On one of this year’s first truly beautiful spring days, I drove out to the grounds of the Montrose recording facility to interview Steve Bassett, who has a pre- and post-production trailer parked near the studio’s main building.
This was actually my second time speaking to Bassett. Longtime followers of this here blog might remember that I wrote a magazine piece on Virginia’s state popular song, “Sweet Virginia Breeze,” which Bassett cowrote with another Richmond legend, the late Robbin Thompson. And while I had separate phone conversations with the two writers for that article, I got to meet them both in person shortly thereafter, at an early evening show up in Ashland. They graciously signed my copy of their Together album. I also snagged a copy of Bassett’s autobiography, Sing Loud, which was being sold at the merch table.
I’d recommend picking up a copy. Inside, you’ll find insight from someone who has truly drilled to the core of what it means to live a life in music. Someone who has learned the secret to accessing the joy in just about any type of musical environment. I certainly felt that joy when I spoke to him early this spring, with seed pods falling from the trees and stories flowing — about his new album, Tres Leches, and the incredible journey that’s taken him from Muscle Shoals, Alabama and Carnegie Hall to the steps of Virginia’s Governor’s Mansion.
The resulting River City Magazine article is available online over at Richmond Navigator, and I hope you’ll give it a read there or pick up a print copy. The layout is wonderful, with photos by Jennifer Challis taken at Bassett’s recent show at the Broadberry, which was excellent. Thank you, Jen, for sharing those, and thank you to Steve for the conversation. I won’t soon forget it.
Hot off the blog presses — my latest post for Virginia’s Travel Blog is up! I explored a few ways you can walk in the footsteps of some of Virginia’s musical legends, from Ralph Stanley and Dave Matthews to Bruce Hornsby and René Marie.
One fun addendum: I included a section on Jason Mraz, and while it focuses on his involvement with SPARC (School of the Performing Arts in the Richmond Community) and their annual LIVE ART show, Mraz brought this idea full circle by releasing a video that was shot in and around Richmond, meaning he’s essentially walking in his own footsteps. So meta. Check the video out below and click here to read my “Where They’re From” post on Virginia’s Travel Blog.
Very excited to share that I got to write a second series of music-themed posts for Virginia’s Travel Blog. And two are already up:
Here’s the setup:
Whether you enjoy a heartwarming song or a heart-racing outdoor adventure, your options in Virginia are nearly endless. In fact, you don’t have to choose between the two. The following festivals, venues, and pairings show how you can get your adrenaline pumping in the Old Dominion via live music and lively activities — often at the same time!
From FloydFest and Dominion RiverRock to the wilds of Southwestern Virginia, lots to explore here. Follow this link to read the post.
How do you sum up Virginia’s contributions to jazz in just one blog post? You can’t, obviously, but I tried to give a little info about some of the prominent people, places, and events that make the state such an amazing destination for jazz fans. Whether you’re big on Butcher Brown or wild about Warrenton, there’s a blurb or two here for you. Check out the post here.
For more information, I highly recommend Don Harrison’s article about Virginia’s jazz tradition in the February issue of Virginia Living. Tons of great info there as well, and the layout is stunning, complete with Devonne Harris and Marcus Tenney on the cover!
Back in January, on the very same day that Bandcamp Weekly posted a new episode with Kenneka Cook as the featured guest, I had the honor of chatting with Cook over lunch at Pop’s Market. I’m excited to say the resulting RVA Magazine article is on newsstands now, and I hope it reflects how fun and wide-ranging that conversation was. We talked about everything from her approach to different songs on the album and the brilliance of American Paradox community to the music she grew up with and our shared love for Richmond’s record stores.
More than anything else, I hope you all get a sense for Cook’s vision and voice. Separately, those words point to different ideas. Different senses. A way you receive information about the world and a way you share information with the world. But vision and voice can both represent loftier ideas, as well, like imagination and influence — things that can come together in the creative process to render something truly new and special. That’s what I hear on Cook’s wonderful debut album, Moonchild. Check out the title track below and be sure to grab a copy of RVA Magazine if you see a stack around town.