All Styles is right — did you see about the new Grateful Dead tribute album that The National organized? Guess who has a couple tracks on there! These guys! I haven’t heard them yet, but Courtney Barnett’s version of “New Speedway Boogie” is excellent.
Rolling around with this in the meantime.
Orchestra Baobab — “Bul Ma Miin” [Spotify/iTunes]
4 adults, 3 fish tacos, 2 brisket sandwiches, 1 baby with a granola bar. Add in the Scud Mountain Boys version of “Please Mr. Please” on the way home and you’ve got yourself a successful trip to Alamo BBQ.
Scud Mountain Boys — “Please Mr. Please” [Spotify/iTunes]
Happy Easter weekend! A few news and notes items to crack open before you go hunting for eggs:
- Going to start giving a quick CD Monday update at the end of the week. I enjoyed rolling around to Daniel Bachman, though I’m not sure if Baby YHT did. Not much of a reaction. Then again this was some pretty out there stuff — some drone-y songs, diverse instrumentation… really neat. While that disc isn’t available, I don’t think, it reminds me of Miscellaneous Ephemera and Other Bullshit, which you can still buy.
- Have you heard the Sturgill “In Bloom” cover yet? Really interesting I think — takes cojones to give the major-key treatment to such a dark song. The video is wild as well — definitely worth a watch. Apparently the rights were almost denied because of a changed lyric…
- I know I’m late to the party, but I listened to last year’s Nathaniel Rateliff album for the first time this week and hot damn. Floyd Fest is suddenly looking pretty snazzy.
- So Hrishikesh Hirway from the excellent Song Exploder podcast started a West Wing podcast with his friend… Joshua Malina. They’re going to do an episode for every single episode of the show. 100% on board — the first one was super cool. Perfect for West Wing fans and newcomers alike (if you up for watching and listening to 150 of something).
- Lots going on Saturday — Horsehead at the Camel, No BS! at the Broadberry. I’ll be at home watching the tournament with basketball-loving in-laws, but I might spin my copy of Brass Knuckles in No BS!’s honor.
A much longer thing needs to be written about the relationship between Daniel Bachman’s style of composition — how he introduces themes and variations on top of a drone — and springtime, in all its genetically varied, ground-splitting, frost-fighting glory. For now, I’ll just say this: Bachman’s music is excellent company on a cold, early spring morning.
I got this handmade CD-R album at an in-store performance a few years ago, and while I can’t provide a sample of any of the songs on it — don’t see any on the interweb — here’s “Won’t You Cross Over To That Other Shore,” from his recent River album.
Daniel Bachman — “Won’t You Cross Over To That Other Shore” [Bandcamp/iTunes]
Happy tournament y’all! Crazy first day of games. Early exits for Baylor, Arizona, and Purdue… should be a fun weekend. Until then, a few news and notes:
- ICYMI here’s the post I did at the start of last year’s tournament, suggesting John Fullbright’s “Moving” is the perfect tournament song. I’m just gonna assume Duke read my post. [Pats self on back]
- New Sturgill. Need I say more?
- I saw that Iris DeMent is playing in Richmond in June, and while I was exploring the idea of buying tickets, I learned two things: 1. She’s also done a version of “Mom & Dad’s Waltz,” which I first heard recently on Patty Griffin’s American Kid album, and 2. It’s her singing with John Prine on “In Spite Of Ourselves,” which, now that I’m thinking about it, is definitely one of my favorite love songs of all time.
- My Natalie Prass EP supposedly shipped last Thursday! Hoping it’ll be waiting on the porch when I get home from tonight’s gig.
- Haven’t been keeping track of shows for this weekend, since I’ll be in the tournament bunker all weekend, but I see that Lake Street Dive will be at the National on Saturday. I’m sure that’ll be fun.
Whether you’re out and about or glued to the TV like I’ll be, I hope your weekend is a [dribbles up to the basket and unleashes a 360-degree windmill jam] slam drunk. [Winks]
Last bit of catch-up for the week is about Off Your Radar — the weekly newsletter I’ve been writing for.
I haven’t been posting my blurbs because I’m hoping folks will subscribe, but I have to mention what happened last week. We all wrote about Sean Lennon’s Into the Sun album, which I really enjoyed getting to know. I especially enjoyed a jazzy track called “Photosynthesis” and spent all of my 200-some words extolling its virtues:
Forgive me — I have to freak out a minute about “Photosynthesis.” There are lots of jazz elements on Into The Sun, but “Photosynthesis” effectively hijacks the album for six and a half minutes and sends it into orbit. The bass line is just unconscionably, intensely groovy — the kind of pattern that begs to be sampled and repurposed. (Couldn’t find it on WhoSampled, so it’s not too late!) I could totally see it adorning a slow-mo sequence in a Guy Ritchie movie: gangsters in suits dragging some poor, bloodied soul into a room he’ll never again see the outside of. The other place I see it fitting is in a Radiohead song. Like someone gave the sheet music for the B-section of “Paranoid Android” to a jazz ensemble and said “Go nuts.” (Into The Sun was released while OK Computer’s massive wake was still rippling outward, so it’s not that hard to imagine that scenario actually playing out.) Maybe this will be more interesting to me than to anyone else, but it’s odd how, even though Sean Lennon has lived an international life — kindergarten in Tokyo, boarding school in Switzerland, college in New York — this one bass line pushed my mind toward two icons of late 90s British creativity. Is that because his father’s shadow was looming over him then, or because it’s looming over me now? Both, maybe?
What a thrill it was to find out via a really kind Twitter post that Lennon saw the newsletter and enjoyed it:
Blew my mind. Cheers to Doug Nunnally for starting this thing — I’m really proud to be a part of it. Even prouder today, actually, because Doug just let us know that the incredibly insightful writer of AnEarful is joining up! Welcome, Jeremy — can’t wait to hear your thoughts each week!
Here’s that Sean Lennon track I loved so much:
Sean Lennon — “Photosynthesis” [YouTube]