Tag Archives: Trey Anastasio

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South Carolina

Heading to Jersey then Hilton Head for a week. Quick CD Monday Update: After cross referencing the album cut and a random live recording, I’m certain that the orchestral version of “Guyute” is my favorite.

Trey Anastasio — “Guyute (Orchestral)” [Spotify/iTunes]

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CD Monday

Another Toddler YHT pick. OK, so she was indiscriminately pulling CDs out of the rack, but once she’d assembled her options, she was resolute about this one.

I actually got to see some of these songs performed by an orchestra at Bonnaroo in 2004. I remember waiting around for what seemed like forever and wondering what the hell was happening onstage, and while it wasn’t perfect — I think the strings struggled with intonation because of the heat and humidity — it was a neat experience. Definitely a fish-out-of-water moment, both for Trey, who was taking a risk performing that style in that setting, and for those of us in the audience: I’m not sure how widely known this plan was, but I couldn’t have been the only one who showed up expecting to see a bunch of noodly guitar solos. That kind of friction doesn’t come about without a fair amount of bravery, and that bravery is a big part of why I look back on that performance (and this album) admiringly.

It’s a grab bag stylistically. Some great Copland-y passages, though, and “The Inlaw Josie Wales” is sweetly done. I’ll report back later in the week about “Guyute” — interested to see if this version is as epic as it seemed when Phish was in more regular rotation.

Trey Anastasio — “The Inlaw Josie Wales” [Spotify/iTunes]

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Thank you!!!

When I realized I was approaching my 100th You Hear That post, it took me approximately .0382 milliseconds to decide what I wanted to say and what song could help me say it. I’d like to take this opportunity to say a huge and heartfelt thank you to all the amazing people who have supported this blog since I started writing it in March. Whether you have taken time out of your day to read a post, submit a comment, retweet a link, make a suggestion, read a draft (I’m looking at you, Mrs. YHT), write a guest post or include me in your blogroll, I want you to know that these gestures brighten my day tremendously and breathe life into a venture that brings me an immeasurable amount of joy. Talking about music is one of my favorite things in the entire universe, and, to paraphrase Sly Stone, you all let me be myself day after day by entertaining my reactions, recommendations and (often way-over-the-top) enthusiasm. I can’t wait to see what the next hundred posts will bring, and I sincerely hope you’ll continue reading and sharing your thoughts as we find out together. Before going any further, I have a confession to make about “Thank You (Falettinme Be Mice Elf Agin).” My relationship with the song didn’t start with Sly and the Family Stone’s original version — it began when Dave Matthews and Friends (which featured Trey Anastasio and Tim Reynolds on dueling/feuding lead guitars) performed an 18-minute cover version to close their headlining set at Bonnaroo in 2004. Right now you may be saying to yourself, “Geez, 18 minutes? That seems excessive…” Well, you’d be right, and I’m pretty sure Dave Matthews would agree with you. Neither Anastasio nor Reynolds would let the other get the last guitar solo word, and from where I was standing (admittedly, about 100 yards away), it looked like Matthews started shouting at Reynolds to get him to stop playing his instrument. Good times! I hope you enjoy Sly’s (considerably shorter) version above, and thank you thank you thank you falettinme be mice elf. Agin.

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