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Stockholm Syndrone

the-little-mermaid

It’s been a while since I’ve posted a Stockholm Syndrone (a song my daughter has requested so many times that I’ve pushed through insanity and found contentment on the other side). Let’s do this one lyrically:

Look at this song, isn’t it neat?
Wouldn’t you love to hear it on repeat?
Wouldn’t you think I’m a dad — a dad who thinks this jam’s sweet?

Here’s the thing: I do. I really do. I’ll listen to or sing “Part Of Your World” whenever, wherever. The Little Mermaid definitely has my favorite Disney movie music. Sorry, Lion King and Aladdin. Even the seafood chef song is a masterpiece.

Fun fact #1: Ariel’s voice is crucial to the story, but she only sings one song. Seems weird, doesn’t it? But it totally makes sense from a plot perspective.

Fun fact #2: Ok, so this isn’t necessarily a fact, I have a theory that this is the reason so many people compared Natalie Prass to a Disney princess, because both “Part Of Your World” and “It Is You” involve lists of precious objects. Who knows. Just a thought.

Jodie Benson — “Part Of Your World” [Spotify/iTunes]

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Stockholm Syndrone

The Buggles

For Toddler YHT’s second birthday, her favorite song ever.

A few fun facts beyond the MTV one:

  • Bruce Woolley and two other original members of The Buggles wrote the song, but Woolley left the band while they were recording The Age of Plastic to form another group called The Camera Club, and that band recorded a different version of the song.
  • When the Buggles’ recording was released, it topped singles charts in Australia, Austria, France, Italy, Ireland, Spain, Sweden, Switzerland, and the UK, and it was the best-selling record in Australia for 27 years. Apparently Australia can truly get down with some anxious, technology-related nostalgia.
  • Gary Lanagan, who mixed the song, claims it had “the loudest bass drum ever for its time.”
  • I thought maybe a bullet mic was used to create the old-timey effect on the male vocals, but apparently it was a Vox AC30 amp. OK then.
  • My daughter says “Alllllmost dooooone” in a really excited way whenever the false ending happens. She’s a smart cookie. And the album cut is actually a minute longer than the single version, with additional piano, synth, and sampled vocals, so it’s almost like it has two false endings, which is kind of hilarious when there’s a toddler sitting in your back seat waiting for just the right moment to say “AGAIN!”
  • I wasn’t kidding about the Stockholm Syndrone effect — I really do love this song more since we started listening to it every morning. And I love my two-year-old more, too — even if she hated music, the passage of time would ensure I love her more each day, but listening to music with her is my new favorite thing in the entire universe.

Happy birthday, kiddo. Have some “Radio Star.”

The Buggles — “Video Killed The Radio Star” [Spotify/iTunes]

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Stockholm Syndrone

Feist

Officially putting CD Monday on hold in favor of the new morning commute paradigm, which I’m calling Stockholm Syndrone. These are the songs Toddler YHT  hears, likes, and then asks for repeatedly, giving me a sanity-irrespective glimpse into their deepest depths.

In all seriousness, I’ve been meaning to keep track of what she likes, like a vicarious version of my That’s My Jam Spotify playlist. Would be fun if she just took it over one day.

I’ve mentioned “Video Killed The Radio Star” a few times, but the first Stockholm Syndrone arrived via Leslie Feist’s appearance on Sesame Street. Mrs. YHT and I managed to gradually replace the audio from that skit with the version from The Reminder a few months back, but it still kills. Consistently generates encore (“Again!”) requests and even the occasional “Good idea, Daddy.”

The Reminder was actually a recent CD Monday pick, I’m still in awe of how well it holds up, and how much bigger a song like “1234′ is than the sum of its parts. It’s fun trying to guess at what my daughter sees in the songs she latches onto, and while Sesame Street was definitely the catalyst here, I’d guess something more universal is at work here. Remember how huge this song got? It turned into a genuine pop hit — commercials, chart success, the works. Reminds me of Gotye’s “Somebody That I Used To Know.” Both make good on the promise that, as stacked as the deck may be in favor of a small group of already-famous artists, music still functions as a meritocracy in its best moments.

Maybe it’s the exuberance “1234” builds, or the bright, positive feeling you get when listening to it, despite the fact that some of the lyrics are dark. Who knows. This I do know: It’s the original Stockholm Syndrone.

Feist — “1234” [Spotify/iTunes]

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