Tag Archives: Angelica Garcia

2016 in Review: RVA Albums

Lots of great RVA releases this year. Here are a few I particularly enjoyed, with one notable absence that will make sense when I post tomorrow’s list:

Avers — Omega/Whatever

Avers

RVA Magazine let me blurb this one for their best local releases list — check it out here. I wrapped up by saying:

They can crack off a breezy summer jam like “Santa Anna,” power through a charged rocker like “Everything Hz,” or sink into moodier tunes like “Don’t Care” with ease. That’s one reason Omega/Whatever is such a gift — we get the clearest glimpse yet of the plurality of Avers’ abilities.

Avers — “Everything Hz” [Spotify/iTunes]

Clair Morgan — New Lions & the Not-Good Night

clair-morgan

I wrote a longish review of New Lions & the Not-Good Night around the time it was released. I’ve been doing fewer of those lately — writing time is in short supply these days — but I felt compelled to dive deeper into this one, and I think this bit from the review explains why:

There are a lot of good albums out there, but music that can make you feel pure joy is rare. There has to be something about it that worms way down, through the topsoil of everyday stuff — Is this recycling week? Do I need to go to the grocery store on the way home? — to the core of what makes us who we are. The permanent stuff. The stuff that was forged years ago via childhood experiences we may have only snapshot memories of. New Lions & the Not-Good Night… gets to that place.

Clair Morgan — “How To Set Your Bed On Fire” [Spotify/iTunes]

Angelica Garcia — Medicine for Birds

angelica-garcia

I got to see Angelica Garcia perform a happy hour show at The Camel earlier in December. She was drinking tea and commented at one point about the possibility of losing her voice, which makes what I heard — a voice as versatile and expressive as any you’ll find — all the more impressive. In the span of just a few words, she’d jump between talk-singing, pure tones, pop ornamentation, bluesy bent notes, and a rapid waver that feels connected to the vibrato you might find in folk, only more natural and urgent, somehow. Medicine for Birds compiles all these sounds nicely, and while it’s tempting to frame the album as indicative of a wildly promising future, the polish of the production and the quality of the writing and singing make this a destination in itself.

Angelica Garcia — “Orange Flower” [Spotify/iTunes]

Noah-O + DJ Mentos — The Rain

noah-o

I only recently started listening to The Rain, but the partnership it features — Noah-O’s storytelling and DJ Mentos’ classic, jazz-inflected production — is clearly a winning one. They recently put up a vinyl pre-order — I look forward to snagging a copy and getting to know this one in person.

Noah-O + DJ Mentos — “Byrd Park” [Spotify/Bandcamp]

White Laces — No Floor

white-laces

This may turn out to be my favorite White Laces album. I wrote about it a couple of times, once on here and again in RVA Magazine. The latter review struck a heavier tone, since I’d learned by that point that White Laces were disbanding:

Landis Wine’s gliding voice pairs beautifully with synthetic elements that call to mind the ’80s, merging the past and present to create something truly timeless. I know it should feel final, but I’d rather think of it as everlasting.

White Laces — “Cheese” [Spotify/iTunes]

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Friday News and Notes

A few Friday news and notes items, starting with the video above…

  • Holy crap — have y’all heard this Angelica Garcia songMatthew E. White tweeted about her yesterday, and Ted, the bass player for my band, saw her at The Tin Pan last night and raved about it. Can’t wait to hear more. (BTW s/o to a fellow son [daughter in her case] of a preacher [Episcopalian priest in both our cases] man [woman in my case].)
  • Mrs. YHT and I finished Stranger Things last night. No, YOU were a sobbing mess. Did you hear that the band that contributed the original score — they’re called, appropriately, Survive — is going on tour?
  • Speaking of soundtracks hitting the road, Seu Jorge is doing a David Bowie tribute tour, reprising his role in The Life Aquatic. He’s coming to D.C., but it’s on a Tuesday, and that Tuesday happens to be election day. Not sure I’m brave enough to go to that city on that day, but hot damn do I want to see that show. And hot damn to I want to get my hands on a copy of this.
  • So Delicate Steve played on Paul Simon’s last album. Which I love. I had no idea. I found this out because a press release celebrating his signing to ANTI- mentioned it. (Here’s the new tune of his they linked to in that email.)
  • David Vandervelde — one of two people named David who played music at my sister’s wedding — is putting out a collaborative EP with Tess Shapiro. It’s streaming over at Brooklyn Vegan, and I’d recommend listening all the way through. The whole thing is good, but I’m really digging the last two tracks.
  • The only thing better than friends who make mixtapes are friends who make mixtapes and also link you to other excellent mixtapes. Thank you for sending a link to this wonderful Aquarium Drunkard mix, Giselle!
  • I’m turning 33 tomorrow, and I’ll be celebrating the first few hours of my birthday by joining Doug Nunnally on Sound Gaze. Not sure when I’ll be jumping in, but the show runs from 11 a.m. to 1 p.m. on WDCE. Listen online, listen on the radio, peer into the windows of the station… whatever it takes.
  • Gigging tonight at bdubs, so no show recommendations. As for bdubs recommendations: spicy garlic. Now and forever, spicy garlic.

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