OK, so now what?
What should America do with K-pop now that the “Gangnam Style” flood waters are starting to recede? Do we explore the rest of PSY’s catalog, or do we act like the whole horsey dance thing never happened? Should we start checking out other K-pop artists, or should we go back to ignoring the genre’s steady, world-wide march? I think we can all agree to continue complaining about dubstep, but it’s going to be really interesting to see where the American market for K-pop goes from here.