Tag Archives: Beethoven

Max Richter

Max Richter

A few days ago, one of my favorite music writers, Jeremy Larson, posted the following thought to Tumblr:

Jeremy Larson

His short post — the screenshot above comprises the whole enchilada — hit me in two waves.

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Fiona Apple

Every Single Night

A couple months back, I wrote about an epiphany I had that opened the door to a world that had previously seemed hopelessly walled-off. The epiphany went a little sumpin’ like this:

“…having a guy dressed as Beethoven in the balcony can’t exactly change the fact that the real guy died in 1827, but it does call attention to the fact that 4 people with instruments and some sheet music can bring a part of the German composer’s magnificently wired brain back to life, if only for the length of time it takes to play one of his works…”

Though I was talking about how Brooklyn Rider makes classical music accessible, the part about music providing an external, accessible image of a person’s consciousness is fascinating to me. And while every lyricist engages in this process by putting their thoughts to words, hearing Fiona Apple’s new song “Every Single Night” helped me realize that she’s in a class of her own in this respect.

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You Spin That?!?

So this past Friday night, I spun at a super exclusive club. So exclusive that only two people were allowed in. I bet you’re dying to know which club it was, right? OK, OK, I’ll tell you, but you can’t tell ANYBODY. It was… my living room. That’s right, the two people in attendance were me and Mrs. You Hear That, who was sleeping peacefully on the couch the entire time. Sounds bumpin’, huh? Awww yeah! Because my set was so underground, I wanted to share some (11, to be exact) of the tunes we — OK, I — listened to while we — OK, I — watched college basketball. If you want to consider this a basketball playlist, go right ahead. Just know that it has nothing to do with basketball and would probably ruin even the most well-intentioned Final Four watch party. Just for fun, in spite of my sub-par photography skills (Glare? What glare?), I snapped pictures of all the records I played. What can I say? I’m a sucker for album art. Hope you enjoy!

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Brooklyn Rider

Seven Steps

Last week turned out to be a cover song celebration, with one post about a monster collection of repurposed Bob Dylan tunes and another about Punch Brothers’ out-of-this-world takes on Radiohead. And while I didn’t really set out to double down on the covers, I couldn’t be happier that theme emerged, because it got me thinking differently about Brooklyn Rider, a string quartet that has just released a new recording entitled Seven Steps.

Before going any further, I am obligated by the International Code of Music Blogging Ethics to point out that classical music is usually “not my cup of tea.” But it’s not “not my cup of tea” in the same way that, say, olives are “not my cup of tea.” Olives I hate with a passion. The word “tapenade” is an iron-clad deal-breaker when scanning the menu at fancy restaurants. Classical music, on the other hand, is something that I have a great deal of interest in learning about, but I have a long way to go, both in terms of appreciation and understanding.

So how did Brooklyn Rider manage to make connection with their 2011 effort, Brooklyn Rider Plays Philip Glass? I think Glass’ minimalist style deserves some of the credit. As with any learning endeavor, repetition is helpful, and the repetitive structures in Glass’ music engage without feeling overwhelming, despite the fact that a great deal of complexity is hidden within those patterns. But I think the lion’s share of the credit belongs to the group’s 4 musicians, who themselves are refreshingly relatable.

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