Category Archives: #rva

Eric Slick

Getting to interview a musician who made one of your favorite albums of the year is quite an honor, but getting to interview a musician whose music changed your life for the better? That’s something else entirely. Something rare and special.

Hearing “You Are Not Your Mind,” from Eric Slick’s 2017 Palisades album, was a truly revelatory experience. I ended up writing about it back in April:

I often fall into the trap of assuming there’s a way to think my way out of every situation. I also tend to prioritize my inner experience when I’m feeling less than good about what’s going on on the outside, whether that’s the clothes I’m wearing or my inability to force myself to exhibit extroversion when it counts. And while the mind can certainly act as a refuge, I love the idea that there’s some other self that’s even more basic — something that’s not so readily accessible or easily tinkered with.

With that in mind (no pun intended), it was such a gift to be able to speak with Slick over the phone and learn more about how that song was written, how he balances the brightness of his personality with the heft of this songs’ themes, and how he came to be part of this beautiful Richmond music community. The interview just went up on Richmond Navigator’s site — click here to check it out. (Print copies of River City Magazine should be on newsstands any day now.)

I want to thank Eric very sincerely for doing the interview, and I want to encourage you good people to take a listen to “You Are Not Your Mind” below. Maybe you’ll end up with a revelatory experience of your own.

Eric Slick — “You Are Not Your Mind” [Spotify/Bandcamp]

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Virginia’s Travel Blog

One more post for Virginia’s Tourism Blog to tell y’all about, called “Building Bridges: International Music Experiences In Virginia.” I sincerely hope you’ll read it and send the link around — getting outside of your musical comfort zone is such a worthwhile and soul-replenishing thing to do, and I’m certain that if it happened more often, people would understand each other in ways they don’t currently.

Best of all, Richmonders can get started right away! You’ll find Afro-Zen Allstars among the bands mentioned, and they’ll be at Garden Grove Brewing Company in Carytown tonight, continuing their monthly residency there. Can’t recommend it highly enough.

I wanted to take a second to thank Andrew Cothern and all the other folks at Virginia Tourism for letting me write these posts. It’s such an honor to tell these stories and represent the musical traditions of the state I’ve called home my entire life. I’ve learned a ton in the last few months, and I hope to be able to share more stories like these in the future.

To play us out, here’s another Richmond band I mention in the post — venerated salsa outfit Bio Ritmo:

Bio Ritmo — “La Vía” [Spotify/iTunes]

 

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Minor Poet

When people are doing what they love, you can tell. Cooking, singing, repairing bicycles, doesn’t matter. Being in your element means tapping into something deep and true, and that’s what Andrew Carter’s debut album as Minor Poet sounds like to me. His love for recording is unmistakable; it stands out like a third dimension, with layers and harmonies only a devoted craftsman would seek out and execute.

Sitting down with Carter for an interview at Black Hand Coffee absolutely confirmed this first impression, and I’m excited to say that the results of that conversation are available now in the newly released RVA Magazine summer issue. Carter kindly called it the “definitive” version of the events surrounding the release of And How!, an album (out August 25 on EggHunt Records) that promises to reach many ears and make Minor Poet a very familiar name both in Richmond and beyond.

I want to thank Carter for such a candid interview, and Doug Nunnally for all his help with writing this piece. I also want to recognize the inimitable Joey Wharton — it’s an honor having my words next to his photos. Just stunning.

Click here to read the article online, or snag yourself a print copy around town. I have a couple other pieces of writing in the issue I’m psyched to tell y’all about, so stay tuned…

Minor Poet — “River Days” [Spotify/Bandcamp]

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Dharma Bombs

Y’all know about the Carter Family Fold, right? Hiltons, VA? Shows every Saturday evening? Johnny Cash’s rocking chair?

If you’ve been following along with my posts for Virginia’s Travel Blog, you know it’s one of the most sacred musical locations in the commonwealth, given the Carter family’s prominent role in the early days of country music. As it turns out, it’s also the perfect setting for some Appalachian Dixieland.

Richmond’s Dharma Bombs recently collaborated with the folks from Virginia Tourism and Overcoast Music on the above porch-set live session, shot right there on the grounds of the Carter Family’s homestead. Fittingly, they performed “Virginia Swing,” which can be found on the group’s Old Time Romance album from earlier this year.

The studio cut is below — you can snag it via Bandcamp, and in case you hadn’t heard, Bandcamp is donating its profits today to the Transgender Law Center, so don’t be shy about forking over some dough.

Dharma Bombs — “Virginia Swing” [Spotify/Bandcamp]

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DJ Harrison

Yesterday may have been Jerry Garcia’s 75th birthday, and it certainly was a watershed musical moment… but not because of Garcia. I’ll remember August 1, 2017 as the day Devonne Harris dominated my Twitter feed. (And I’m not the only one.)

Not sure which I saw first, but two big-deal things were signal boosted all day:

  • Style Weekly published a detailed profile of Harris and included his photo on the cover of this week’s print edition. I can’t recommend the article highly enough — it’s a panoramic view of a musician whose sweeping talents and growing influence are simply a wonder to behold.
  • Jack White’s Third Man Records label tweeted a picture of White alongside the folks who have been helping him record his new album… and there was Harris, standing to White’s left. Mind blown. I had no words. The best I could do was tweet out the siren emoji. I can’t wait to hear what he and White made together.

These are both wildly exciting developments — when combined with the vinyl release of his HazyMoods album as DJ Harrison, Harris is poised to reach more ears than ever. And seeing the Richmond community collectively celebrate yesterday was thrilling. Long live Devonne Harris Day.

Here’s one of my favorite cuts from HazyMoods, entitled “ProcessFresh.”

DJ Harrison — “ProcessFresh” [Spotify/Bandcamp]

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Afro-Zen Allstars

I first started writing this blog in 2011. The decision to do so was fairly spontaneous, and I had no idea that writing about music would change my life as much as it has. I might have expected that I’d learn about bands and albums, and that my world would expand in that way, but I couldn’t have guessed that I’d meet so many people who make the universe seem like a bigger, more beautiful place.

Two of those people play in Afro-Zen Allstars. One is Brian Cruse, the friendly, talented, and in-demand bassist I interviewed for River City Magazine in 2015. The other is the band’s founder, leader, and arranger, George M. Lowe, who is the subject of my latest article for the magazine. A short time back, Lowe and I met up at Addis downtown for Ethiopian food and an interview. As was the case with Cruse, we talked for nearly two hours, and I walked away amazed at Lowe’s warmth, his bravery, and his other-worldly devotion to music. That’s where the title of the article came from (the “Golden” part is a reference to the Ethiopian music that inspired Lowe to form the Allstars). I hope you’ll take a look online or find a print copy. I have a feeling you’ll end up as devoted to Afro-Zen Allstars as I am.

Many thanks, George, for all your help, and for making the world a bigger, more joyful, and better sounding place.

Afro-Zen Allstars — “Aj Aj” [Bandcamp/iTunes]

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Skyway Man

So I’m late to the party here, posting about a show just a few hours before it starts, but this Skyway Man album has my adrenaline racing. I’m on my first listen, and it feels like someone’s slowly reading off winning lottery numbers that keep matching the ones on ticket I’m holding. It’s bonkers… all the sounds I’ve been gravitating toward are here.

A few data points:

  • I picked up a copy of Cosmic American Music at the Numero Group’s pop-up sale at Strange Matter in April.
  • Thanks to an especially fruitful Goodwill haul, I’ve been heavy into gospel the last few weeks, from Sister Rosetta Tharpe to Billy Preston’s Gospel in My Soul album to early 1980’s Savoy Records stuff.
  • I’m also in the middle of a big William Tyler kick. A BK Music Instagram post prompted me to play Impossible Truth in the recovery room after my son was born a couple weeks back, and miraculously it was still there a couple of days later, along with his earlier Behold the Spirit album.
  • We named our son Ryland, so I’ve been making my way through my father-in-law’s Ry Cooder albums, marveling at how simultaneously timeless and of-their-time they sound, especially Borderline and “Why Don’t You Try Me.”

Seen Comin’ from a Mighty Eye is tailor-made for someone embroiled in exactly these obsessions, with the spacey aspects of Cosmic American Music, the voluminousness and spirituality of gospel, Tyler’s exploratory spirit, and references to early 1980’s production that remove songs from the present moment, like they’re wandering untethered by time. It’s all here, along with the signature Spacebomb sounds that consistently fill my heart with joy.

As mad at myself as I am for posting this so late — and as ashamed as I am that I haven’t been listening to James Wallace’s stuff all along — I can’t help thinking that Seen Comin’ from a Mighty Eye and I met at exactly the right moment. Many, many thanks to Alexandra Spalding for the heads up.

Doors open at Gallery5 tonight at 7. Twain and Big Kitty will be there as well. Click here for more info.

Skyway Man — “Wires (Donny Angel and the Opening Wide)” [Spotify/iTunes]

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