Isn’t the success that’s couched in abject failure the sweetest? Allow me to provide an illustration.
A week ago, I headed to Strange Matter for the sold out Real Estate show. Moments after I walked in the door, I caught a glimpse of a magic marker-scrawled schedule that was sitting on the desk of the ticket-taking station. The whole shindig was exactly 1 hour behind the advertised start. The Diamond Center at 9. Twerps at 10. Real Estate at 11. Normally, I don’t put too much stock in concerts starting on time, but I had to be up at an ungodly hour Friday morning and was beset by an uncharacteristic and unwelcome wave of prudence. Gross. But the Diamond Center put on such a fantastic display in the first opening slot that I completely forgot about my accursed curfew for a while, and I left Strange Matter with the unmistakable feeling that I’d gotten my money’s worth — and then some — even though I didn’t experience a single note of the headlining set.