Tag Archives: Villagers

Top 10 Albums of 2013

Countdown gif

It’s customary to start year-end lists by chewing some fat about how making them is strange and difficult work, and in general, I find that these intros can be exceedingly skippable. Everyone knows that album rankings are subjective (even when they’re created on behalf of a publication or website), and no one needs to be reminded that the list maker didn’t listen — and couldn’t have listened, of course! — to every single thing that came out in the preceding 12 months. You don’t share Santa Claus’ knack for bending the space-time continuum. Understood. But before I get to my Top 10 albums, I would like to share a quick story about how I came up with my list, and how Beyoncé helped me find meaning in this whole strange and difficult exercise.

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Villagers

Villagers

I’ve said it before, but it’s been a while, so I’ll say it again… I love listening instructions. Having someone tell you what music to try is great, but even better is being told the how, where and when, as well. That’s just what Villagers frontman Conor O’Brien has done with his latest album, {Awayland}. On the Villagers website, he lists the following instructions…

Maybe try it on headphones first, without interruption. I hope you enjoy.

Truth be told, by the time I saw his note, I was already 3/4 of the way through the album, and I was indeed listening through headphones. This barely qualifies as coincidental, given that new music is almost always debuted this way, for me and, I’d guess, for a lot of other people. But the second part — the “without interruption” corollary — that’s a bit more interesting, because I’d had the very same thought mere moments after I clicked play on NPR’s First Listen of the album. Almost immediately, I felt the need to hunker down for the full-album experience, despite being 30 or so minutes away from reading O’Brien’s instructions. Now that’s a coincidence worth digging our teeth into.

So why’d that happen? Why did I instinctively know that {Awayland} would be a great cover-to-cover read?

[cue Carrie Bradshaw voiceover]

Why would one album be better suited for uninterrupted listening than another?

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