Tag Archives: Sam Gendel

Buy from Bandcamp today… again!

Happy Bandcamp Friday, y’all! I’ve been eager to get this list out into the world since the first item hit the ‘camp a couple of weeks ago, so without further ado, here are this month’s recommendations. Remember, fees are waived, so it’s a great day to show your support.

Ophelia — Ophelia

A big part of past Bandcamp Fridays has been music that’s resurfaced — extra copies of pressings that had sold out, or albums that are seeing the light of day after spending some time on the shelf. This Ophelia album is such a glorious example of the latter, as it hit Bandcamp a couple of weeks ago after having been recorded back in 2010. After hearing it and enjoying it tremendously — including a magnificent listen all the way through on a long run at dusk — it’s hard to imagine this not being out in the world. It immediately feels canonical, given the strength of these tunes and the involvement of two Richmond favorites: David Shutlz (a Bandcamp Friday favorite) and Jonathan Vassar, who you might remember from the excellent Lonely Rooms album I wrote about last month.

PJ Sykes — “Rain in to the Sea”

Speaking of David Shultz, I absolutely love the “Rain in to the Sea” cover PJ Sykes released today. What a perfect illustration how a song can vibrate harmoniously on wildly different wavelengths. (Ocean pun fully intended.) Halfway through this new version, it’s easy to imagine the song having been written with this arrangement in mind, especially when it comes to the delivery of the central metaphor. So cool. And can we all agree this cover art wins Bandcamp Friday?

Opin — Media & Memory

There’s a specific anticipatory joy that floods in just before you hear a new Opin song for the first time. Their track record of adventurousness means you’re never sure where they’re about to take you. It’s exhilarating — especially when, time and time again, you end up thrilled with where they’ve decided to go with their sound, from their self-titled full length in 2017, to the EPs they’ve released since (including a cover of Mariah’s “Shinzo no Tobira” that I’ve listened to approximately 1.5 million times since it came out). I’m on pace to catch up with that play count when it comes to the first two songs from their upcoming LP, Media & Memory — out 10/30 on WarHen Records. I couldn’t decide which to embed below, so they’re both there. And while I don’t know where the other seven tracks on the album will go, I know by now to sit back and enjoy the ride, because Opin’s sense of sonic navigation is as good as it gets.

Bartees Strange — Live Forever

We’ve all heard “You are what you eat,” but “You are who (whom?) you hear” seems increasingly applicable the more time we spend with earbuds in catching up on the podcasts that reflect and shape our thinking about the world. The voice that’s been bouncing around my brain most during the pandemic has been Steven Hyden’s; his 36 from the Vault podcast about the Dick’s Picks Grateful Dead live album series has been my primary means of auditory escape. As a result, the line between his thinking on music and mine is starting to blur, and when he tweeted the following, I was eager to snag my own seat on the Bartees Bandwagon™:

Live Forever promises to be one of this year’s most celebrated albums, and today’s the big release day. I’m 100% in. It’s so good. The “Half Orange/Half Bone” pressing I snagged is sold out, but he recently added a “Red with Bone & Orange Splatter” variant, and copies of that are still available. Don’t sleep. As a side note, the Hyden-Strange connection came full circle with the publication of this Uproxx interview. Don’t sleep on that either. No sleeping whatsoever, ok? It’s Bandcamp Friday!

Hiss Golden Messenger — School Daze: A fundraiser for Durham Public Schools students

This is the second live album Hiss Golden Messenger has released during the pandemic — click here for my post about the first one. Proceeds are going to the same great cause — the Durham Public Schools Foundation — but not a single song is repeated from his previous live release, which is fun. One other Hiss-related recommendation: If you’re not already signed up for M.C. Taylor “Kitchen Table Speculator” mailing list, I recommend it highly. He includes poetry, books and music he’s been enjoying, and words of hope like these:

I realize that life is chaotic and complicated right now. I’m trying to remember to take some time each day or week to thank the folks that keep showing up, nose to the grindstone, every day. I’m trying to give back to my community with emotions as well as dollars. If you have the bandwidth, please consider donating your time, money, or other resources to an organization doing good work in your community. I’ve found it’s the best way to alleviate feelings of hopelessness.

I plan to heed that excellent advice by downloading School Daze right about now.

Hotspit — Hotspit Live Session

If you’ve been following this Bandcamp bonanza from the very beginning, you might remember that my very first Bandcamp Friday post included music by Avery Fogarty, who fronts the Richmond band Hotspit. That group just released a three-track live session, which is very exciting. I’m especially fond of the first track, which illustrates the range the group has, and how great they sound in exploratory mode. Well worth a download.

Other items on my radar today:

Sam Gendel — DRM
Spacebomb House Band — X: Kernel Eternal
Mdou Moctar — Mixtape Vol 6
Phil Cook — From the Kitchen: Winston​-​Salem, NC – 10​/​27​/​​2018 @ Ramkat
ragenap — “masters of war” (benefits Sustain Chicago Music)
Various — Good Music to Avert the Collapse of American Democracy, Volume 2 (benefits Voting Rights Lab)
John Moreland — Live at The Grey Eagle – Asheville, NC – 6​/​9​/​19
addy — re call/bug (benefits MAD RVA)
Durand Jones & The Indications — “Power To The People
Avery Fogarty — “sunken cities

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Buy from Bandcamp today… again!

We’re back, baby! Bandcamp has generously decided to waive its 15% cut on the the first Friday of each month through the end of this godforsaken year, which is pretty awesome in my book. Also awesome? The albums below, which I submit for your consideration as you browse the ‘camp and decide which artists you’ll support.

Carlos Niño & Friends — Actual Presence

If you’re as smitten with International Anthem Recording Co. as I am, you likely already have your pre-order in for a copy of the album Carlos Niño & Miguel Atwood-Ferguson released in late June via the Chicago label. Atwood-Ferguson is among Niño’s “Friends” on this set as well, and another name jumped out among those who contributed to Actual Presence: Sam Gendel. I wrote about Gendel and his innovative album Satin Doll in connection with the May Bandcamp event, and I love how his unique sax treatment moves within in the space Niño creates. (To be clear, this isn’t their first collaboration. I’m late to the party. Very happy to be here, though!)

Reginald Chapman — Prototype Remixes 

Reginald Chapman may have moved away from Richmond, but “Hoodie” remains one of the core compositions I think of when I picture in my mind’s eye (as we’re forced to these days) the glory of seeing Richmond’s most overwhelmingly outstanding live act, the No BS! Brass Band. I love this Foisey. remix of the version of “Hoodie” that appeared on Chapman’s 2018 Prototype album, and I can’t wait to hear the rest of these Prototype Remixes. (Full album out in September.)

Kate Bollinger — A word becomes a sound

If there were ever a chorus to keep in the front of your brain in order to maintain sanity during a global pandemic, it would have to be:

Grey skies, they don’t scare me
I find them unnecessary
There’s no tellin’ when the bad’s gonna come around
And it’ll come around no doubt

It’s like a badly needed pat on the back from a friend who’s reassuring you without bullshitting you. And Kate Bollinger’s gift for phrasing means the words slide through your consciousness so gracefully the toxic parts of your psychology don’t have a chance to play defense.

Bollinger’s 5-song album A word becomes a sound is available on cobalt colored vinyl, and I can’t wait to have it spinning at home, and have my head spinning a little less as a result.

William Tyler — Music from First Cow

I’d totally planned see this movie before I bought the soundtrack. That seemed like the right order of events — as if there were a “wrong” time to buy a William Tyler album. (There’s not.) Then I listened to Music from First Cow a third time, and a fourth time, and I feel hard for how beautiful, musically economical, and evocative these pieces are, and I started to develop the kind of emotional responses you might expect to have after actually having seen the film, like how “The Arrival” triggers the kind of nostalgia you feel when something’s not even over yet but you already miss it… I’m still going to see this movie, but I’m not waiting to but its soundtrack a moment longer.

Ohbliv — LewseJoints Number 8 (a) and LewseJoints Number 8 (b)

Where Ohbliv goes, I’ll follow. His DarkTwaine_  pseudonym? Yup. The PANGEYA tape that became available last Bandcamp Friday? I’m there. The two new volumes in his LewseJoints series that hit the interweb earlier this week? Yes, please.

As always, here’s a running list of the other stuff I have my eye on, updated as needed throughout the day. Yay for Bandcamp Fridays, y’all. Now go forth and get some great music.

Mary Lattimore & Elysse Thebner Miller — And the Birds Flew Overhead (60 vinyl copies were made available today, but they’re going quick)
Philip James Murphy Jr — I went to sleep
Bon Iver — “AUATC
Christian Lee Hutson — The Version Suicides
Mdou Moctar — Mixtape Vol. 4
Alabaster dePlume — “Seen” (will be deleted tomorrow)
Various — Habibi Funk 014: Solidarity With Beirut (proceeds go to the Lebanese Red Cross)
left.hnd — ad mausoleum

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Buy from Bandcamp today… again!

Three cheers for Bandcamp, y’all! Once again, the impressively benevolent music community and sales platform is waiving its usual 15% cut to generate extra revenue for artists, so many of whom have been hit hard by the effects of COVID-19 and social distancing. The last event like this was hugely successful — $4.3 million in sales in one day — and it’s so great to see they’re running it back. Sounds like they have a couple more planned, as well — on June 5 and July 3.

Here’s a big long list of artists and labels who are participating. I didn’t manage to get a post with my own picks up last time until later in the day, so I started chipping away at this one earlier in the week. Here are a few YHT-approved ways to join in on the fun and show your support.

Rob Dobson — No Cover Covers Vol. 1

Charlottesville’s WarHen Records recently launched a series of digital singles called “No Cover Covers,” kicking things off with a great take on Neil Young’s “Barstool Blues.” Looking forward to more of these. (Volume 2 is out now.)

Also firmly on the radar: a limited cassette run of Saw Black’s Horsin’ ‘Round rarities album, which I posted about in mid-March.

Sam Gendel — Satin Doll

Satin Doll is described in its Bandcamp liner notes as (and I love this description) a “simultaneous synchronized sonic construction/destruction of well-known jazz standards.” It’s singular. It’s innovative. It sounds like the past and the future at the same time. I’ve wanted to snag a copy for a while now, and today seems like just the day to do it.

Andy Jenkins — “Far Away From Here” (feat. Erin Rae)

The age-old alchemy of masking complexity with breeziness has a worthy standard-bearer in Andy Jenkins. “Far Away From Here” seems to hang in the air effortlessly, yet the accompanying instrumental version provides a peek into the jazz-informed intricacy involved. Such a beautiful conversation between Alan Parker’s guitar and Jacob Ungerleider’s piano, echoing the A+ pairing of Jenkins’ voice with Erin Rae’s. A masterstroke of a musical still life painting here.

left.hnd — Mira

This is so beautiful. Grippingly so. I listened to this while running, and I was so wrapped up in it I don’t think I took in visual information during those eight minutes. It was like being spatially transported. The vocals and strings work together to play with your expectations for tension and release, keeping you in this perpetual state of needing the next note to happen. In terms of atmosphere, Mira makes me think about Frank Ocean. The boldness. The use of space. It’s really something. (Kudos to Calvin Brown on those amazing string arrangements.)

While you’re on left.hnd’s Bandcamp page, be sure to grab “Vessel” as well. It’s been a beam of positive energy for me throughout the last month.

Gia Margaret — Mia Gargaret

Speaking of music that’s helping right now, I’ve found ambient music to be an essential part of my daily listening diet these days, and I can’t wait for this full album to be released. The first two tracks are meditative gems, and I could see this getting a ton of turntable time when my copy arrives.

Pearla — Quilting & Other Activities

This one came out last year, but I recently got a copy and have been falling in love with it all over again. These songs stick with you in a really interesting way — hours after I’ve spun the album, specific moments tend to drift around my consciousness and resurface periodically, like vivid memories that steal you away from the moment you’re in. (Then you put the album back on and start the cycle over again!)

David Shultz — “Still Here”

Very exciting — this tune wasn’t due out until next week, but it’s a Fee-free Friday miracle! I posted about Shultz’s song “Spring Forward” not too far back, when it was time to set our clocks forward for daylight savings. More recently, I’ve been spending a bunch of time with his wonderful Rain in to the Sea album — keep an eye on Off Your Radar and you’ll find out why. “Still Here” is another bright spot — life affirming, defiant in the face of fate, and demonstrative of Alan Parker’s deep and wide instrumental skill set. (That makes two mentions of Parker in this post. Is this turning into an AP fan blog? Trick question! It already was.) If you don’t have a copy of Rain in to the Sea, I’d recommend heading to the WarHen Records Bandcamp page and snagging that as well. Just a few copies left! (Yes, this is a WarHen fan blog as well.)

Various — Sahel Sounds Label Sampler 2

Sahel Sounds is making all of their downloads pay what you want, and if you’re new to their catalog, I recommend this new sampler. Mdou Moctar, Les Filles de Illighadad, Luka Productions… so much great stuff here. (If you dig Mdou, he’s got a new mixtape of live recordings and demos out today as well.)

Thought I’d throw in a few other intriguing options, lifted directly from Bandcamp’s list of participants:

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