet another version of “Isabel” below, from a Bridge Room Session I’d recommend highly.
On one of this year’s first truly beautiful spring days, I drove out to the grounds of the Montrose recording facility to interview Steve Bassett, who has a pre- and post-production trailer parked near the studio’s main building.
This was actually my second time speaking to Bassett. Longtime followers of this here blog might remember that I wrote a magazine piece on Virginia’s state popular song, “Sweet Virginia Breeze,” which Bassett cowrote with another Richmond legend, the late Robbin Thompson. And while I had separate phone conversations with the two writers for that article, I got to meet them both in person shortly thereafter, at an early evening show up in Ashland. They graciously signed my copy of their Together album. I also snagged a copy of Bassett’s autobiography, Sing Loud, which was being sold at the merch table.
I’d recommend picking up a copy. Inside, you’ll find insight from someone who has truly drilled to the core of what it means to live a life in music. Someone who has learned the secret to accessing the joy in just about any type of musical environment. I certainly felt that joy when I spoke to him early this spring, with seed pods falling from the trees and stories flowing — about his new album, Tres Leches, and the incredible journey that’s taken him from Muscle Shoals, Alabama and Carnegie Hall to the steps of Virginia’s Governor’s Mansion.
The resulting River City Magazine article is available online over at Richmond Navigator, and I hope you’ll give it a read there or pick up a print copy. The layout is wonderful, with photos by Jennifer Challis taken at Bassett’s recent show at the Broadberry, which was excellent. Thank you, Jen, for sharing those, and thank you to Steve for the conversation. I won’t soon forget it.
Hot off the blog presses — my latest post for Virginia’s Travel Blog is up! I explored a few ways you can walk in the footsteps of some of Virginia’s musical legends, from Ralph Stanley and Dave Matthews to Bruce Hornsby and René Marie.
One fun addendum: I included a section on Jason Mraz, and while it focuses on his involvement with SPARC (School of the Performing Arts in the Richmond Community) and their annual LIVE ART show, Mraz brought this idea full circle by releasing a video that was shot in and around Richmond, meaning he’s essentially walking in his own footsteps. So meta. Check the video out below and click here to read my “Where They’re From” post on Virginia’s Travel Blog.