Tag Archives: Black Girls

Top 10 RVA Albums of 2014

Bob's Burgers

A few days ago, I saw yet another malcontented article about how 2014 wasn’t a great year for music, and how there were “good” albums but no “great” albums. I can’t remember where I saw it, and I’m not going to bother trying to find a link, because it’s crap. I’ll give you three reasons why:

  • One person’s good is another person’s great.
  • The way an album is perceived can and will change over time, so good now can be great later.
  • This was a great year for Richmond music.

That last one warrants its own list, so here are 10 reasons we should join Tina Belcher in raising a glass and toasting RVA music’s 2014. Consider it an alphabetically ordered top 10 that doubles as a drinking game.

Avers — Empty Light

Avers

Reason We Should Raise Our Glasses: Because Avers shows how, in a tightly knit community full of talented people, the lineup possibilities are endless and endlessly rewarding.

Avers — “The Only One” [Spotify/iTunes]

Black Girls — Claire Sinclaire

Claire Sinclaire

Reason We Should Raise Our Glasses: Because the snuff rock sound took a giant leap in terms of realization and articulation.

Black Girls — “Buyin’ Time” [Spotify/iTunes]

Butcher Brown — All Purpose Music

Butcher Brown

Reason We Should Raise Our Glasses: Because truly groovy music — songs that find a pocket, set up shop and explore all the space it has to offer — can be enjoyed over and over, and in any situation.

Butcher Brown (ft. Nicholas Payton) — “Jellowstone Room” [Spotify/iTunes]

Dead Fame — Vicious Design EP

Dead Fame

Reason We Should Raise Our Glasses: Because you don’t have to choose between intensity and danceability.

Dead Fame — “Joan Crawford” [Spotify/iTunes]

Everyone Dies in the End — All Things Lead to This

Everyone Dies in the End

Reason We Should Raise Our Glasses: Because the cycle of creation and destruction is a powerful thing to witness.

Everyone Dies in the End — “We Bears Are A Proud Race” [Spotify/iTunes]

Lightfields — Junior

Lightfields

Reason We Should Raise Our Glasses: Because the chorus of “Junior” feels like an invitation — the kind of singalong that makes you feel like a part of something.

Lightfields — “Junior” [Spotify/iTunes]

Sleepwalkers — Greenwood Shade

Sleepwalkers

Reason We Should Raise Our Glasses: Because every track being dynamite and not being able to pick a favorite is a wonderful problem to have.

Sleepwalkers — “Breaking My Heart” [Spotify/iTunes]

Sundials — Kick EP

Sundials

Reason We Should Raise Our Glasses: Because Sundials’ Kick EP packed a full-length album’s punch into six tightly crafted songs that can be enjoyed over and over without losing an ounce of their emotional impact.

Sundials — “Gained A Grip” [Spotify/iTunes]

Trio of Justice — Pookie’s March

Trio of Justice

Reason We Should Raise Our Glasses: Because the roomy, thoughtful mastery of Pookie’s March tells us that Jellowstone’s success will be varied and fun to follow.

Trio of Justice — “Motherland” [Spotify/iTunes]

White Laces — Trance

White Laces

Reason We Should Raise Our Glasses: Because the word is getting out about White Laces, so Richmonders and non-Richmonders alike can cozy up to the many-splendored warmth of TRANCE.

White Laces — “Nothing Clicks” [Soundcloud]

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Sleepwalkers

Sleepwalkers

Almost exactly two years ago, when writing about Frank Ocean’s Channel Orange, I coined a term (sounds so much better than “made up a word,” doesn’t it?) that I’m still waiting for popular culture to whisk away. It’s confrenzus — the consensus frenzy that results from a book, movie or album that is so clearly worthy of acclaim that everywhere you look, someone is heaping praise on it.

There’s a confrenzus brewing, and it’s about to bubble over at the Broadberry. Tonight is the release show for Greenwood Shade — the new album from Richmond-based band Sleepwalkers — and I can’t resist joining the chorus in saying that tonight’s event (which also features Black Girls and Dead Professional) is well worth your time.

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Black Girls

Claire Sinclaire

I’ve said it before, but I’ll say it differently — there’s a distinct, elevated echelon of songs and albums that manage to both entertain and offer up new perspective on something you thought you had a handle on. For me, it usually happens in relation to words. Most recently, Jason Isbell’s Southeastern took the word “down” and turned it on its head via some gorgeous, wilting guitar work and an overarching narrative of hard-earned serenity. I’ll never look at the hierarchical relationship between “up” and “down” the same way. Black Girls’ new album Claire Sinclaire gets to that transcendent point, proving enjoyable in the extreme while bringing on its own haunting redefinition.

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The Great White Caps

Great White Caps

According to the number of dangling inchworms I’ve been unsuccessfully dodging recently, spring has sprung in my neck of the woods, and I’m hoping that warmer temperatures thaw the horrendous live music freeze-out I’ve been experiencing over the past few months. I’ve let opportunity after opportunity pass me by, but I’m ready to get back in the game, and the night before last, with about an hour to go before The Trillions showed The Camel why they remain one of the most explosive acts in town, Bandmate 4eva Doug and I took in a fantastic opening set by a Bethlehem, PA-based surf rock group called The Great White Caps.

I know we’re not all the way to true beach weather yet, and I know that decent wave-riding in Richmond is at least a few decades’ worth of global warming away, but on Wednesday night, with the first Friday Cheers looming large and the hopefulness of spring coating the city like a fresh dusting of pollen, the Caps offered a frenetic and reverb-soaked performance that was every bit as invigorating as it would have been to hop in my temporarily yellow Honda Fit, drive to Virginia Beach and jump in a 58-degree, early-May Atlantic Ocean. Just as invigorating was the clarity of The Great White Caps’ approach, which I found myself thinking about for much of their set.

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5×5, Part 4: RVA Long Plays

5x5, Part 4 - RVA Long Plays

(Click here for Part 1 – Songs, here for Part 2 – Collaborations, and here for Part 3 – Late Breakers.)

When Richmond Playlist posted its Best Richmond Albums of 2012 list last week, two things immediately became clear: Richmond produced a bumper crop of new music in 2012, and I managed to wrap my brain around only a small portion of that output. But instead of blaming myself, as is customary for a person with a guilt complex as highly developed as mine, I’m going to project blame onto the following 5 LPs, which were so damn good I couldn’t stop fawning over them. Here are my favorite full-length albums from Richmond artists this year, along with a bonus list of the EPs that loomed large as well.

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The Trillions

(Editor’s Note: This past Saturday was such a great day for music that I’ve split up my reaction into three posts. Check out the second one below, and click here if you missed the first.)

Because of the shindig I mentioned yesterday, I wasn’t sure if I could make it to Saturday night’s Trillions CD release show at Gallery 5. And by the time I got there, I was pretty tuckered out and had already missed Kid Is Qual’s set (more on these fine folks to come in a future post). I definitely needed a pick-me-up, and having recently gone cold turkey on Red Bull certainly wasn’t working in my favor. But I’ll tell you two things that were working in my favor: Worthless Junk labelmates Black Girls occupying the second opening slot and the Trillions kicking ass/taking names.

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RVA Magazine

RVA8

Earlier this year, I had the opportunity to interview RVA’s favorite team of #snuffrock specialists, Black Girls. It was a tremendous honor meeting and chatting with these 5 incredibly talented and gracious gents, and the resulting article is available now in the spring issue of RVA Magazine. I’m excited about how it turned out, as the band has had some wonderful things happen in the last few months, and I really believe they are destined for great things. If’n you’re interested, you can read the piece online here or, if you’re an ink and paper kind of guy/gal, you can pick up a hard copy of RVA Magazine for $0 at several spots around town (my favorite place to snag the mag when it comes out is Steady Sounds on Broad Street, but hey, that’s just me). In the meantime, you can sample Black Girls’ song “Get Off” below and, if you don’t have it yet, click here to pick up their kickass recent album, Hell Dragon.

Black Girls — “Get Off” [Spotify/iTunes]

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