Hoax Hunters/The Snowy Owls

HH:SO cover HQ

(This is the third [and probably final] post-Record Store Day open letter. To read the first, An Open Letter To The People Who Lined Up Outside BK Music On Record Store Dayclick here. To read the second, An Open Letter To The Dale Earnhardt Jr Jr Album That Made Me Bleed On Record Store Day, click here.)

An Open Letter To People Who Don’t Buy Records Regarding The Hoax Hunters/Snowy Owls Split 7-Inch That Was Released On Record Store Day

There’s something I want you to see. I want you to hear it too, but I want you to see it first.

Before we get to that, some quick background information… Record Store Day is an annual event that’s been held on the third Saturday of each April since 2008. Artists help independently owned music stores buoy bottom lines by releasing hundreds of limited-edition titles on vinyl all at once, generating anticipation, long lines and a subsequent buying frenzy that’s as beneficial for these locally owned businesses as it is retrospectively embarrassing for the (usually) mild-mannered folk who get swept up in the excitement and push and shove their way through crowds to grab at treasured items before they sell out. Think of it like a big game of musical chairs for record collectors, one that gives a shot of vitality to an industry that’s still in the process of reinventing itself after being hit hard by the advent of .mp3s, file sharing and iTunes.

Now, you may be saying to yourself, “Well damn. I like supporting local businesses and all, but I listen to all my music on my iPhone, and I’m pretty sure iPhones don’t play records.” If you said that, you’d be both correct and completely justified. Between iTunes, YouTube and Spotify, you can enjoy a lifetime’s worth of amazing music without ever leaving the warm glow of your favorite Apple device. Listening has never been more convenient, and I count that as a net win for society. But if you’ve completely given up on physical media, you’re missing out. Big time. And I’m not just talking about the free donuts Jay at Deep Groove hands out to the people waiting in line on Record Store Day.

I want to show you exactly what I mean, so I cleared off my coffee table, disassembled the split 7-inch that was released on RSD by Hoax Hunters and The Snowy Owls, and took pictures of each of its components. I want you to see the kind of stuff you’re missing out on by living your musical life solely in the digital realm…

Continue reading

Justin Townes Earle

Record Store Day aftermath

This past Sunday, while a stream of soft, late-morning light was tumbling through the living room window I’d left open overnight, I awoke on the couch, sat up (sort of) and snapped the above photograph. It is as much an illustration of how not to treat your records as it is a testament to how much fun the previous day — Record Store Day — had been.

I’d planned on writing a preview post on Friday but got distracted by and thoroughly wrapped up in Boston manhunt coverage, deciding ultimately that a blog post about which limited-run records I was hoping to get my hands on would seem incredibly trivial next to the day’s headlines. Instead, with Dzhokar Tsarnaev safely in custody and that boat somehow — miraculously, I think — not in a million pieces, I’d like to roll out my Record Store Day highlights through a series of open letters. I’m not sure how many there will be, but I do know where I want to start: with the kind folks who joined Bandmate 4eva Doug and me in lining up outside BK Music early Saturday morning.

Continue reading

Okyerema Asante

Yes We Can

Pawn Stars is my writing kryptonite. The History Channel always seems to be showing it at just the right/wrong time, in hours-long blocks of unbridled predatory capitalism, and I can’t look away. It’s the perfect marriage of financial and emotional voyeurism. You get to cast judgement on how people do business — at least, how well they can haggle in a high-pressure situation — AND how they manage their lives in general, because selling something at a pawn shop is, under most circumstances, an act of desperation. The underlying message is chilling: everything has its price, as long as a buyer and seller can agree on one.

A similar battle goes on inside my head each time I step into a record store.

Continue reading

RVA Magazine

RVA8

Earlier this year, I had the opportunity to interview RVA’s favorite team of #snuffrock specialists, Black Girls. It was a tremendous honor meeting and chatting with these 5 incredibly talented and gracious gents, and the resulting article is available now in the spring issue of RVA Magazine. I’m excited about how it turned out, as the band has had some wonderful things happen in the last few months, and I really believe they are destined for great things. If’n you’re interested, you can read the piece online here or, if you’re an ink and paper kind of guy/gal, you can pick up a hard copy of RVA Magazine for $0 at several spots around town (my favorite place to snag the mag when it comes out is Steady Sounds on Broad Street, but hey, that’s just me). In the meantime, you can sample Black Girls’ song “Get Off” below and, if you don’t have it yet, click here to pick up their kickass recent album, Hell Dragon.

Black Girls — “Get Off” [Spotify/iTunes]

The Diamond Center

California

Isn’t the success that’s couched in abject failure the sweetest? Allow me to provide an illustration.

A week ago, I headed to Strange Matter for the sold out Real Estate show. Moments after I walked in the door, I caught a glimpse of a magic marker-scrawled schedule that was sitting on the desk of the ticket-taking station. The whole shindig was exactly 1 hour behind the advertised start. The Diamond Center at 9. Twerps at 10. Real Estate at 11. Normally, I don’t put too much stock in concerts starting on time, but I had to be up at an ungodly hour Friday morning and was beset by an uncharacteristic and unwelcome wave of prudence. Gross. But the Diamond Center put on such a fantastic display in the first opening slot that I completely forgot about my accursed curfew for a while, and I left Strange Matter with the unmistakable feeling that I’d gotten my money’s worth — and then some — even though I didn’t experience a single note of the headlining set.

Continue reading

A. A. Bondy

When The Devil's Loose

Biggie said it, and time and time again we see how right he was: “The more money you make, the more problems you get.” Take Canadian rapper/singer/serial blog muse Drake, for example. The man has “Trust Issues,” an emotional hangup that would seem to fall squarely within the subset of problems about which Biggie waxed philosophical. It’s a shame, because trust is the foundation of any healthy relationship, and even famous people deserve love. And while I don’t have millions of dollars and can’t exactly relate to Drake’s worries that bitches are going to slip something in his drinks, trust does figure prominently when I’m thinking about how to dole out my dozens of dollars when I’m at the record store, as I was this past Saturday.

Continue reading