June 6-10, 2011

This week started with some B-side fun on Monday and Tuesday, and then switched into review mode, thanks to a crazy good Tuesday for album releases, with new albums from Battles, Cults and Dale Earnhardt Jr Jr.

Monday
Justin Townes Earle
– “Racing in the Streets” (Bruce Springsteen cover)
Read more …
Buy on … iTunes

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Tuesday
Radiohead
– “Paperbag Writer”
Read more …

Buy on … iTunes or Amazon

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Wednesday
Battles
– “Wall Street”
Read more …
Buy on … iTunes or Amazon

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Thursday
Cults
– “You Know What I Mean”
Read more …
Buy on … iTunes or Amazon

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Friday
Dale Earnhardt Jr Jr
– “Skeletons”
Read more …
Buy on … iTunes or Amazon

Dale Earnhardt Jr Jr

It's a Corporate World

Repetitive listening … check. Telling all my friends that they should listen … check. Telling everyone a second time that they should listen … check. It’s official. I have a band crush* on Dale Earnhardt Jr Jr. It started a few months ago with their name, which is not only memorable but ballsy, in that it ignores some serious Google (or Bing, if you’re a Republican) search result drawbacks. I was drawn in even more by their marketing savvy, which is evidenced by persistent racing imagery and one of my favorite Twitter accounts in all of Twitterdom. But in the end, none of that would have mattered if their music wasn’t as special as it is. Their debut LP It’s a Corporate World rounds out my Tuesday music-buying binge, and I’ve been looking forward to sharing how great it is ever since I finished listening to the album. Theirs is a truly soulful brand of electro-pop, with an intelligence that permeates each note, sample and lyric. One of my favorite songs on the record is “Skeletons,” in large part because it highlights Dale Jr Jr’s talent for balancing mind and heart, electronic beats and acoustic guitar, enjoyment and meaning, all in one 2:20 second song. It’s a Corporate World is so much more than a fun summer album, but I’ll probably have more fun listening to it than any other album that comes out in the next few months. Join me in my band crush by listening to “Skeletons” below and downloading their album from iTunes.

*Damn you, Urban Dictionary. I thought I invented the term band crush. I was wrong.

Cults

Cults

In the age of the Interwebs, buying a record – actually walking up to a cash register, or clicking the buy button on iTunes – before knowing everything there is to know about a band is rare. It almost seems foolish, given there is so much information available. But I’m here to tell you how exhilarating it is to step out into the unknown with $7.99 of your hard earned money on the line, and buy an album on faith. Just like eating at a new restaurant or introducing yourself to a stranger, there is risk involved, but the rewards are more meaningful when you’ve ventured out of your comfort zone. My Tuesday buying spree included a few albums I knew I’d love – I’d heard streams of them online – but it also included a band I knew little about: Cults. After just a quick glance at a review and a few fleeting moments with Amazon’s woefully brief song previews (seriously, they need to follow in iTunes’ footsteps and lengthen that shizz), I pulled the trigger and bought their eponymous debut album on iTunes. This is dorky, but I was so jazzed up about the mystery of what I’d purchased that I waited to jump in until I knew I’d be able to listen to the whole thing, uninterrupted, on a long run. Well, it started as a long run but ended up being fairly short, but it was 95 degrees outside BACK OFF IT WAS REALLY HOT, OK? Turns out the album is really, really good, and has some cool musical DNA. I hear a kinship with 50’s and 60’s pop, with enough reverb to make Chris Isaak’s guitar blush, but there’s a fascinating Motown streak that runs through these songs, especially their tune, “You Know What I Mean.” This track shows off Cults’ ability to craft well-rounded songs with effective layering of peripheral elements, like strings, snaps and piano, but “You Know What I Mean” also showcases the band’s grit – Madeline Follin’s vocals have a fierceness that really grabs you. I encourage you to get grabbed by previewing the tune below, and grabbing their album for yourself.

Battles

Who has two thumbs and an itchy iTunes trigger finger? This guy! Yesterday was a remarkable day for album releases, and I invite you to join me as I celebrate my music buying binge. The first album I’d like to celebrate is Gloss Drop, the new offering from Battles. And instead of giving yet another review of the album with a sample song at the bottom, I want to show you what makes this band so incredible. For this, I call to the stand their breathtaking Take Away Show. Since 2006, La Blogothèque’s Take Away Shows have been showing a grittier, more unguarded side of some of the world’s greatest musicians. These shows feature off-the-cuff performances filmed in and around Paris, sometimes walking through a busy street, sometimes looking out a lonely apartment window. This episode, which features Battles’ song “Wall Street,” breaks the mold, with the math-rockers eschewing the series’ trademark portability and informality for the ornate beauty found in the Bertrand Salon of the Hotel de Ville, Paris’ city hall and mayor’s office. The setting is a surprisingly appropriate fit, as the songs that Battles construct are every bit as intricate – and in some ways, fragile – as the chamber music you might have heard throughout the centuries if you were one of the statues that line the room’s walls. Even if math rock isn’t your cup of tea, I urge you to watch this masterfully filmed and edited video and dissect what you hear, because the band’s brilliance lies in their ability to perform live the complicated parts that other groups would be forced to sample. The video is a feast for the eyes, ears and musical mind, and I can’t think of a better way to welcome their amazing album Gloss Drop into the world. Click here to learn more about the video, and here to download the album from iTunes.

Radiohead

There There

Important Vinyl Update … The Artist: Radiohead. The Album: “There There” single. The Store: Plan 9. The Price: $6.

Welcome to the B-side of the discussion of B-sides! After Justin Townes Earle whet my appetite with his cover of Bruce Springsteen’s “Racing in the Streets,” I poked around online for other fun B-sides. Quick side note – I’m a huge eBay tease. I tend to use my watch list not to monitor items I’d like to win in an online auction, but as a shopping list for the record store. Something about buying vinyl online is less satisfying, less eventful, and makes me feel like I’m cheating on my local record stores. That’s why I was so excited when I noticed a record behind the counter at Plan 9 that I’d seen on eBay the night before: a promotional copy of Radiohead’s “There There” – the first single off their 2003 album, Hail to the Thief. Though I’m a big fan of “There There,” I was even more intrigued by the single’s B-side, a song I’d never heard called “Paperbag Writer.” Turns out it’s a really cool and haunting bass-driven song with an creeping electronic beat and some truly creepy strings. As with a lot of Radiohead throwaways, it could really be the best song off another band’s album (or a fantastic track on a horror movie soundtrack), and the fact that it was discarded is a testament to the band’s greatness. Most of all, I love that I’m still discovering things about Hail to the Thief eight years after the album’s release. Such is the magic of B-sides! You can preview “Paperbag Writer” below, and you can buy it on iTunes as part of the There There EP, which features another B-side, “Where Bluebirds Fly.” And if you’re vinyl-inclined, keep an eye out for an upcoming series of 12″ King of Limbs remixes, with the first arriving in early July.

Justin Townes Earle

Christchurch Woman

Whether they’re cover songs or tracks that have been scooped up off an album’s cutting-room floor, B-sides are a great way to get to know your favorite bands even better. And you don’t have to be a vinyl collector to get in on the fun! Look, I’ll prove it to you! My current bout with B-side fever started on May 23, when Justin Townes Earle released the digital Christchurch Woman single. Its B-side is a cover of Bruce Springsteen’s “Racing in the Streets,” a tune JTE played as the closer of his recent show at the Camel in Richmond. The cover first appeared on a limited-edition Record Store Day 7″, and since I didn’t manage to get my hands on a copy, I was elated when I learned it was available on iTunes. I have to confess, I’m a HUGE fan of Springsteen covers. I didn’t grow up listening to the Boss, and have never been able to jump into his catalog with both feet. For whatever reason, I need to hear his songs through the prism of another band’s style for the original versions to come into focus. In exactly this way, JTE’s version of “Racing in the Streets” has given me another Springsteen song to love. The recording is sparse, just vocals and acoustic guitar, but JTE’s mastery of dynamics is what makes the cover really shine. Have a listen below, and run to iTunes to download the two-song single. And if you don’t already own it, for the love of all that’s holy, get his most recent album Harlem River Blues. Srsly.

Raaaaaaaandy

Aaaaaaaangry

Mixtape Week: Day 4. The Artist: Raaaaaaaandy. The Song: Aaaaaaaangry.”

How could I dedicate a week to mixtapes without throwing in a diss track? Insult-hurling songs are a time-honored mixtape tradition, and I can think of no better artist to kick off the weekend than Raaaaaaaandy (aka “Randy with eight As”), the Soulja Boy-inspired alter ego of one of my favorite comedians, Aziz Ansari. The character first appeared in the movie Funny People, and was so beloved that Ansari did a tour in character, performing raunchy stand-up with a backing DJ. But Raaaaaaaandy has a problem. He wants to release a mixtape, but can’t because none of his collaborators will send him their verses. So he does what any reasonable fictitious comedian/rapper would do – record a monster diss track. It’s called “Aaaaaaaangry” and takes a shot at pretty much every rapper in the game, from newcomers Kid Cudi and Drake to seasoned vets like Eminem and Wu Tang. He knocks Clipse for their clothing line, Dr. Dre for his line of headphones, and asks Jay-Z, “Did Coldplay have to wait this long?” Awwwwwwww shit – with eight Ws! Give a listen to “Aaaaaaaangry,” and if you haven’t seen clips of Raaaaaaaandy’s standup, I highly recommend checking a few out (all are NotevenclosetoSFW).

Curren$y

Covert Coup

Mixtape Week: Day 3. The Artist: Curren$y. The Tape: Covert Coup.

It’s easy to see why people would be so confused about how to classify Covert Coup, the most recent offering from New Orleans rapper Curren$y. He called it an EP, and at just 28 minutes, that seems plausible. Then again, it was free, so it’s understandable why people would call it a mixtape. But it’s so damn good, and is so packed with lyrical ingenuity, it feels more like a stripped-down version of a full-length, high quality studio album. My Hip Hop Advisory Committee (HHAC) Chairman and friend J Clyde was kind enough to clue me into this albumixtapEP, and I just couldn’t resist including it as an official part of Mixtape Week. Covert Coup was produced entirely by Alchemist, and it’s beats fit Curren$y’s characteristically laid back mood perfectly – quite an accomplishment, given the recording’s two-minute-a-song, rapid-fire format. My favorite of the tape’s quick hits (the quickest, at just 2:09) is “Success Is My Cologne,” but the longest track, “The Type,” provides the tape’s most memorable moment: an extended study of a single phrase from Outkast’s classic, “Skew It On The Bar-B.” Check it out below to feel the contemplative irony for yourself, and click here for a free download of this album-worthy mixtape.

The Very Best

Super Mom Mixtape

Mixtape Week: Day 2. The Artist: The Very Best. The Tape: Super Mom Mixtape.

What pops to mind when you think of Mother’s Day? 1-800-Flowers? Crowded brunches? Thoughtful cards with handwritten notes inside? WRONG! The right answer is, of course, mixtapes. To celebrate Mother’s Day 2011, The Very Best generously offered up the Super Mom Mixtape, a collection of 12 songs that are super fun, even if you yourself haven’t given birth to human children. Singer Esau Mwamwaya lends his crazy hypnotic voice to songs by Kanye West, Billy Idol, and Cee-Lo, among others, proving beyond a shadow of a doubt that his vocals belong pretty much everywhere (sorry T. Pain, I think we should see other people). The tape also gives us two brand new songs, including the ridiculously catchy title track. My far-and-away favorite, however, is the “Africa to California Anthem,” in which producer Johan Hugo deftly takes the iconic sample from 2Pac’s classic, “California Love,” for an international joyride. From personal experience, this one is best enjoyed in the car, at full volume, with a single hand at 12 o’clock on the steering wheel. Check it out below and download the rest of the tape for free here. And don’t forget to send the link to your mom, especially if she likes LCD Soundsystem and 3-weeks-late Mother’s Day presents.