Friday News and Notes

The SoundView Project

How is it September? September is supposed to be, like, in the future. Not the present.

As tempting as it is to lament the end of summer, one early-September event has me looking forward to the month ahead, and there are a few other links I wanted to share:

  • Today kicks off the SoundView Project, a public art/music event in which Troy Gatrell of Clair Morgan and Way, Shape or Form will write, record, and mix five songs over the course of a month in full view of Broad Street passersby. (Yes, I was excited to pluralize “passerby,” just as I would have been to type “attorneys general,” which I guess I just did.) They’re having a kickoff party tonight during First Fridays to celebrate. Definitely going to stop by at some point to check things out — what a great idea, and it’s being done to raise awareness of the importance of music education.
  • Do you like shiitake mushrooms but lament the lack of songs about them? Your prayers have been answered. (Thank you for the heads up, Travis!)
  • A friend gave me a copy of The Band’s Anthology, which I hadn’t even heard of, for my birthday. A Canadian pressing at that. I have Moondog Matinee, but I clearly don’t listen to it enough, because their cover of “The Great Pretender” snuck up on me. It’s awesome.
  • I reconnected yesterday with Big L’s “Ebonics,” which is exceptional. Steady Sounds posted a pic a while back showing they had a copy of The Big Picture in, and I really should have bolted over there.
  • Speaking of exceptional… Beyoncé’s VMAs medley. Lordy. For whatever this commentary is worth, I just want to throw out there that I think what she did that night and what she’s doing with this album are incredibly important. I didn’t connect with the idea of a visual album before now — I’ve enjoyed her self-titled album greatly without spending much time with the videos — but Lemonade feels different. She’s staking her claim to broader emotional and cultural territory while putting her image front-and-center, as if to say “You know that two-dimensional pop star you’ve been taking for granted? That smiling face you’ve seen a thousand times? You’re going to see what it looks like when I’m pissed, because everything is not OK right now.” Or, put more succinctly, “Who the fuck do you think I is?” I have a huge amount of respect for that.
  • Just two quick show recommendations for Saturday — Stranger Things-inspired 80’s party at the Broadberry, and a great Camel show that will include My Darling Fury and Vexine.

Hope y’all have a great long weekend. Stay dry, East Coasters.

WRIR and Commonwealth of Notions Presents: Volume 3

Commonwealth of Notions

On July 14 of last year, when I was speeding down Monument Avenue on the way to Gallery 5, the air in my Honda Fit was thick with suspense. I was eager to see The Snowy Owls, a band I’d been listening to but hadn’t seen live, and I was just as eager to get my first taste of “WRIR and The Commonwealth of Notions Presents.” Last year was the second for the Shannon Cleary-curated WRIR fundraiser, and it proved to be a dynamite day and night of music, with 10 local bands, multiple stages and perfectly staggered set times. I thoroughly enjoyed getting to know the Richmond music scene better at last year’s event, and it’s become clear that this year’s is going to be even more rewarding.

If Volume 2’s format provided a steady stream of sets, this year’s is more like an angry river that’s going to crest on four consecutive nights at four different venues around Richmond. And while we know the where and when for WRIR and The Commonwealth of Notions Presents: Volume 3 — things kick off on Thursday, July 18 at Strange Matter, followed by Balliceaux on July 19, Gallery 5 on July 20 and Bandito’s on July 21 — the who has been kept secret until the last few days, whereupon RVA Playlist, Sounds of RVA and One Way Richmond began revealing the bands who have signed up to participate.

Today, I’m honored to announce three more puzzle pieces — Wolf//Goat, Way, Shape, or Form, and Heavy Midgets. The dates and venues are listed below, along with some sample tunes to get the anticipation flowing.

July 18 at Strange Matter
Wolf//Goat

In Watermelon Sugar

Wolf//Goat — “Lobocabra” [Bandcamp]

July 20 at Gallery 5
Way, Shape, or Form

Way Shape or Form

Way, Shape, or Form — “Tenants” [Bandcamp]

July 21 at Bandito’s
Heavy Midgets

Heavy Midgets

Heavy Midgets — “Golden Cow” [Bandcamp]

Keep an eye out for more announcements, including information about a very special mystery artist who will be returning to Richmond to perform at Balliceaux on Friday, July 19.

Hope to see you there in July!