OK, Dawes. I understand that you can’t help writing beautiful and moving songs. But that’s no reason to go around making people get all misty in public places. See, I had no idea what I was getting into when, during one of my embarrassingly frequent trips to Panera, I hit play and heard the opening piano line of “A Little Bit of Everything.” All I knew was that my friend Mike liked the song and that it involved biscuits and beans — this much I gleaned from Mike casually singing a few lines. Maybe I’m alone here, but in my experience, beans haven’t often been part of emotionally charged songs (though the lyric in “We’re Gonna Make It” about having to eat beans every day offers a quality exception), so let’s just say I was caught a little off-guard. But I’m so glad it happened. Not knowing what “A Little Bit Of Everything” was about afforded me the most wonderfully pure, tear-jerking listening experience I could have hoped for. But this is not sentiment for sentiment’s sake. And I think I know a thing or two about sentiment for sentiment’s sake, having rewatched two-thirds of The Notebook last weekend. Each of the song’s three verses tells a nuanced story that hits on different emotional pressure points, as if Taylor Goldsmith imagined himself an engineer at a power plant, deftly opening and closing valves to maintain just the right level of internal pressure, ensuring that the whole thing doesn’t explode (as opposed to The Notebook, which is of course the Chernobyl of this analogy). See what I mean by checking out the acoustic performance of “A Little Bit Of Everything” above, the studio version and Dawes’ infinitely lovable anthem “When My Time Comes” below, and click here to buy Dawes’ most recent album, Nothing Is Wrong.

Dawes — “A Little Bit Of Everything

Dawes — “When My Time Comes

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