The new issue of RVA Magazine (#28, to be exact) is out now, and in addition to a truly a gorgeous pink cover, it sports an article I wrote about Dazeases, one of the most exciting new artists to emerge from Richmond’s music scene in recent memory. Working on this was a genuinely inspiring experience. Dazeases has a true artist’s creative drive, and her compass is guided by a powerful sense of self-determination, whether you’re looking at her inventive approach to songcraft or her singular performance style. (Case in point: Her performance this Friday will include two venues and a 5-minute guided walk in between. How cool is that?)
I owe Dazeases my thanks, both for the inspiration she radiates and for all her help with the article, and I hope you’ll take the time to get to know her a little better by picking up a copy of the magazine or by reading online here.
Dazeases — “Laurel” [Spotify/YouTube]
Every once in a while, I look around and say to myself “Damn, EggHunt Records has a lot of awesome stuff going on…” Now is an excellent example, and I think it’s time for another installment of the feature I’m unofficially naming “Damn, EggHunt Records has a lot of awesome stuff going on…”
Here’s a link to the first EggHunt catch-up post if you’re curious, and here’s an all new one, featuring three exciting projects:
It really sunk in while I was listening to “Flee” for the first time that Landis Wine’s voice is Richmond to me, in the same way that the Boulevard is, or the river, or Bev’s. And it’s comforting knowing that if I ever moved away, I could still put on a White Laces album and feel the sense of place that I feel now. I’m excited to see him start a new chapter with Tori Hovater as Opin, and “Flee” leaves a great first impression. I’m especially fond of the build that ushers in the last minute of the song. Really neat.
Opin — “Flee” [Soundcloud]
Speaking of distinctive Richmond voices, Dazeases’ has to be the most exciting new voice coming out of this city’s music scene. I’ve been digging into her catalog on Bandcamp, and I can’t recommend doing so highly enough. Her approach to production, vocals, performance… everything is entirely her own, and “Plum” promises continued inventiveness and gravity on her upcoming album, Local Slut, which will be released via EggHunt’s snazzy Hatched subscription series.
Dazeases — “Plum” [Spotify/Soundcloud]
I’m not the best with time signatures. Does “You Became The Light” shift from 6/4 in the verse to waltz time in the chorus? Or is it 12/8? Are those relatively arbitrary designations? I don’t know enough to answer any of those questions. I’m just going to say that whatever Eric Slick (drummer for Dr. Dog) is doing here, I really like it. A verse that keeps you on your toes and a chorus that soothes for a few short moments before hurling you back into the madness… sign me up.
Eric Slick — “You Became The Light” [Spotify/iTunes]