“It’s the most wonderful time of the year…”
-Christmas song written by someone who hasn’t witnessed a Friday Cheers schedule rollout
I’ve said it before, and I’ll say it again: Friday Cheers is my favorite part of the year. It’s warm but not sweaty, the weekends feel longer, since the early Cheers start times mean you’re outside and enjoying yourself ASAP… it makes me so happy. Here’s the full schedule. Things are going to be a little nutty this year, given that Mrs. YHT is set to deploy Baby YHT #2 in early May, but here are three of the shows I’m hopeful that we/I/y’all will be able to make:
Lee Fields & the Expressions with Kings — May 5
This show being announced was my Lee Fields wake-up call. I see his records nearly every time I go to Steady Sounds, and I keep meaning to learn more about him — now’s the time. I’m doing it. You can’t stop me. Friday Cheers has hosted two of the best soul shows I’ve ever seen — Charles Bradley and the late great Sharon Jones — so this one shouldn’t be missed.
Conor Oberst with Big Thief — June 2
Already snagged a ticket for this one. I wrote a short time ago about how psyched I am for his special-guest-heavy upcoming album Salutations, and since it’ll be out by the time this show rolls around, I’ll almost certainly be spending some quality time at the merch tent on June 2.
Car Seat Headrest with Gold Connections — June 30
OK, so I saw them twice last year. I don’t care — as Toddler YHT’s hero Ariel once said so poignantly “I want more…” Speaking of wanting more, I managed to find a used copy of Teens of Style, the album prior to Teens of Denial, and I was surprised by how many of the older (relatively speaking — he’s released ocean of material already) songs I knew. I recommend prepping for this show by diving into Will Toledo’s earlier stuff, which can be found on Bandcamp.
Hope y’all are getting excited as well. Here’s another link to the full schedule and here’s a link to an article I wrote last year about Friday Cheers that includes an interview with Venture Richmond Festival Manager Stephen Lecky.
[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]
Goosebumps. Waves of them.
The singing here is exceptional — the execution, the creativity, the transitions… it’s all stunning. But what made me want to include “Black History” in this series is the way it tells a comprehensive story. The medley weaves together gospel songs that reflect significant moments from throughout the African-American experience, providing a long view that’s at once confounding and inspiring. (Click here to read more about which songs are included and why.)
Never in my lifetime has there been a bigger gap between the need for Americans to understand history and their willingness to do so. The past’s mistakes are being repeated at a dizzying rate. Too many congressmen take advantage of short memories by shamelessly arguing opposite sides of an issue, depending on which is presently advantageous. Too many people who benefit from systematic discrimination refuse to acknowledge that those systems discriminate.
What we need is more of the long view. More history. More of the kind of deep and broad understanding Resound is voicing here.
Resound — “Black History” [Spotify/YouTube]
Filed under #features, #rva
I posted a little while back about Feral Conservatives’ gorgeous track on the Friends for Equality compilation, which benefited the Southern Poverty Law Center, the ACLU and Planned Parenthood. I wanted to give the cause another quick signal boost, as a Friends for Equality benefit show is being held tonight at Strange Matter.
You’ll find a number of details on the flyer above (music starts at 8, $5-20 suggested donation), as well as the lineup, which includes those very same Feral Conservatives. This time, funds are being raised for Forward Together (“Our mission is to ensure that women, youth and families have the power and resources they need to reach their full potential.”) and SisterSong (“Sistersong’s mission is to strengthen and amplify the collective voices of indigenous women and women of color to achieve reproductive justice by eradicating reproductive oppression and securing human rights.”).
Doors are at 7, but you can start prepping now by clicking play on the 15-minute journey RAIC calls “Penance.”
RAIC — “Penance” [Bandcamp]
Passing along a piece of advice Matthew E. White issued regarding your arrival time for his show tonight at The Broadberry:
The opening set will be played by Lonnie Holley, who is an artist in more than one sense of the word. Holley first gained recognition for turning reclaimed junkyard objects into arrayed sculptures on a massive scale, which he started to do when he was 29. More than 30 years later, he’s still in constant creative motion, and from the sound of the New York Times profile White tweeted out, creation isn’t just an impulse for Holley — it’s more elemental than that. Here’s a bit I found fascinating:
We were sitting at an outdoor table with a partly filled ashtray. Holley stopped talking to reach over and pluck out a cigarette butt, examining it as if he had discovered a rare penny in a handful of change. He asked me for a sheet of paper from my notebook, then tore apart the butt and affixed its cottony filter to a wooden coffee stirrer, also liberated from the ashtray. “This is called white oak,” he said. “It’s what they use to weave baskets and things, because it’s flexible.” He fashioned a miniature paintbrush and then painted a heart and the word LOVE using ashes mixed with a few drops of his iced coffee, the solution creating an appealing speckled-eggshell patina.
It wasn’t until later, but Holley started recording music in which looped elements backline winding and soaring image-based vocal storytelling. That same New York Times piece described how all of Holley’s musical performances are unique pieces — how he makes something new each time he addresses an audience. As a person who tries to write songs and feels lucky for whatever fleeting moments of inspiration I can hold onto, I’m in awe of the total paradigm shift Holley embodies. He doesn’t so much grasp at inspiration as he floats in it. Surrounds himself in it.
I can’t want to see what he has in store tonight. In his tweet, White called it a “rare event,” which I love, given the irony at work here: Everything Holley does is once-in-a-lifetime.
Lonnie Holley – “From The Other Side Of The Pulpit” [Bandcamp]