Tag Archives: Sam Cooke

Tournament Album Coverage, Vol. 2

Couch Cat 2

For those of you who missed Volume 1 of YHT’s Tournament Album Coverage, I spent last weekend glued to my couch, watching the first rounds of the NCAA Tournament in a most gloriously sloth-like fashion. I can think of no better occasion for acting like a shut-in and no better way to enhance the experience than muting the television and choosing your own soundtrack for each game. (There’s only so much of Jay Bilas’ voice I can take before I just start yelling at the TV screen like a crazy person.)

With a few exceptions, things took a decidedly more contemporary turn after Friday night’s Garfunkel-fest. Below, I’ve posted the art for everything my friends and I listened to on Saturday and Sunday, along with a sample song and a context-free quote from someone in the room about each record.

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Alabama Shakes

Alabama Shakes EP

Alabama Shakes, Part 1
(Editor’s note: I’m so excited about last night’s Alabama Shakes show that I’m splitting my reaction up into two parts, one offering a macro view of the experience, and one that gives a little more detail. Hope you enjoy!)

“Don’t know much about history
Don’t know much biology
Don’t know much about a science book
Don’t know much about the french I took
But I do know that I love you”
— Sam Cooke

Over the course of 28 years, I’ve become an expert at certain things. Choosing which tunnel to use when traveling from Richmond to Norfolk is one. Choosing non-mealy apples at the grocery store is another. And I don’t mean to toot my own horn, but I consider myself the Michael Jordan of choosing the wrong checkout lane at Costco. Soul music, however, is not one of my (apologies to John Hodgman) areas of expertise. Soul is such an influential, historically rich and culturally significant force that I’ve always approached it with a sense of cautious reverence. And while I’m somewhat familiar with greats like Marvin Gaye, Aretha Franklin, Sam Cooke and Mavis Staples, it’s always seemed like a broader understanding of the genre’s history and icons is just too steep a hill to climb, and that I’m destined to remain on the outside looking in. Lately though, a number of bands that have caught my attention are making it more and more difficult to stay on the soul music sidelines. Last night, I had the pleasure of seeing one of these bands in person, a group called Alabama Shakes. I’d been hearing this 5-piece outfit’s name everywhere, often lumped in with the present wave of so-called soul revivalists, so I came to the Jefferson Theater in Charlottesville, VA prepared to find out firsthand where they stood within this movement. But as they worked their way through a powerful, confident and wildly entertaining set, it became clear that they weren’t reviving anything. What I saw felt like an authentic act of creation, not one of imitation or recreation. It felt like something totally new. Maybe I’m inclined to think this way because I lack the baseline of knowledge to make proper comparisons, but to say that frontwoman-extraoridnairre Brittany Howard has pipes like Aretha, or a 5th gear like Janis Joplin, or moo-oo-oo-OO-OO-ooves like Jagger (sorry, I really tried to stop myself from typing that) would, as accurate and complimentary as those comparisons might be, situate Alabama Shakes in the past, which is not where they belong. Sure, you can call them neo-soul, or something like that, but it really doesn’t matter, because you don’t need to be a soul savant, or an expert in musical taxonomy, to enjoy Alabama Shakes. And the proof was standing all around me last night. The crowd was as diverse as I’ve seen — black, white, young, old, hip, unhip — and while that could be a side effect of being relatively new and not having been pigeonholed yet, I’d like to think it’s because there’s so much to enjoy in their music that almost everyone can connect with it. See what I mean by listening below to “Hold On,” the first track off their eponymous EP, which you can snag here.

Alabama Shakes — “Hold On

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