Going to try to sneak some CD listening in this week. May just end up listening to Little Mermaid, like we have been lately. We’ll see. Looking at it as a win-win.
Very curious about what Then Play On has in store, because I’ve heard very little of it (it’s not on Spotify) and the friend who loaned it to me said it’s nothing like Mac’s later output. More bluesy, I’m told.
If it’s half as majestic as that cover art…
Fleetwood Mac — “Rattlesnake Shake” (live) [Discogs]
Back from Corolla, kicking off what’s sure to be a crazy week with an Iron Lung Corp album that my brother-in-law Brian has guitar credits on. He gave me a copy last week, and I can think of no better accompaniment to confronting the harsh reality of being back than industrial covers of songs by the likes of Peter Gabriel, The Cure, and Pink Floyd.
Iron Lung Corp — “The Blood” (The Cure cover) [Discogs]
I drove up to New Jersey with my mom weekend before last. Shortly after we hit the road, she gave me a few albums she’d been saving for me. Vince Mendoza’s Blauklang was the first we put in. Really interesting. Blurs the line between jazz and classical, starting with a dynamite version of Miles Davis’ “All Blues.” (Listen for the tone of the guitar — it sounds just like John Scofield, but it’s not. So crazy.)
Vince Mendoza — “All Blues” (Miles Davis cover) [Spotify/iTunes]
Another Toddler YHT pick. OK, so she was indiscriminately pulling CDs out of the rack, but once she’d assembled her options, she was resolute about this one.
I actually got to see some of these songs performed by an orchestra at Bonnaroo in 2004. I remember waiting around for what seemed like forever and wondering what the hell was happening onstage, and while it wasn’t perfect — I think the strings struggled with intonation because of the heat and humidity — it was a neat experience. Definitely a fish-out-of-water moment, both for Trey, who was taking a risk performing that style in that setting, and for those of us in the audience: I’m not sure how widely known this plan was, but I couldn’t have been the only one who showed up expecting to see a bunch of noodly guitar solos. That kind of friction doesn’t come about without a fair amount of bravery, and that bravery is a big part of why I look back on that performance (and this album) admiringly.
It’s a grab bag stylistically. Some great Copland-y passages, though, and “The Inlaw Josie Wales” is sweetly done. I’ll report back later in the week about “Guyute” — interested to see if this version is as epic as it seemed when Phish was in more regular rotation.
Trey Anastasio — “The Inlaw Josie Wales” [Spotify/iTunes]
Part two of the Marcus-led exploration of Mudcrutch. The album is called, fittingly, 2. I’ll report my findings on Friday.
Mudcrutch — “Trailer” [Spotify/iTunes]
Yesterday was a pretty dark, emotional day, and the sadness I feel in association with what happened in Orlando isn’t dissipating. I feel hungover, really, but it’s not the type of hangover that goes away with Advil.
I thought about skipping CD Monday, but I’d like to instead share an album (Nelly Kate’s Ish Ish) that I find very helpful when it comes to emotional processing, which is an important part of the aftermath of horrific events like Sunday morning’s. Regardless of whether you lost someone in that club, got scared half to death because you have friends who were in Orlando at the time, don’t know a single gay person but just really don’t want the government to take your guns away, or you’re overwhelmed thinking about the disproportionately large effect a single small mind can have… I’m certain that everyone can benefit from honest introspection about what comes next.
Find the corners of your mind. There just might be nuggets of truth — newfound clarity or unexpected empathy — in those places that can help us all move forward from this. Not away, but forward.
Nelly Kate — “Minds + Corners” [Discogs]
A belated happy birthday to Clair Morgan! I am…
- Thrilled to have had a chance to meet and interview Clair, who is extremely nice and talented
- Still smitten with New Lions & the Not-Good Night, which is utterly delightful and brilliant
- Extremely psyched for Toddler YHT to get to know the album (between requested performances of “Old McDonald,” which is getting darker and darker, given that Old McDonald apparently had snakes, tigers, and alligators)
Clair Morgan — “Bryn Mawr” [Spotify/iTunes]