Tag Archives: left.hnd

Buy from Bandcamp today… again!

Here we are again, my fee-free friends. My Bandcamp buddies. We made it. Another big, beautiful Bandcamp Friday. I dunno about you, but I’ve definitely started using these events as quarantine mile markers — something to look forward to, look back on, and generally use as a temporal tool for resisting the Groundhog Day grind of life these days. And it’s such a great feeling seeing the music community light up all at once and celebrate the value of create work — whether it’s a new album recorded under these unusual circumstances or music made ages ago that’s just now wriggling free from obscurity.

Here are a few releases I have my eye on:

Aquiles Navarro & Tcheser Holmes — Heritage of the Invisible II

Album announcements from the International Anthem label are an immediate cause for celebration, and this one was particularly intriguing. “Telepathic Afro-Caribbean improvisational trumpet-and-percussion duo”? Members of Irreversible Entanglements? An instant classic lead single? Count me in.

DJ Mentos — “1989

This here is a vibe. Combined with the video, “1989” is like being dropped down in the middle of a narrative that you get to finish writing yourself. It’s easy to get lost in those possibilities — despite the video’s six-minute running length, it feels like a lifetime has passed when its finished. So fun. Another demonstration of DJ Mentos’ masterful ability to make the past feel vital in the present.

Alex Ingersoll — Ruins Form

Speaking of vibes, this is where I’ve been on a nightly basis. This vibe. This place. This sound. Laptop open, typing, listening to music that opens up an imagined, uncanny space where time and gravity are different and whole worlds appear and disappear at the whim of music that dodges familiar melodic pathways. I’d compare it to the Valley Beyond in Westworld, but I’m only 50% certain I’d be referencing the right thing, given that I’m 100% confused by Westworld at all times. One thing I do know is that Alex Ingersoll’s Ruins Form album is wonderfully immersive, combining modular synthesizer, live instrumentation, and field recordings, and I highly recommend letting it bend your personal space-time continuum for a while.

left.hnd — ad mausoleum

I’ve been looking forward to this record since the day I interviewed Scott Lane for River City Magazine. While the resulting article mainly focused on his American Paradox label, he mentioned in that conversation that he’d been working on recordings of his own, and that itself was music to my ears, given that he’s had a hand in making so many of my favorite albums to come out of Richmond in recent years. (And that’s on top of his outstanding work with The Congress.) If you’ve been following along with these Bandcamp posts, you already know that I recommend his Mira EP from April in the highest terms. Judging by the bright, bold, and impeccably detailed tracks released from ad mausoleum so far (check out the latest of those below), his debut LP as left.hnd is going to meet and exceed all the hopes that started forming during our interview.

John Calvin Abney — Familiar Ground

This is another one where anticipation runs high. How high? So high that my very first act after gaining consciousness on Tuesday morning was checking the Black Mesa Records site to see if the preorder was available. You know you’re excited for an album to be announced when you literally can’t and don’t wait for the announcement to go out.

Lonely Rooms — Until We Have To

Joshua Quarles, Jonathan Vassar, Christina Gleixner… these are some of the first names I learned to look out for when I started following Richmond’s music scene. They’re names that have come to stand as synonyms for craft, and while I’ve heard them make wildly divergent music separate from one another — from hushed folk to jazzy Turkish-language pop to wind ensemble music that incorporated the sounds of SCUBA diving in real time — their shared capacity for making music of great depth (not a SCUBA pun, I swear) and substance gives Lonely Rooms a powerful sense of cohesion. I love this album. It’s remarkably poised, capturing moments of quiet turmoil and questioning made crystalline by melodies and structures that make you want to sing along and stay in the moment, however difficult it may be. And while there’s tremendous weight to the lyrics, closing track “Comeback” leaves you with a hopeful mantra I plan to return to repeatedly:

No alarms. No attacks.
Today wasn’t that bad.
I can take some comfort in that.
Try and figure out where my head is at.
I need strength and I find that I can
Feel it coming back.

Daniel Romano’s Outfit — How Ill Thy World Is Ordered

I am absolutely crazy about the live album Daniel Romano’s Outfit put out earlier this year, entitled Okay Wow. Good lord, y’all. It’s so good. This is one hell of a band, and not just in the sense of rendering songs well or being proficient. They have that elusive thing that makes the whole endeavor feel grander and more meaningful than just people on a stage playing instruments. The harmonies feel triumphant, and there’s grace and power to the way the group moves together. If you haven’t heard Okay Wow, please listen to it now. Then join me in being really, really excited for How Ill The World Is Ordered, which has a dynamite lead single called “A Rat Without A Tale.”

As always, here are a few other items of interest (I’ll keep this list updated throughout the day):

William Tyler — New Vanitas
Various — Good Music To Avert The Collapse Of American Democracy (benefits Fair Fight)
DarkTwaine_ — L’enfants Sauvages
Mdou Moctar — Mixtape Vol 5
Dogwood Tales — Live in the Velvet Rut vol. 2
ragenap — “hard rain” (benefits My Block My Hood My City)
CZAR — Gore en Regalia
Irreversible Entanglements — Who Sent You? (a few Implacable Maroon vinyl versions were made available!)

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Buy from Bandcamp today… again!

We’re back, baby! Bandcamp has generously decided to waive its 15% cut on the the first Friday of each month through the end of this godforsaken year, which is pretty awesome in my book. Also awesome? The albums below, which I submit for your consideration as you browse the ‘camp and decide which artists you’ll support.

Carlos Niño & Friends — Actual Presence

If you’re as smitten with International Anthem Recording Co. as I am, you likely already have your pre-order in for a copy of the album Carlos Niño & Miguel Atwood-Ferguson released in late June via the Chicago label. Atwood-Ferguson is among Niño’s “Friends” on this set as well, and another name jumped out among those who contributed to Actual Presence: Sam Gendel. I wrote about Gendel and his innovative album Satin Doll in connection with the May Bandcamp event, and I love how his unique sax treatment moves within in the space Niño creates. (To be clear, this isn’t their first collaboration. I’m late to the party. Very happy to be here, though!)

Reginald Chapman — Prototype Remixes 

Reginald Chapman may have moved away from Richmond, but “Hoodie” remains one of the core compositions I think of when I picture in my mind’s eye (as we’re forced to these days) the glory of seeing Richmond’s most overwhelmingly outstanding live act, the No BS! Brass Band. I love this Foisey. remix of the version of “Hoodie” that appeared on Chapman’s 2018 Prototype album, and I can’t wait to hear the rest of these Prototype Remixes. (Full album out in September.)

Kate Bollinger — A word becomes a sound

If there were ever a chorus to keep in the front of your brain in order to maintain sanity during a global pandemic, it would have to be:

Grey skies, they don’t scare me
I find them unnecessary
There’s no tellin’ when the bad’s gonna come around
And it’ll come around no doubt

It’s like a badly needed pat on the back from a friend who’s reassuring you without bullshitting you. And Kate Bollinger’s gift for phrasing means the words slide through your consciousness so gracefully the toxic parts of your psychology don’t have a chance to play defense.

Bollinger’s 5-song album A word becomes a sound is available on cobalt colored vinyl, and I can’t wait to have it spinning at home, and have my head spinning a little less as a result.

William Tyler — Music from First Cow

I’d totally planned see this movie before I bought the soundtrack. That seemed like the right order of events — as if there were a “wrong” time to buy a William Tyler album. (There’s not.) Then I listened to Music from First Cow a third time, and a fourth time, and I feel hard for how beautiful, musically economical, and evocative these pieces are, and I started to develop the kind of emotional responses you might expect to have after actually having seen the film, like how “The Arrival” triggers the kind of nostalgia you feel when something’s not even over yet but you already miss it… I’m still going to see this movie, but I’m not waiting to but its soundtrack a moment longer.

Ohbliv — LewseJoints Number 8 (a) and LewseJoints Number 8 (b)

Where Ohbliv goes, I’ll follow. His DarkTwaine_  pseudonym? Yup. The PANGEYA tape that became available last Bandcamp Friday? I’m there. The two new volumes in his LewseJoints series that hit the interweb earlier this week? Yes, please.

As always, here’s a running list of the other stuff I have my eye on, updated as needed throughout the day. Yay for Bandcamp Fridays, y’all. Now go forth and get some great music.

Mary Lattimore & Elysse Thebner Miller — And the Birds Flew Overhead (60 vinyl copies were made available today, but they’re going quick)
Philip James Murphy Jr — I went to sleep
Bon Iver — “AUATC
Christian Lee Hutson — The Version Suicides
Mdou Moctar — Mixtape Vol. 4
Alabaster dePlume — “Seen” (will be deleted tomorrow)
Various — Habibi Funk 014: Solidarity With Beirut (proceeds go to the Lebanese Red Cross)
left.hnd — ad mausoleum

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