Bandcamp Friday: March 2022

Vibes are off a bit this Bandcamp Friday, eh? Yeesh. Only time will tell how damaging or beneficial Epic Games’ acquisition of Bandcamp will turn out to be. I’d like to hold out hope for a glass-half-full version of this where Bandcamp picks up some great new capabilities while continuing to be this haven for community and consciousness around the idea — the fact — that artists deserve to be fairly compensated for their work. It’s hard not to be pessimistic, though.

All the same, it’s Bandcamp Friday. They haven’t taken that from us yet, and there are a quite a few things I’ve had my eye on of late. More vinyl than in past months, for whatever reason. Whether you’re picking up records or .mp3s, I hope you find something fun to listen to below while they’re still throwing this fee-free shindig.

Asher Gamedze — out side work | two duets

I absolutely loved South African drummer Asher Gamedze’s 2020 album Dialectic Soul. 10/10. Would recommend in the strongest terms. No hesitation whatsoever picking up a copy of this new set of improvised duets. (Well, I hesitated in the sense that I’ve waited until Bandcamp Friday to put my order in, but you get the idea.)

Justin Golden — Hard Times and a Woman

I’ll have a bunch more to say about this one soon — Incoming Article Alert™ — but for now I’ll just say that Richmond-based blues artist Justin Golden released the second single from Hard Times and a Woman this week. It’s called “Can’t Get Right,” and it’s been stuck in my head ever since he performed it at the 2021 Richmond Folk Festival. Calling it now that this album will be one of my favorites from 2022, and not just in the realm of Richmond music.

Dead Billionaires — Dead Billionaires EP

Speaking of incoming articles, I had a great chat with Warren Campbell of Dead Billionaires not long ago about his upcoming unofficial SXSW tour and a recording project that’s just over the horizon. Really excited to hear more from them, as the three-song self-titled EP they released in 2021 is excellent. Great day to download it.

John Calvin Abney — “Holy Golden West

Tulsa-based singer-songwriter and kickass multi-instrumentalist John Calvin Abney has a new album due out later this year entitled Tourist, and the first single dropped in February. Count me in for the single, the album… all of the above. Abney’s on tour with John Moreland at the moment. That’s how I first encountered his music — Abney was accompanying Moreland at a show here in Richmond at the Camel, and I took a chance on a copy of Abney’s Far Cries and Close Calls without having heard a single note. I’m so glad I did, and I can’t wait to hear the rest of Tourist.

Sarah White & the Pearls — Married Life b​/​w I​.​L​.​Y.

Speaking of recent articles, when I spoke with Warren Parker, who runs WarHen Records, he included Sarah White’s Married Life b​/​w I​.​L​.​Y. 7-inch among a list of the most pivotal releases from the label’s first 10 years. (Only natural, since it was WarHen’s first official release.) As part of the “WARHEN/TEN” anniversary celebration, Parker managed to dig up 10 copies of the single. You can bet I’ll be ready when those go on sale at 10 a.m.

Other items I have my eye on today:

Tennishu — “It’s Too Late
Hotspit — “Wane Mouth
Bartees Strange — “Heavy Heart
The Dead Tongues — Dust
Daniel Bachman — Sycamore City & Other True Stories
Tyler Meacham — Into the Fray

Justin Golden

I thought I’d start off the week by sharing a song that’s been an uplifting presence in my life — Justin Golden’s new one, entitled “Arm’s Length.”

I chatted with Golden for a River City Magazine piece published at the very start of 2020, and it stands in my memory as such a rewarding conversation. It was a joy learning about Golden’s journey and influences, and about his devotion to musical preservation. Here’s one passage of that interview that stuck with me, about why he started transcribing lesser-known blues songs from the past:

What motivated you to start transcribing?

Documentation and performance. I’m not really so worried about recording it for me to put out to make money. I just want to have it in my repertoire, and be able to show it. In the blues community, some people are considered culture-bearers, or torch-bearers, and I think I’m starting to be one of those people. I feel the charge to actually get out there and do it, because that’s what I like to listen to, and another 100 years goes by and no one’s going to know how to do this…

“Arm’s Length” is a testament to the timelessness of Golden’s approach. The sharp guitar licks, the simmer of the slide, the overall warmth of the mix… “Arm’s Length” is a joy to listen to, and it paints a vivid picture of Golden’s knack for making traditional elements feel fresh and vibrant.

Most of all, I love how cathartic the chorus is. I think we all need to hear that “It’s ok” from time to time, and it’s especially meaningful hearing that in between verses in which ambiguity is present.

Whatever the upcoming week brings, I bet it’ll be better with “Arm’s Length” in your life.

Justin Golden

In November of last year, I had the honor of sitting down with Richmond singer-songwriter and guitarist Justin Golden for an interview. I’d seen him open for C.W. Stoneking at Richmond Music Hall not long before, and it was such a joy getting to chat about music with him — both the music from the past that he and Stoneking draw inspiration from, and the music currently being made in Richmond that we both find meaningful.

I hope you’ll take a moment to check out the interview here. You can also find it in the current print edition of River City Magazine on newsstands around town. (Just saw a stack at Wawa over lunch today!)

Many thanks to Justin for his generosity with his time and conversation, and for all his help with the piece. The depth of Justin’s love for music is inspiring. Check out his music below, and be sure to keep an eye out for when he’s performing around town. I think you’ll walk away as inspired as I did.