Tag Archives: Deep Groove Records

Justin Townes Earle

Record Store Day aftermath

This past Sunday, while a stream of soft, late-morning light was tumbling through the living room window I’d left open overnight, I awoke on the couch, sat up (sort of) and snapped the above photograph. It is as much an illustration of how not to treat your records as it is a testament to how much fun the previous day — Record Store Day — had been.

I’d planned on writing a preview post on Friday but got distracted by and thoroughly wrapped up in Boston manhunt coverage, deciding ultimately that a blog post about which limited-run records I was hoping to get my hands on would seem incredibly trivial next to the day’s headlines. Instead, with Dzhokar Tsarnaev safely in custody and that boat somehow — miraculously, I think — not in a million pieces, I’d like to roll out my Record Store Day highlights through a series of open letters. I’m not sure how many there will be, but I do know where I want to start: with the kind folks who joined Bandmate 4eva Doug and me in lining up outside BK Music early Saturday morning.

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Joni Mitchell

Joni Mitchell

An Open Letter to the Escaped Ferret that Walked Into the Propped-Open Door of Deep Groove Records About 10 Minutes After I Did on Sunday Afternoon

Dear Willow,

We never had a chance to meet formally, so I understand if you don’t remember me. I was the one standing near the back of the store in flip-flops. I know — flip-flops in early March? It seemed crazy to me too, but the weather was so nice on Sunday, I guess it was my way of celebrating. I would have taken advantage by spending time outside like you, but my allergies were a holy terror that afternoon, and sandals were about as adventurous as I was gonna get. Little did I know how adventurous my choice of footwear would turn out to be.

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Bonnie Raitt

Bonnie Raitt

Before I start evangelizing, let me acknowledge one thing: collecting vinyl ain’t always cheap. Record stores turn into self-control battlegrounds, and you never know when you’re going to fall in love with the $40 imported pressing of some album you already own and don’t actually listen to all that often. Add in the cost of a turntable, maintenance, a receiver, speakers… you get the idea. Things can get out of hand. Wallets can suffer.

BUT…

Collecting vinyl can also be unconscionably cost effective.

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White Laces

More than a year and a half ago, I dove headfirst into the White Laces universe by snagging their eponymous EP at Deep Groove Records, and I’ve been exploring the vast, dream-like spaces they create ever since. I wrote then that hearing them for the first time was like “like stepping on a live power line,” and the resulting delirium has yet to wear off, especially because the months since have seen them release new songs, new vinyl, new videos, and a fantastic debut full-length in MOVES. The rich sonic landscape they’ve carved out expanded even further last week, when Stereogum premiered the video for MOVES track “Heavy Nights” — a clip which offers a dark and winding take on the Wonderland trope that will irreversibly alter the degree of comfort you feel when looking at tea and fruit-topped cookies. To celebrate this new addition to the White Laces universe, I caught up with frontman Landis Wine via email about the video’s genesis and the band’s plans for the near future.

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Dale Earnhardt Jr Jr

Ladies and gentlemen of central Virginia, start your engines. Race weekend in Richmond is upon us, and it’s got me all nostalgic about how, almost exactly one year ago, I rang in the spring NASCAR race at Richmond International Raceway with my very first post about Detroit duo Dale Earnhardt Jr Jr. Imagine my joy, having found a group that combined my love of soulful electro-pop and brightly-colored sports merch, just a short time before their revered namesake was coming to town for my favorite weekend of the year (keeping in mind of course that the weekend of the fall race is also my favorite weekend of the year). NASCAR in Richmond is a tradition that’s grown near and dear to my heart over the past half-decade, just as Dale Jr Jr has done over the course of the last 12 months.

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Record Store Day Superlatives

Record Store Day is quickly fading in the rear view mirror, and now that we’ve had a couple days to strip off the shrink wrap, listen to the loot and digest the day’s events, I wanted to share a few reactions and a few songs. In lieu of a list of acquisitions (I’m a little scared to a provide the complete inventory, as my better half reads this blog, and I may or may not have some financial splainin’ to do), I thought I’d keep the superlatives theme from earlier this month rollin’ by handing out a few RSD Superlatives. Off we go…

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Bettye LaVette

The Scene of the Crime

When I wrote this past weekend about Black Girls’ new album Hell Dragon, I mentioned that one of my favorite parts of seeing live music is expecting the unexpected. Even if you’ve seen a band before, you never know what you’ll find at their next show. Coincidentally, when I was finishing dinner before heading over to the Hell Dragon release party at the Camel, I was blindsided by a totally unexpected musical surprise, but it was a piece of recorded music — one that I’d heard a zillion times, for that matter — that did the blindsiding. To be painfully honest, I first heard Bettye LaVette’s “Somebody Pick Up My Pieces” by accident. I needed to listen to “Pick Up the Pieces” by Average White Band (don’t ask) and absentmindedly let Spotify play through the song title search results. Quick side note — Spotify searches make for the strangest playlists you’ll ever hear. When “Somebody Pick Up My Pieces” came on, I heard LaVette’s deep, expressive and soulful voice placed against a sweet, southern backdrop of twangy pedal steel and lazy drums, piano and bass, and I fell for the juxtaposition right away. It was a powerful moment of discovery, one I got to relive when I finally found a used copy of The Scene of the Crime, the album on which “Somebody Pick Up My Pieces” appears, at Deep Groove Records on Saturday. At dinner a few hours later, I shared news of my vinyl find with Robbie, a friend whose brain is a musical encyclopedia, and that’s when he blindsided me. “Oh yeah, The Scene of the Crime. You know her band on that album is Drive-By Truckers?” Bam. In that moment, a wormhole opened up and two treasured parts of my musical universe were suddenly and permanently connected. I couldn’t believe it, nor could I wait to give the whole album another listen, this time with the knowledge of who was providing that sweet, southern backdrop. Listen to the song below to see what I mean and click here to buy The Scene of the Crime. Who knows what surprises await when you do!

Bettye LaVette — “Somebody Pick Up My Pieces

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