Buy from Bandcamp today… again!

How’s everyone’s week going? Anything eventful happening? In all seriousness, if you’re like me, you could use a reason to stare at something other than election results. Bandcamp Friday to the rescue once again. In truth, Bandcamp waiving its fees for a day is more than an excuse to stop doomscrolling. We seem to be entering a new phrase of the pandemic-prompted pause on live music, given that case numbers are climbing to record highs, and I’m more motivated than ever to send love and support to the artists who are releasing new music out into a world that’s desperately in need of the kind of fulfillment only art can provide.

This time around, I thought I’d zoom in on folks with Richmond connections. I can’t say for sure what’s going to happen with the election, but I know that looking out for one another listening more deeply are going to be crucial along the road ahead. As I said in my post on election day, I love you all, and I think you’ll find some new music you love below:

Gold Connections — Ammunition

I posted back in June about Gold Connections’ previous release, a searching standalone tune entitled “Iowa City” that was recorded in isolation during The Year of Our Lord 2020™. These tunes, on the other hand, came from sessions that predated COVID, and while these have a full band feel that distinguishes them from “Iowa City,” it feels like it’s all part of one big winning streak in which Gold Connections is releasing one crisp, memorable tune after another. If tapes are your thing, be sure to grab one of these before they’re gone. I certainly will be.

Sons Of The James — “Everlasting

The full-length debut from this dynamic duo of Rob Milton and DJ Harrison is due 11/19, and I can’t wait to hear the whole thing. All the singles (including “Things I Should Have Said,” which was featured on HBO show Insecure) have been excellent, and this last one, “Everlasting,” is no exception.

Bradford Thomas — Bradventure III

When I started making mix CDs that compiled select Bandcamp Friday downloads, I decided on a no-repeat artists rule — as a way to keep things fresh, and as an extra incentive for being adventurous when the next Bandcamp Friday rolled around. Beat craftsman Ohbliv has sidestepped that rule repeatedly thanks to his many pseudonyms — I’m pretty sure only one or two mixes HAVEN’T included sounds he made. This is my first purchase on his Bradford Thomas page, but I bet it won’t be my last.

Big Kahuna OG — HOW TO MOB, Vol. 1

More brilliance from the Mutant Academy contingent — this time a beat tape from Big Kahuna OG, who is half of the combo that brought you standout 2019 LP Holly Water. I’ve been enjoying all of HOW TO MOB, Vol. 1, but “SCHEME THRU THE VONAGE” is an early favorite, with layer upon layer of sound inviting you to lose yourself along the way. So good.

The Hustle Season — Volume 1

The Hustle Season podcast has been my go-to auditory coping mechanism during this unfathomably tense week. Speaking of losing yourself — it’s been such a relief disappearing into discussions of Phil Collins’ relationship troubles, magician-shaming, and the surprising awesomeness of the AC/DC comeback. I’m a relatively new listener, so I’m in that honeymoon phase of familiarizing myself with all the regular segments and recurring jokes, but no additional research is needed to know that the show’s hosts (Reggie Pace, Gabriel Santamaria, James Seretis, and Kelli Strawbridge) bring a super-deep pool of musical talent to the table, and their Volume 1 LP provides a kaleidoscopic glimpse of those varied interests and abilities. I definitely recommend giving “The Day The Nationalists Came” a listen as a way to process the week’s political news. In that sense, the Hustle Season has helped me both escape from and engage with this challenging and historic time. I’m deeply grateful.

tangent — “gone in your eyes

More Kelli Strawbridge! The versatile member of some of my favorite Richmond groups (including Mekong Xpress & the Get Fresh Horns) has shared a new song under the stage name tangent. Love the feel and flow of this one. Looking forward to hearing more tangent tunes.

Mitchel Evan — “Leeches

Richmond singer-songwriter Mitchel Evan has kept a steady stream of new music coming throughout the quarantine, including a seven-song EP entitled Don’t Tell Me It’s Gonna Be Alright that was released in April. (Also available on Bandcamp!) His latest is called “Leeches” — alongside previous single “Band-Aid,” it heralds an LP that promises to be one of the city’s 2020 Americana highlights.

Other releases on my radar for today:

Mdou Moctar — Mixtape Vol. 7
Jaimie Branch — SOS sessions 3
ragenap & the Baked Growhouse Orchestra — “the national anthem
DJ Mentos — The Maxell Tapes Volume 2
Mike Cooley, Patterson Hood, Jason Isbell — Live at the Shoals Theatre
Angel Bat Dawid & Tha Brothahood — LIVE

2016 in Review: Stuff I Wrote

river-city-magazine

So I’m going to attempt to end this jerk of a year with five wrap-up posts in five days. Fingers crossed this works. I tend to overwrite these things until they become albatross-y, so I’ll try to keep things snappy, starting with a quick list of links to music writing I did in 2016. Add in weekly contributions to the Off Your Radar newsletter and an August appearance on Sound Gaze and I can definitively say that this is the most blabbing about music I’ve done in a year.

Many thanks — seriously, too many to mention here — to the people I interviewed and the people who made what I wrote sound better and look prettier. Y’all know who you are, and I hope you also know how awesome and appreciated you are. Lots of fun stuff in the works for 2017. Until then…

Featured Off Your Radar weeks:

For Boomer Magazine:

For Richmond Navigator online

For River City Magazine

For RVA Magazine

For West End’s Best

 

American Tunes: “This Land Is Your Land”

spacebomb-roundtable

[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]

On Tuesday, The Spacebomb Sound hosted a really candid and informative roundtable on race that aired on Red Bull Music Academy Radio. Tiffany Jana, Reggie Pace, Kelli Strawbridge, Devonne Harris, Cameron Ralston, and Matthew E. White participated, and while I’m not sure if audio is available to be replayed, RBMA just posted a fairly extensive transcript of the discussion. I hope you’ll read it and share — read to absorb the ideas and experiences that were relayed on Tuesday, and share to keep the momentum going so honest, substantive discussions like this one keep happening all over the country.

One song they played during the show was Sharon Jones’ version of Woody Guthrie’s “This Land Is Your Land.” I hadn’t heard her version until recently, but I’ve grown very attached to it in that short time. It’s amazing how much gravity her voice adds. Growing up, I didn’t realize how political the song was — depending on which verses people choose to include, it can still seem apolitical and/or downright hypocritical — but I had a conversion experience last year when Dave Rawlings Machine closed their November show at The National with it. The verse about the signs and private property and how signs say nothing on the back… I don’t know whether I hadn’t heard that verse before or if I just wasn’t listening intently, but when Dave Rawlings sang it, it felt powerfully subversive. Got goosebumps and everything.

Here’s how Jones sings it:

As I was walking, they tried to stop me
They put up a sign that said “private property”
On the back side, it said nothing
That side was made for you and me

Sharon Jones — “This Land Is Your Land” (Woody Guthrie cover) [Spotify/iTunes]

The Big Payback

The Big Payback

Have to break vacation silence because I’m too excited about this River City Magazine article to stay quiet: I had the chance to chat at length with Kelli Strawbridge, who fronts Richmond’s beloved James Brown tribute band, The Big Payback. He’s an incredibly inspiring person to talk music with. His interests are both broad (his other projects include KINGS, Mikrowaves, and Mekong Xpress & The Get Fresh Horns) and deep, given his clear passion for the pivotal soul that Brown made in his heyday. I learned a ton from speaking with him, and I was also lucky enough to chat with Bob Miller, who joins Strawbridge in both Payback and Mekong Xpress. I decided to write this article because the talent you’ll find in Richmond’s tribute bands is so much more illustrious and interconnected (Miller also plays in Fear of Music, which honors Talking Heads) than some may realize, and Strawbridge and Miller are excellent examples. Many thanks to both for all the help with the article.

Two upcoming shows I want to make sure to plug:

Click here to read the Payback article over at Richmond Navigator’s site.

James Brown — “Payback” [Spotify/iTunes]

The Mountain Goats

The Mountain Goats

Step 1: Head to the Answer on a Monday night to interview Kelli Strawbridge and see Mekong Xpress and the Get Fresh Horns.

Step 2: Finish the interview and sit at the bar next to trumpet player Bob Miller.

Step 3: Chat with Miller about being part of the horn section that Matthew E. White and the Mountain Goats shared when they toured in support of their respective 2012 albums.

Step 4: Head to Steady Sounds the next day over lunch to snag an original pressing (!) of D’Angelo’s Voodoo.

Step 5: Take a quick look through the bins and find a used copy the aforementioned 2012 Mountain Goats album, Transcendental Youth, and pull out the liner notes to see if Bob Miller played on the album.

Step 6: See that he did and feel that “Everything is connected and beautiful” feeling.

Step 7: Play the album later that night and soak in White’s smart and reverential arrangements.

Step 8: Listen as a hair gets stuck on the needle, causing the lyrics “I could do this all day” from “Counterfeit Florida Plates” to loop perfectly about a dozen times.

Step 9: Feel that “Everything is connected and beautiful” feeling again.

Step 10: Buy tickets to the Mountain Goats’ September 19 show at the National.

The Mountain Goats — “Counterfeit Florida Plates” [Spotify/iTunes]