[Editor’s Note: I’m excited and honored to welcome my good friend Brian Gorman back to the blog. Gormie works for an accounting firm, but he’s also one of my favorite writers on the entire planet (his letters to customer service are the stuff of legend). If you’ve been reading for a while, you might have caught his touching piece about listening to B.B. King while getting an MRI. If you didn’t, be sure to check it out here.]


If YHT fans were going to the movies at all back in 1994, they will probably remember a certain iconic film with a floating feather and a moral lesson about a box of chocolates. And if you were like me, you may have been too busy watching your favorite shrimp boat captain bounce his way through the decades with his heart-warming mix of dopey antics and life-affirming optimism to realize that you were also simultaneously listening to one of the great compilation soundtracks of the 1990’s. Think about it, that flick had everything: Elvis, Hank Williams, twang master Duane Eddy —  then Forrest grows up and he’s jamming out to Creedence and Jefferson Airplane. But it was more than just a “Greatest Hits” collection for nostalgic Baby Boomers and aging hippies. The music gave that flick a sense of time flow and defined whole periods and settings of American civilization as they passed by. Add to that The Supremes, a very healthy dose of The Doors, and as a final topping, the very memorable original score by composer Alan Silvestri. Memorable is the right word. For the rest of your life you will never see a feather glide to and fro upon the breeze without hearing the title theme come streaming into your head via an invisible piano. All in all, Forrest Gump was almost as good for the ears as it was for the heart.

Almost 20 years later (I know! can you believe it’s been that long?), Silvestri and filmmaker Robert Zemeckis have teamed up again on another great compilation soundtrack.

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