Tag Archives: Charlottesville

Easy Star All-Stars

Radiodread

For nearly three decades, I thought my mom was a fan of the ALCS-swept New York Yankees. She grew up in New Jersey, her brother is a Yankee fan, her parents are Yankee fans… I guess I just assumed. And there wasn’t exactly a shortage of opportunities for her true colors to show — I played little league for like 10 years, went to god knows how many Norfolk Tides games, and watched a ton of baseball at home during and after family dinners. So imagine my surprise when the following exchange took place over the phone earlier this season…

Mom: “Ugh. I hate the Yankees.”
Me: “What?”
Her: “I’m a Mets fan!”
Me: “What?!?”

Turns out, when she was a kid, she rooted for the Mets to stick it to the rest of her family. Pretty awesome, if you ask me. She also called a career audible when I was in high school and became an Episcopalian priest after 31 years of teaching American History. She’s just full of surprises.

So is Radiohead, apparently.

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The Dead Weather

Horehound

I rolled up last Thursday’s Jack White show at the Charlottesville Pavilion in full freak-out mode. Various stressors had gotten the best of me, and I actually brought the idea of leaving up to Mrs. You Hear That while the stage was being prepped for Mr. White. Thankfully we stayed, and the more I think about it, freak-out mode might have been the best possible mindset for my first time seeing Jack White perform.

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tUnE-yArDs

Gangsta

Concert Catch-Up Week, Day 5: tUnE-yArDs
(click here if you missed Day 1: Todd Sniderhere if you missed Day 2: Justin Townes Earle, here if you missed Day 3: Radiohead, and here if you missed Day 4: Mariachi El Bronx)

I hate it when famous people I like don’t get along.

The subject of music feuds came up a few hours before my friend Coyle and I saw Radiohead in Washington D.C. And before you ask, no, the music feud I’m talking about isn’t the one about us buying the same M. Ward shirt, though I am wearing it as I type this — hear that Coyle?!? No, the subject came up because our pre-show listening regimen leaned heavily on Arctic Monkeys, to whom Coyle’s been listening quite a bit recently. As we talked about Suck It and See, Arctic Monkeys’ most recent album, it dawned on me that I hadn’t given the band a fair chance over the years, and I’m pretty sure it’s because of something Thom Yorke said a little while back. Of AM and their rapid rise to fame, Yorke was quoted in 2006 as saying:

“The fact that poor Arctic Monkeys are getting so much attention is purely based on the fact that the mainstream music business is such a bunch of fucking retards as far as I’m concerned.”

Looking back at this incident with the benefits of hindsight and Google, it seems totally unfair (and dumb) for me to have let a single utterance, especially a flippant one that was mainly directed at the mainstream music industry, steer me away from a group I’d been starting to enjoy. But a half decade of tepid listening, a heavy Radiohead bias and the fact that AM drummer Matt Helders had fired back a shot about Radiohead being boring all worked together to warp my memory, and I found myself saying to Coyle something like, “I haven’t listened to them much. I think they said something not so nice about Radiohead at one point.” It’s embarrassing to admit it, but I seem to have passively chosen a side in a disagreement that took place 6 years ago between two people I’ve never met, which means that I’m just now finding out how great Suck It and See is. Crazy, right?

Well, the crazy train keeps on rolling, with a stop two days later at the Jefferson Theater in Charlottesville, where I was set to see tUnE-yArDs for the first time.

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Mariachi El Bronx

Concert Catch-Up Week, Day 4: Mariachi El Bronx
(click here if you missed Day 1: Todd Snider, here if you missed Day 2: Justin Townes Earle, and here if you missed Day 3: Radiohead)

Consider for a moment the nature of applause. Giving someone “a hand.” Fairly straightforward, right? You applaud someone or something to show approval, with vigor acting as a measure of enthusiasm (excepting of course the legendary slow clap, which dramatically inverts the vigor dynamic and belongs in the nonverbal communication hall of fame, in this humble Rhetoric and Communications minor’s opinion). Cultures all around the world do it. You can golf clap, fast clap, clap seriously, clap sarcastically, clap enthusiastically, clap dispassionately, clap at completely inappropriate times… the variations are many; but one thing unites all of these types of applause: they’re externally directed. A tool for communicating outwardly. Which is why there’s something just a little bit weird about theater audiences clapping after movies (it’s not like the director can hear it), and why there’s something more than a little bit awesome about Mariachi El Bronx’s set opening up for tUnE-yArDs at the Jefferson Theater in Charlottesville on June 5. I’ll never forget how Mariachi El Bronx rescued me from a pit of despair… with my own applause.

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Todd Snider

Agnostic Hymns & Stoner Fables

Concert Catch-Up Week, Day 1: Todd Snider

I have a confession to make. Promise you won’t be mad if I tell you? Pinkie swear? OK, here goes… I’ve been holding out on you. I’ve been to some amazing concerts — 3, to be exact — that I’ve yet to tell you about. Uh oh, you look furious. C’mon, you said you wouldn’t be ma… oh, you just have to sneeze? Gesundheit!

To fix this grave injustice, I’m declaring a Concert Catch-Up Week. Over the next 5 days week or so, I’ll be offering quick recaps of the wonders these eyes have beheld in the last few weeks, starting with Todd Snider — the second of two acts that opened up for Justin Townes Earle on May 22 at Lewis Ginter Botanical Garden in Richmond, VA. With all due respect to Jeff Tweedy, whose cantankerous-cuddly routine made his show at the Paramount Theater in Charlottesville a few years back one of the best and funniest shows I’ve ever seen, Snider’s set was fucking hysterical.

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Tom Tom Founders Festival

If you would have told me in September of last year that central Virginia would see the establishment of three brand new music festivals in 9 months, I would have said, “That’s just cray.” But you would have been right! In the time it takes to make a human child, RVA Magazine has hosted RVA Music Fest (my coverage here and here), Style Weekly has put on the Shadrock Music Festival (Cheats Movement’s coverage here), and now — and I really do mean now, as it’s already started — we have Charlottesville’s Tom Tom Founders Festival, a month-long, SXSW-style music, arts and innovation conference that culminates in two amazing days of music this weekend. More than 50 bands will be performing on Friday, May 11 and Saturday, May 12, and the lineup includes a wonderful mix of heavy-hitting national acts (Those Darlins, Futurebirds, Josh Ritter and J Roddy Walston & the Business to name a few) and VA-based artists that promise to showcase the amazing pool of talent found in the area (Dead Fame, Eternal Summers, The Hill & Wood and No BS! Brass Band among them). Have a look at the full list of performers and their set times here. Though several jump out as must-sees, two in particular have me worked up into an anticipatory tizzy, the first of which is Nelly Kate.

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Dale Earnhardt Jr Jr

Ladies and gentlemen of central Virginia, start your engines. Race weekend in Richmond is upon us, and it’s got me all nostalgic about how, almost exactly one year ago, I rang in the spring NASCAR race at Richmond International Raceway with my very first post about Detroit duo Dale Earnhardt Jr Jr. Imagine my joy, having found a group that combined my love of soulful electro-pop and brightly-colored sports merch, just a short time before their revered namesake was coming to town for my favorite weekend of the year (keeping in mind of course that the weekend of the fall race is also my favorite weekend of the year). NASCAR in Richmond is a tradition that’s grown near and dear to my heart over the past half-decade, just as Dale Jr Jr has done over the course of the last 12 months.

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