Quick addendum to Wednesday’s post:
When I wrote about KONGOS, I talked about how the combination of bass, accordion and guitar reminded me of South Africa and Paul Simon’s Graceland, a comparison that was helped along by the fact that I looked the Kongos brothers up on Wikipedia while I was listening to their album for the first time and saw that they had roots in South Africa. Meanwhile, sitting in my drafts folder were the beginnings of my Hurray for the Riff Raff post. I’d listened to Small Town Heroes all the way through (and have been enjoying it a great deal), but I’d forgotten/failed to notice that it employs that same combination of instruments on “End Of The Line.”
In a recent blog post, Mark Richardson described three different ways music can be processed by the listener:
Some music I hear with my body, I actually receive the sound partly with my body and want to move muscles when I hear it. Some music I hear more with my brain, like I turn over images and consider ideas and so on, it’s a cerebral experience. And music… works in a third way, which is that it seems someone wired directly into my nervous system. When I hear it i don’t want to move and I don’t want to think, I want to sort of sit back and let it wash over me. It feels like an electrical current or something, a wavelength I tune into that makes me very happy.
I didn’t realize it right away, but I have experience with that third way.