Consider for a moment the nature of applause. Giving someone “a hand.” Fairly straightforward, right? You applaud someone or something to show approval, with vigor acting as a measure of enthusiasm (excepting of course the legendary slow clap, which dramatically inverts the vigor dynamic and belongs in the nonverbal communication hall of fame, in this humble Rhetoric and Communications minor’s opinion). Cultures all around the world do it. You can golf clap, fast clap, clap seriously, clap sarcastically, clap enthusiastically, clap dispassionately, clap at completely inappropriate times… the variations are many; but one thing unites all of these types of applause: they’re externally directed. A tool for communicating outwardly. Which is why there’s something just a little bit weird about theater audiences clapping after movies (it’s not like the director can hear it), and why there’s something more than a little bit awesome about Mariachi El Bronx’s set opening up for tUnE-yArDs at the Jefferson Theater in Charlottesville on June 5. I’ll never forget how Mariachi El Bronx rescued me from a pit of despair… with my own applause.