Sublime

Sublime

Many people dismiss the rapture as absurd religious dogma, but it’s not. It’s real. Just ask my CDs.

The great reckoning came the weekend before last, when the room-by-room cleaning, organizing and culling spree Mrs. YHT and I have been conducting to make way for all things baby-related reached the office, where stacks-on-stacks-on-stacks of CDs had been accumulating for as long as we’ve been in the house. During those five years, my vinyl collection grew like crazy, but my CD stash, which included everything from albums bought with my parents’ money in high school to mix CDs burned by college friends in Kazaa’s heyday, went largely ignored. It grew too, but more gradually, like a tree you barely notice until is its roots start cracking the sidewalk. My mom still surprises me with CDs — she’ll mail me things she hears about on NPR and finds interesting — and I love when she does, but I usually upload them to iTunes and listen via my phone. Once they became part of the plastic forest in the back corner of the office, the likelihood of seeing the inside of a CD player again was slim.

CD Rapture

That forest is gone now. It wasn’t easy — I attach sentimentality to physical objects like hapless bugs attach themselves to spiderwebs — but after dragging the whole mess out into the living room and going through it item by item, all that’s left is a nearly full 120-slot CD tower and a few binders and spindles that still need sorting. It was a serious bummer in a lot of ways, but I thought I’d share the process I used in case it’s of use when you’re forced to perform your own deforestation.

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The Great White Caps

Great White Caps

According to the number of dangling inchworms I’ve been unsuccessfully dodging recently, spring has sprung in my neck of the woods, and I’m hoping that warmer temperatures thaw the horrendous live music freeze-out I’ve been experiencing over the past few months. I’ve let opportunity after opportunity pass me by, but I’m ready to get back in the game, and the night before last, with about an hour to go before The Trillions showed The Camel why they remain one of the most explosive acts in town, Bandmate 4eva Doug and I took in a fantastic opening set by a Bethlehem, PA-based surf rock group called The Great White Caps.

I know we’re not all the way to true beach weather yet, and I know that decent wave-riding in Richmond is at least a few decades’ worth of global warming away, but on Wednesday night, with the first Friday Cheers looming large and the hopefulness of spring coating the city like a fresh dusting of pollen, the Caps offered a frenetic and reverb-soaked performance that was every bit as invigorating as it would have been to hop in my temporarily yellow Honda Fit, drive to Virginia Beach and jump in a 58-degree, early-May Atlantic Ocean. Just as invigorating was the clarity of The Great White Caps’ approach, which I found myself thinking about for much of their set.

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