Tag Archives: Lightfields

Landlady

landlady

Foregoing news and notes because this isn’t just any Friday — today is the day Bandcamp is donating their cut of all sales to the ACLU, which strikes me as a completely kickass move.

My plan is to snag Landlady’s newest album, The World Is a Loud Place. I had a chance to see and hear a few of these new tunes when the band came to Hardywood in August — “Driving In California” for sure, and I think “Nina” and “Electric Abdomen” made appearances as well. It’s a fantastic album, every bit as imaginative, tightly executed, and soul replenishing as Upright Behavior. In fact, Landlady has become one of the bands –maybe you have a similar list — whose shows are more like exercises in spiritual fulfillment than just a pairing of people playing music and people watching those people play music. They’ll be at The Camel on March 6, and I highly recommend grabbing a ticket. If you’re like me, you could use some spiritual fulfillment right now.

In fact, I was having one of those days just yesterday. I bet you know the kind. Checking Twitter every few minutes and bracing yourself for the awful shit it would reveal. Feeling sad/angry/confused about how so much could be allowed to go so wrong so quickly. I’ve had days that weren’t one of those days since January 20, but they’re the exception. Sad/angry/confused has become my new normal, even though I’m committed to the fight to keep intolerance from becoming America’s new normal.

You know who else is? The good people at the ACLU, and seeing that Bandcamp was doing what they’re doing today snapped me out of yesterday’s daze. I couldn’t wait to write this post and chip in.

Here are a few of the RVA bands and labels who are going a step further and pledging their own share of song/album sales to the ACLU:

And then there’s Lightfields, who have been donating their Bandcamp sales to Planned Parenthood for some time now. Richmond is full of amazing people. If you’re a band or label in town and I left you off the list above, please let me know so I can include you, because you’re awesome.

Happy Friday, y’all. Consider this today’s act of resistance. We’re just getting warmed up.

Landlady — “Nina” [Bandcamp]

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Filed under #nowplaying, #rva

Top 10 RVA Albums of 2014

Bob's Burgers

A few days ago, I saw yet another malcontented article about how 2014 wasn’t a great year for music, and how there were “good” albums but no “great” albums. I can’t remember where I saw it, and I’m not going to bother trying to find a link, because it’s crap. I’ll give you three reasons why:

  • One person’s good is another person’s great.
  • The way an album is perceived can and will change over time, so good now can be great later.
  • This was a great year for Richmond music.

That last one warrants its own list, so here are 10 reasons we should join Tina Belcher in raising a glass and toasting RVA music’s 2014. Consider it an alphabetically ordered top 10 that doubles as a drinking game.

Avers — Empty Light

Avers

Reason We Should Raise Our Glasses: Because Avers shows how, in a tightly knit community full of talented people, the lineup possibilities are endless and endlessly rewarding.

Avers — “The Only One” [Spotify/iTunes]

Black Girls — Claire Sinclaire

Claire Sinclaire

Reason We Should Raise Our Glasses: Because the snuff rock sound took a giant leap in terms of realization and articulation.

Black Girls — “Buyin’ Time” [Spotify/iTunes]

Butcher Brown — All Purpose Music

Butcher Brown

Reason We Should Raise Our Glasses: Because truly groovy music — songs that find a pocket, set up shop and explore all the space it has to offer — can be enjoyed over and over, and in any situation.

Butcher Brown (ft. Nicholas Payton) — “Jellowstone Room” [Spotify/iTunes]

Dead Fame — Vicious Design EP

Dead Fame

Reason We Should Raise Our Glasses: Because you don’t have to choose between intensity and danceability.

Dead Fame — “Joan Crawford” [Spotify/iTunes]

Everyone Dies in the End — All Things Lead to This

Everyone Dies in the End

Reason We Should Raise Our Glasses: Because the cycle of creation and destruction is a powerful thing to witness.

Everyone Dies in the End — “We Bears Are A Proud Race” [Spotify/iTunes]

Lightfields — Junior

Lightfields

Reason We Should Raise Our Glasses: Because the chorus of “Junior” feels like an invitation — the kind of singalong that makes you feel like a part of something.

Lightfields — “Junior” [Spotify/iTunes]

Sleepwalkers — Greenwood Shade

Sleepwalkers

Reason We Should Raise Our Glasses: Because every track being dynamite and not being able to pick a favorite is a wonderful problem to have.

Sleepwalkers — “Breaking My Heart” [Spotify/iTunes]

Sundials — Kick EP

Sundials

Reason We Should Raise Our Glasses: Because Sundials’ Kick EP packed a full-length album’s punch into six tightly crafted songs that can be enjoyed over and over without losing an ounce of their emotional impact.

Sundials — “Gained A Grip” [Spotify/iTunes]

Trio of Justice — Pookie’s March

Trio of Justice

Reason We Should Raise Our Glasses: Because the roomy, thoughtful mastery of Pookie’s March tells us that Jellowstone’s success will be varied and fun to follow.

Trio of Justice — “Motherland” [Spotify/iTunes]

White Laces — Trance

White Laces

Reason We Should Raise Our Glasses: Because the word is getting out about White Laces, so Richmonders and non-Richmonders alike can cozy up to the many-splendored warmth of TRANCE.

White Laces — “Nothing Clicks” [Soundcloud]

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Filed under #features, #rva

Lightfields

One more Commonwealth of Notions Presents memory from last Friday — Lightfields covering Archers of Loaf’s “Web In Front,” with a vocal assist from festival organizer and Clair Morgan bassist Shannon Cleary.

This was fun.

Archers of Loaf — “Web In Front” [Spotify/iTunes]

Lightfields — “Junior” [Bandcamp]

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Filed under #live, #rva