We’ve grooved with the Budos Band. Illiterate Light lit up the night. Now it’s very nearly time to say goodbye to the 35th Friday Cheers series, but not before a finale I’ve been looking forward to since this season’s schedule was announced: Lucy Dacus. Deau Eyes. Is it tomorrow yet?
There’s a unique poetry to tomorrow’s lineup that’s worth noting before you head down to Brown’s Island. For starters, this will be Dacus’ second Cheers performance; her first came in 2016 when she opened for Kurt Vile. And while you often hear the word “triumphant” used when artists return to venues they’ve played before, it’s especially fitting here, given the rave reviews she earned last year — both for her Historian album and for the EP she released with Julien Baker and Phoebe Bridgers under the name boygenius — and given that hers is the headlining set this time around.
The lineup is made even more meaningful by the fact that Ali Thibodeau of opening act Deau Eyes was there in the crowd during Dacus’ 2016 show, standing front-and-center and celebrating her friend’s Friday Cheers debut. I recently had the good fortune of speaking with Ali Thibodeau of Deau Eyes for a River City Magazine article, and here’s how she described that moment in relation to this one:
Did you grow up going to Friday Cheers?
I love Friday Cheers. It’s really cool. It’s one of my favorite things that happens in Richmond. I’ve felt really privileged to have been able to have watched my friends up there doing their thing. I know when Lucy played with Kurt Vile, I was in the front row, and was so stoked. My face hurt from smiling the whole time. I feel kind of full circle because it’s definitely somewhere we would go and hang out, around Belle Isle and Brown’s Island and all of that during the summer and stroll into Friday Cheers. I’m thrilled to be a part of it this year. It feels like a real hometown accomplishment.
Thibodeau and I touched on a number of other topics in our conversation, from her upcoming album’s lead single “Paper Stickers” (embedded below) to running a successful Kickstarter campaign and creative control more generally. Click here to check out the full article and here to snag a ticket for the Cheers finale. This show is special, y’all.
It’s happening. My absolute favorite time of year — when Mrs. YHT and I bolt out of work on Fridays; throw the kids, a stroller, and a couple of lawn chairs in the car (except when we forget the lawn chairs, which is more than 50% of the time); and zoom down to Brown’s Island as fast as we can to catch the start of Friday Cheers.
The folks at Venture Richmond are kicking off this season (Cheers’ 35th!) with a humdinger: Lukas Nelson & Promise of the Real is headlining, with an opening set from standout Richmond artist Landon Elliott. If you’re not familiar with Lukas Nelson, “Find Yourself” could be a good starting point. The band I play in covers the song regularly, and while the lyrics convey romantic dissatisfaction, there’s an infectious bounce to it that makes it a joy to play. And Nelson’s dad is the great Willie Nelson — not crucial for appreciating Lukas’ tunes, but still fun to know.
As for Landon Elliott, I had the good fortune of interviewing him for River City Magazine earlier this year and left that conversation impressed and inspired — by his story, by his strong sense of community, and by the way music is woven throughout his own family’s fabric. A quick snippet I saw as especially meaningful:
Were your parents into music when you were growing up?
My dad and his family are from Ohio, and they all love 1970s and 1980s classic rock and roll. My dad raised me on Journey, Def Leppard, AC/DC, Whitesnake, Mötley Crüe. My first concert with my dad was KISS at eight or nine years old. So there’s a ton of rock influence there… My mom loved country music. I remember [her] singing karaoke, and she’d sing at music festivals. We even moved to Nashville for two years and she pursued a music career… She recorded this really beautiful single during her time there, so that’s a gem for our family. I remember being six or seven years old, watching my mom doing the thing and thought it was so cool.
[My grandfather] was a deep-sea fisherman for 30-plus years of his life… the acoustic guitar that I play was the guitar that he took around on his boat. That guitar has been more places than I have. It’s been all the way up [and] around to Alaska and back. He would come home and people would want to see him after these long trips. We’d do these big fish fries at the house and a guitar would inevitably come out at some point and he would sing and play Elvis and Johnny Cash. That was how it all started — watching my family doing it and [thinking] “I could do that.”
Check out the rest of the interview here, and click here for ticket’s to this Friday’s Cheers show. A guaranteed good time for any music-loving family.
This is a J.C. Kuhl appreciation post.
I realized on Wednesday night that I’d been hearing Kuhl’s saxophone with a remarkable regularity over the course of the last week. Thought I’d share the timeline:
Last Friday, I set a new personal record for earliest Record Store Day arrival time, motivated primarily by Known About Town: Library Music Compendium One — the snazzy Coke-bottle-green vinyl compilation that pulled together tracks from the quarterly Library Music cassettes the Spacebomb House Band released throughout 2018. How motivated was I? Back on February 28, the day Spacebomb announced Known About Town, I emailed Bill at BK Music to say “I may end up setting a new personal record for earliest RSD arrival time this year.” I made it to BK a little before 5:30 a.m., when it was still dark and raining cats and dogs. Fortunately the Stratford Hills Shopping Center has a covered walkway perfect for a line of lawn chairs, and even more fortunately, I was near enough to the front to snag one of a few signed copies of Known About Town. Guess who contributed sax to the album? J.C. Kuhl.
Two days later, in the considerably comfier environs of my couch, I took in a live set by Mekong Xpress & the Get Fresh Horns. The band has started streaming their regular Monday night sets at The Answer via Facebook, and joining in has become a weekly ritual. It’s not the same as being there in person, which happened more regularly when the YHT crew lived just a short bike ride from the Mekong/Answer epicenter, but I love that I can still stay connected to the group, which is as stacked and sensational as any in town. And who’s there on sax, whipping songs into a frenzy with screaming solos that make you feel like you are there in person? J.C. Kuhl.
Two days later, Mrs. YHT and I made it out — got a babysitter and everything — to the Tin Pan, excited to see fellow University of Richmond alum (and my former bandmate, briefly) Andrew Schutte play bass with the Latin Jazz Messengers, a group led by trumpeter and UR professor Michael Davison. We were seated front and center and treated to an excellent set, which ranged from standards like “Caravan” and “Guantanamera” to a few unfamiliar tunes I’m looking forward to getting to know better. (I’m especially excited about having heard “The Preacher” and “Sister Sadie,” a pair of Horace Silver compositions that I’m hoping will serve as an overdue entry point to Silver’s body of work.) And guess who was there — and I mean right there, just a few feet away from our table, sipping red wine and trading solos with Davison and the rest of the gang? I think you see where I’m headed here.
J.C. Kuhl: a player for whom “known about town” couldn’t be more fitting.