Mark Richardson

EMA

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EMA

I’m sequestering myself by not reading about an album I’m primarily interested in because of one of my favorite music writers. And I’ve written a blog post about it. The Internet is a weird place.

I love reading about music. I love the descriptions, the debates, the cultural contextualization, the personal preferences — there are so, so many songs and albums I never would have heard had I not read about them online. (I really think this interweb thing is going to bring people together, ya know?)

That said, every once in a while, it’s fun (important, even?) to listen in a vacuum. To dive into a lake knowing you’re the only one making ripples in it. That’s what I’ve been doing yesterday and today with EMA’s new album, The Future’s Void.

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Dan Deacon

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Dan Deacon

I dunno about you, but I could use a pick-me-up.

I fell while running last night. It was dark, the sidewalk was uneven, and I ate it in spectacular fashion. My hands got pretty scraped up, but the wounds to my pride cut much deeper. If I had to use one word to describe the feeling I had when I was lying on the pavement, it would probably be “dorky.” There’s something really lame about that type of sports injury, because it brings into focus just how un-rugged modern life can be. It’s not like my hands got torn up while fending off a lion or building a log cabin. I was jogging. In the ‘burbs. Listening to my iPod. Wearing neon-colored clothes. And I fell.

So like I said, I need a pick-me-up, and I’m looking to you, Dan Deacon.

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Animal Collective

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Honeycomb

I have a few more things to share about my trip to Nashville (I promise they don’t involve vomit or Jack White), but I have to butt in and right a writing wrong that I, myself, have perpetrated. It’s been 302 days since I last wrote about Animal Collective. How the hell did this happen? AC and I certainly aren’t feuding or anything. As Big Boi once said of his distinguished colleague, André 3000, “Not clashing, not at all.”

I guess one reason might be that they haven’t released a conventional* LP since Merriweather Post Pavilion, but that wasn’t that long ago, right? Let me just check Wikipedia and find out when that wa… January of 2009? WTF?!? There’s no way 40 months have passed since that album came out. It just can’t be true. The songs still feel fresh, despite the fact that I’ve heard them god knows how many times over the past few years. In fact, I’m pretty sure the album hasn’t left my phone’s iPod, and I’ve had at least two phones since January of 2009. The more I think about it, the more it seems like this is a major indicator of an album’s greatness — the amount of time after its release that it stays in the front of your mind (and on the smaller hard drive of your primary listening device).

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