Tag Archives: Patterson Hood

Release Day Roulette

Some Tuesdays are just too flippin’ sweet. When too many records I’m excited about get released in one day, I don’t know what to do — I get all overwhelmed and can’t figure out where to look or what to listen to. Come to think of it, the same thing happens when I walk into a sports bar. Hm…

This past Tuesday was one of those loaded release days, and because I haven’t done a Read It Later Roulette post in a while (Pocket had the nerve to change Read It Later’s name and ruin the gimmick), I thought I’d change things up and spend a few turns bouncing from one release to the next in the inaugural game of Release Day Roulette.

Let’s spin the wheel!

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Queen

“Every day becomes better when listening to Queen.”

This quotation was culled from a tweet posted by the esteemed proprietor of Richmond Playlist, and I have to say that truer words were never spoken. When is the last time you heard a Queen song without your mood improving? I mean seriously, whose day was ever ruined by “Don’t Stop Me Now” or “Under Pressure“? And don’t get me started on “Fat Bottomed Girls,” a song that’s so awesome I had a hard time believing it was real the first time I heard it. Well just yesterday, a friend sent me a link to videographic evidence that conclusively proves this assertion beyond a shadow of a doubt. In the above clip, a drunk Canadian man sits in the back of a Royal Mounted Canadian Police car, having been arrested for, well, being drunk. But does he take that shit lying down? Hell no. He dusts off his vocal chords and performs “Bohemian Rhapsody” IN ITS ENTIRETY. Take that Mounties! This brave performer (who looks like the illegitimate love-child of Jim James of My Morning Jacket and Patterson Hood of the Drive-By Truckers) clearly comes out the better man in this scenario and most certainly has some serious Internet stardom coming his way. The moral of the story? Queen makes everything better. So try not to get arrested this weekend, but if you do end up in the back of a cop car, you know what to do.

Queen — “Bohemian Rhapsody

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American Aquarium

Small Town Hymns

Are you ready to play a kickass game of connect the dots? Since today’s edition largely takes place in the south, we’ll call it, affectionately of course, co-redneck-t the dots. I really think you’re going to like what we find, so let’s get started with the fine gents of Raleigh, North Carolina-based American Aquarium, who, on Friday at the Jefferson Theater in Charlottesville, Virginia, country-rocked their way through an amazing set opening for Jason Isbell, who hails from northern Alabama, just like former Drive-By Truckers bandmate Patterson Hood, whose father, David Hood, was the bass player for the Muscle Shoals Rhythm Section (also known as “the Swampers” — ya know, “They’ve been known to pick a song or two”), the legendary band that recorded with some of music’s most recognizable names, like Aretha Franklin, the Rolling Stones, Paul Simon, John Prine and many, many more, all of whom, in order to record with the Swampers, had to to make pilgrimages to one of two studios in Muscle Shoals, Alabama, which is where American Aquarium just finished recording their new album, which was produced and recorded with the help of Jason Isbell, with additional contributions from the lovely Amanda Shires, Isbell’s girlfriend, who appeared on stage with both Isbell and American Aquarium last Friday night at the Jefferson Theater. Whew. Crazy, eh? And that run-on sentence doesn’t begin to cover how entertaining American Aquarium’s set was (a real-life love-at-first-listen experience) or the remarkable impact that Muscle Shoals has had on popular music. A few weeks back, I wrote about the idea of musical centers of energy, and Muscle Shoals most assuredly qualifies. Though the town’s population is just 13,000 or so, the area still has a tremendous amount of musical history. So many canonical musicians have been drawn to Muscle Shoals, and it’s wild to think about how the Swampers insisted on recording on their own turf. And Grammy wins for albums like the Black Keys’ Brothers go to show that the town maintains that gravitational pull to this day. Judging by the songs I heard at the Jefferson Theater, American Aquarium’s upcoming album is sure to be a hit as well, so to whet your appetite, I’m posting “Reidsville,” a song from their 2010 album Small Town Hymns that tells the story of a southern town with a very different legacy than that of Muscle Shoals. Listen below and snag  the album on iTunes here.

American Aquarium — “Reidsville

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