Tag Archives: David Shultz

Dogwood Tales

I mentioned a few weeks back that I’ve been making mix CDs from purchases made during Bandcamp’s fee-free Friday events. Part of the intent there is to contain the chaos — to retrospectively slow down a blur of new albums, rarities compilations, and live sets. It’s also part commemoration, since these Fridays feel meaningful to me. I love the idea that everyone’s stopping what they’re doing to acknowledge the value of music. We’ve been criminally undervaluing songs since file sharing took hold, and I’m genuinely hopeful that what Bandcamp is doing can evolve into a framework for sustainably funneling funds to musicians who so clearly deserve it.

It’s ironic, given that I’m buying mp3s like I haven’t in years, but my fetish for physical media has flared up in the process. I made my share of mix CDs during and after college, when iPods weren’t yet commonplace, but I never put much effort into the track lists, aside from writing on the discs themselves. Now I’m tearing pages out of magazines, borrowing my daughter’s glue stick, improvising insert design schemes, and hand-numbering to create limited runs nobody even knows about. I’m typically on the other end of that dynamic as a collector, so it’s fun to be the one writing “# ___ of ___” and deciding whether to make, like, five copies or four.

The first of these mixes was called “Still Here” and began with the poised and poignant David Shultz tune of the same name. (I ended up writing about it for the Auricular.) The title was also a nod to the fact that, even in May, it felt like we’d been cooped up in our houses for ages. Hilarious, in retrospect, though it doesn’t exactly inspire laughter. I kept that theme going by taking the title of my second mix from the fantastic calvin presents/Sam Reed collaboration “here,” which was released on Juneteenth. While counterintuitive, the fact that “here” follows “Still Here” in this little series makes me smile. Reminds me of that scene in Empire Records where Ethan Embry’s character describes naming his band after a misspelling of his own first name. “Always play with their minds.”

The third and most recent installment is called “Hard to Be Anywhere,” and it opens with a track from Closest Thing to Heaven, the new LP from Harrisonburg-based Americana/country outfit Dogwood Tales. It’s an incredibly moving song, and it’s no exaggeration to say I needed to hear it right now. The start of the chorus certainly hits home, no pun intended:

It’s hard to be in the right place for the right thing all the time

The more connected we all are electronically, the more it can feel like you’re never where you’re supposed to be. (Quick pause to acknowledge Jason Isbell’s own crystallization of that idea.) Even now, at a time when my family is swimming in, ahem, quality time, that sense of togetherness is short-circuited by the strange shape of this situation — limitations on where you can go and what you can do, daily risk assessment, constant stress, and the fortunate-yet-crazy-making task of folding parenting into working from home. At any given moment, it’s hard to know whether “the right place” is at my laptop, being the work version of myself, or in our backyard, pushing the kids on the saucer-shaped swing I hung from a sturdy branch of our maple tree near the start of this mess.

Then again, the “hard” part isn’t always about prioritization. Sometimes you know what the right thing to do is, but following through is what’s difficult.

Of the members of our household above the age of three, I’m probably the most content with settling into a groove around the house, carving ever-deeper ruts in the paths between my desk, the fridge, the downstairs bathroom, the couch, and the sink. (It can’t be coincidental that I’ve formed a close connection with the albums that comprise Neil Young’s “Ditch Trilogy,” as well as his recently released lost Ditch-era gem Homegrown.) I know that carefully planned and appropriately distanced activities — picnics, walks, drives — are a crucial component of our bubble’s collective sanity, but I’m not great about initiating them, and I’m trying to kick my habit of opting out when given the opportunity to do so. As hard as being out in the world is right now, I have to remember that the “rightness” of other places is diminished by my electing to stay home. This dynamic truly came into focus as a result of hearing “Hard to Be Anywhere” in the car at the start of a family outing I had mixed feelings about. Meditating on the song’s lyrics transformed my outlook on the trip completely. It was like the opposite of a dad yelling “I’LL TURN THIS CAR AROUND RIGHT NOW” at his screaming kids — more like “I’LL CONTINUE DRIVING THIS CAR AND MY MOOD’S SUDDENLY IMPROVED.”

WarHen Records already sold out of vinyl copies of Closest Thing to Heaven, but I wholeheartedly recommend heading to Bandcamp and downloading the album. It’s winner from start to finish. And Bandcamp has announced that they’re going fee-free on the first Friday of each month through the end of the year. I’m excited to see how this initiative grows and changes, and I’m hopeful that fans will continue to show up and demonstrate a growing collective conscience around the value of the music we love. And you better believe I’ll be making more mixes.

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Buy from Bandcamp today… again!

Three cheers for Bandcamp, y’all! Once again, the impressively benevolent music community and sales platform is waiving its usual 15% cut to generate extra revenue for artists, so many of whom have been hit hard by the effects of COVID-19 and social distancing. The last event like this was hugely successful — $4.3 million in sales in one day — and it’s so great to see they’re running it back. Sounds like they have a couple more planned, as well — on June 5 and July 3.

Here’s a big long list of artists and labels who are participating. I didn’t manage to get a post with my own picks up last time until later in the day, so I started chipping away at this one earlier in the week. Here are a few YHT-approved ways to join in on the fun and show your support.

Rob Dobson — No Cover Covers Vol. 1

Charlottesville’s WarHen Records recently launched a series of digital singles called “No Cover Covers,” kicking things off with a great take on Neil Young’s “Barstool Blues.” Looking forward to more of these. (Volume 2 is out now.)

Also firmly on the radar: a limited cassette run of Saw Black’s Horsin’ ‘Round rarities album, which I posted about in mid-March.

Sam Gendel — Satin Doll

Satin Doll is described in its Bandcamp liner notes as (and I love this description) a “simultaneous synchronized sonic construction/destruction of well-known jazz standards.” It’s singular. It’s innovative. It sounds like the past and the future at the same time. I’ve wanted to snag a copy for a while now, and today seems like just the day to do it.

Andy Jenkins — “Far Away From Here” (feat. Erin Rae)

The age-old alchemy of masking complexity with breeziness has a worthy standard-bearer in Andy Jenkins. “Far Away From Here” seems to hang in the air effortlessly, yet the accompanying instrumental version provides a peek into the jazz-informed intricacy involved. Such a beautiful conversation between Alan Parker’s guitar and Jacob Ungerleider’s piano, echoing the A+ pairing of Jenkins’ voice with Erin Rae’s. A masterstroke of a musical still life painting here.

left.hnd — Mira

This is so beautiful. Grippingly so. I listened to this while running, and I was so wrapped up in it I don’t think I took in visual information during those eight minutes. It was like being spatially transported. The vocals and strings work together to play with your expectations for tension and release, keeping you in this perpetual state of needing the next note to happen. In terms of atmosphere, Mira makes me think about Frank Ocean. The boldness. The use of space. It’s really something. (Kudos to Calvin Brown on those amazing string arrangements.)

While you’re on left.hnd’s Bandcamp page, be sure to grab “Vessel” as well. It’s been a beam of positive energy for me throughout the last month.

Gia Margaret — Mia Gargaret

Speaking of music that’s helping right now, I’ve found ambient music to be an essential part of my daily listening diet these days, and I can’t wait for this full album to be released. The first two tracks are meditative gems, and I could see this getting a ton of turntable time when my copy arrives.

Pearla — Quilting & Other Activities

This one came out last year, but I recently got a copy and have been falling in love with it all over again. These songs stick with you in a really interesting way — hours after I’ve spun the album, specific moments tend to drift around my consciousness and resurface periodically, like vivid memories that steal you away from the moment you’re in. (Then you put the album back on and start the cycle over again!)

David Shultz — “Still Here”

Very exciting — this tune wasn’t due out until next week, but it’s a Fee-free Friday miracle! I posted about Shultz’s song “Spring Forward” not too far back, when it was time to set our clocks forward for daylight savings. More recently, I’ve been spending a bunch of time with his wonderful Rain in to the Sea album — keep an eye on Off Your Radar and you’ll find out why. “Still Here” is another bright spot — life affirming, defiant in the face of fate, and demonstrative of Alan Parker’s deep and wide instrumental skill set. (That makes two mentions of Parker in this post. Is this turning into an AP fan blog? Trick question! It already was.) If you don’t have a copy of Rain in to the Sea, I’d recommend heading to the WarHen Records Bandcamp page and snagging that as well. Just a few copies left! (Yes, this is a WarHen fan blog as well.)

Various — Sahel Sounds Label Sampler 2

Sahel Sounds is making all of their downloads pay what you want, and if you’re new to their catalog, I recommend this new sampler. Mdou Moctar, Les Filles de Illighadad, Luka Productions… so much great stuff here. (If you dig Mdou, he’s got a new mixtape of live recordings and demos out today as well.)

Thought I’d throw in a few other intriguing options, lifted directly from Bandcamp’s list of participants:

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David Shultz

Hope y’all are spinning this today, too. It’s easily the best thing about having an hour rudely wrenched away.

Didn’t notice this liner note when the song was released last year: “All instrumentation performed and recorded by Alan Parker.” Hot damn. Produced by Parker and Andy Jenkins, mixed by Adrian Olsen… dream team all around.

Cheers to David Shultz and co. for giving us a reason to actually relish springing forward. Lost an hour, gained a tradition.

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David Shultz & the Skyline

A lot can go wrong when a record is delivered to your house. Loose packaging. Careless handling. Somehow sun and rain are both problematic, which seems wildly unfair, given that those are, like, the two main things weather does.

By contrast, WarHen Records just raised the bar for how right a record delivery can go. A bag of crab chips. A Northern Neck ginger ale. The snazzy new pressing of David Shultz & the Skyline’s 2009 Rain in to the Sea album I preordered after playing it repeatedly via Bandcamp during a long weekend on the Jersey Shore with family. Here’s a shot of everything Mrs. YHT found on the porch in the early morning hours of June 14:

For context, Shultz’s recent show posters have featured a scene nearly identical to the one pictured above:

Just amazing. It’s hard to put into words the feeling of pure delight at seeing that poster come to life. It was a truly indelible moment — something I’ll smile about every time I spin Rain in to the Sea, and not just because I FUCKING LOVE CRAB CHIPS. (They were gone before the weekend was out.) WarHen has always overdelivered when it comes to shipping records, from thank you notes and stickers to bonus downloads. I’m proud to call myself a loyal customer of theirs, and I recommend heading here to pick up one of the last few available copies of Rain in to the Sea. And if you haven’t already, be sure to snag Butcher Brown’s AfroKuti: A Tribute To Fela — another dynamite WarHen release.

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