Tag Archives: Bonnie Raitt

Bon Iver

Bon Iver

Looks like some serious (well… Southerner-serious) snow is on the way in RVA, so I’ve activated my Bon Iver snow day record bunker, which is comprised of the three 12-inch singles released in conjunction with his self-titled masterpiece and the Blood Bank EP that preceded it. I don’t normally splurge on singles, but these have dynamite B-sides — covers of Bonnie Raitt’s “I Can’t Make You Love Me,” John Prine’s “Bruised Orange (Chain Of Sorrow)” and Peter Gabriel’s “Come Talk To Me.” And Blood Bank is my favorite kind of EP — one that documents a pivotal moment. In this case it’s Vernon’s transition from the cloistered simplicity of For Emma, Forever Ago to the vastness of Bon Iver.

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A Sunday morning playlist

Sunday Playlist

On Saturday, I stopped by Deep Groove Records and brought home the four used records pictured above. On Sunday morning, I played those four records while Mrs. YHT and I were making coffee and cooking brunch for some friends who were visiting from out of town. Forgive the superlative-speak, but I’m inclined to think it was the best Sunday morning of music my living room has seen/heard in the four years we’ve been in our house. A few words about each title:

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Bonnie Raitt

Bonnie Raitt

Before I start evangelizing, let me acknowledge one thing: collecting vinyl ain’t always cheap. Record stores turn into self-control battlegrounds, and you never know when you’re going to fall in love with the $40 imported pressing of some album you already own and don’t actually listen to all that often. Add in the cost of a turntable, maintenance, a receiver, speakers… you get the idea. Things can get out of hand. Wallets can suffer.

BUT…

Collecting vinyl can also be unconscionably cost effective.

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Ari Hest

So finally getting started on my year-end post(s) got me thinking about the top-10 albums list I did last year.

Looking back, I feel pretty good about everything I put on there, but my appreciation for one of those albums has changed dramatically since the end of 2011. It’s not that I’d drop Bon Iver’s self-titled effort, if given a do-over, it’s just that its legacy has shifted. I say that because, when I see the cover of Bon Iver now, I immediately start thinking about Bonnie Raitt, John Prine and Peter Gabriel.

It’s not as random as it sounds, I swear.

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