Buy from Bandcamp today… again!

I’m knee-deep in some non-bloggy writing, so this’ll be an abbreviated celebration of Bandcamp Friday. Nevertheless, I’m here to: 1. Encourage hitting the ‘camp hard today in support of artists who will be getting a bigger piece of the financial pie as a result of Bandcamp temporarily waiving its cut, 2. Recommend the gorgeous album of harmonium/synth accompanied guitar pieces by Cloud M & Gregory Darden entitled Tape One (I sure hope a Tape Two ends up happening), and 3. Share a list of links to other items I have my eye on today (down there below Tape One).

Happy Bandcamp Friday, y’all.

Cloud M & Gregory Darden — Tape One

Hotspit — CC
Angel Bat Dawid — Hush Harbor Mixtape Vol. 1 Doxology (cassettes were sold out but a few dozen copies were made available!)
Phoebe Bridgers — “Kyoto” (Bartees Strange Remix)
Mary Lattimore — Collected Pieces: 2015​-​2020 
Benét — Game Over! (I snagged a cassette copy at Plan 9, but same price on Bandcamp gets you limited edition custom shoelaces while supplies last)
Philip James Murphy Jr — “triumphant captains do smell terrible
Luke McMurray Nutting — Getting To Lupita 
Daniel Bachman — Live at the Olive Mill
Outer World — Chapter 2
Dori Freeman — Ten Thousand Roses
Curt Sydnor — Deep End Shallow
Various — A New Dawn Fades / The Late Virginia Summers split 7″
Various — ActBlue Support Texas Abortion Funds (OK this isn’t a song or album, but it’s a convenient way you can financially support organizations working to mitigate the effects of the disastrous Texas anti-abortion legislation)

Buy from Bandcamp today… again!

Merry Bandcamp Friday, y’all! It’s that magical day when kids of all ages rush downstairs and check to see if the cookies and carrots they left out overnight were eaten before opening their laptops and showing the world that supporting art meaningfully and directly is not a thing of the past.

(Wait… y’all don’t do the cookies and carrots thing? Just me?)

It wasn’t clear if these would continue when I posted about December’s fee-free event, and we went without one in January, so it’s great to be back in action.

As we all know, absence makes the heart grow fonder, and in this case, it would appear that how much fonder is directly proportional to the length of the absence. Having twice as long to look forward to the next Bandcamp Friday has translated to twice the usual number of recommendations.

Hope you find something you enjoy below:

Wild Pink — A Billion Little Lights

Speaking of back in action, are you signed up for the RVA Playlist newsletter yet? (If not, fix that immediately!) I love having Andrew’s music recommendations in my life, and one he shared in Issue #2 that I’d cosign wholeheartedly is the upcoming Wild Pink album. This is shaping up to be one of 2021’s musical high water marks. I’ve been so entranced by the songs out so far from A Billion Little Lights that I’ve been turning to 2018’s Yolk in the Fur for supplemental listening, and that’s another gem. And also available on Bandcamp!

Yasmin Williams — Urban Driftwood

Me last Thursday: Oh interesting — a guitarist from Woodbridge, VA was reviewed by Pitchfork. This album looks interesting, and lead single is really gorgeous.

Me last Friday: THIS ALBUM IS MIND-BLOWING AND INNOVATIVE AND AFTER REFRESHING THE BANDCAMP PAGE 12 STRAIGHT HOURS IT’S BECOME CLEAR THE FIRST PRESSING IS GOING TO SELL OUT WITHIN THE DAY THANK GOD I GOT MY ORDER IN H$^#*F*ZSA)^@

Life comes at you fast, y’all. If you’re vinyl-inclined and missed out, there’s good news: Williams’ label is taking orders for a second pressing that will be available in 4-6 weeks.

Tucker Riggleman & The Cheap Dates — Alive and Dying Fast

I’ve been spending a bunch of time with this one. There’s music you get, and then there’s music that gets you. Let’s just say I feel seen by the chorus of “Void,” which goes a little something like:

And I just want to listen to “Let It Be”
Westerberg not McCartney
I just need some attitude
To sing along to
Every night while I shout into the void

There are all these moments on Alive and Dying Fast where the lyrics perfectly crystallize a thought or experience I’ve been having. “I never know how to pray” at the start of “Spill The Blood” is one. Another is “I gotta try to love myself a little better this year,” from the chorus of “Manic.” In truth, serendipity isn’t the sole reason these lines resonate. Riggleman pairs moments of clarity with the everyday mayhem that surrounds them, such that you earn those rare realizations as you listen along. It’s beautifully immersive writing — highly recommended for a nightly shout into the void.

Patricia Brennan — Maquishti

Another one I’ve been spinning non-stop. It’s subtle. It’s daring. It’s soothing. It’s surprising. It’s at home both in the foreground and the background. When I’m not listening to this, I’m thinking about the next time I can. I’m completely in awe of what Patricia Brennan has created. Nearly an hour of solo vibraphone and marimba — a journey whose twists, turns, cliffs, and clearings have completely rewired my connection to these instruments.

Jones/Hopkins/Pollard — Kaleidoscopic Haze

Some Bandcamp pages are like worlds unto themselves — places that make you want to set up camp and explore every sonic nook and cranny.  (Can you tell that Mrs. YHT and I recently made our way through The Mandalorian?) I landed on the Bandcamp page belonging to Richmond-based jazz drummer Brian Jones on a weekend in late January, and my immediate thought was “I never want to leave this place.” My currently plan is to work backward through the 30+ releases there, starting with this killer four-song set entitled Kaleidoscopic Haze, with Jones on drums, Adam Hopkins on bass, and Trey Pollard on guitar. The force is strong with these three.

Madlib — Sound Ancestors

If you haven’t read the The New Yorker article entitled “The Obsessive Beat-Making of Madlib,” I recommend giving it a look. It’s a depiction of devotion as true as you’ll find anywhere. One line in particular has stuck with me: “For Madlib, making music is as elemental as eating or sleeping, though he claims to do very little of the latter.” He’s in that rarified air where you’re not just playing music, in the sense of playing an instrument or a melody. He’s playing music itself, in the same way people often describe Brian Wilson using the studio as an instrument. As you can hear so clearly on Sound Ancestors, Madlib’s love of music is zoomed-out and all-encompassing.

Scott Clark — This Darkness

I was so moved by This Darkness (and by Scott Clark’s work in general) that I worked up a review for The Auricular. A quick snippet:

Clark’s music stands out in its willingness to forge pathways to those places where introspection is needed most. The neglected places. The shameful places. There is just so much of that to contend with right now. It’s encouraging to think somewhere in there is a seed of progress waiting to grow. It’s equally encouraging to have music to turn to when you want to work toward cultivating it, and This Darkness is exactly that.

Opin — Media & Memory REMIXED

Opin and FM Skyline on the same track?

[Nods furiously in agreement.]

Koncept Jack​$​on & Ohbliv  — JET MagaZINE ’21 Reissue

Koncept Jack​$​on and Ohbliv together on an entire album?

[Continues nodding furiously in agreement.]

Hotspit — “Obsessive Care

Hotspit’s toolkit is a diverse one, and recently released single “Obsessive Care” provides an excellent overview. It ranges from ethereal to crunchy, pensive to powerful, restrained to riotous. It’s a seriously action-packed 5-minutes. (Also exciting: It’s the first single to be released from an EP that’s on the way.)

Clever Girls — Constellations

Speaking of range, the three songs released so far from the upcoming Clever Girls LP shine in such different ways, and I’m totally hooked. “Baby Blue” is especially arresting, with an opening riff that sets a vivid vibe, and a chorus that takes your breath away.

More great options for this month’s Bandcamp Friday:

Helado Negro — Dormído En La Sílla
Cassandra Jenkins — An Overview on Phenomenal Nature
Colleen — The Tunnel and the Clearing
John Calvin Abney — Wildfire Suite
DarkTwaine_ — The Psychodynamics Of Self Realization 
Alan Good Parker — Fakie
Sam Gendel — Fresh Bread
Drew Gardner — Drew Gardner
Michael Millions + DJ Mentos — “Steel Blue
Jake Xerxes Fussell — “Copper Kettle

2020 in Review Part 7: RVA

Part 1: Duos
Part 2: Covers
Part 3: Survival Sounds
Part 4: Jazz
Part 5: Live
Part 6: Blasts from the Past
Part 7: RVA (You are here!)
Part 8: 31 Favorites

Think about a place that’s especially meaningful to you. It isn’t just a place, is it? It’s a feeling too, I bet. Maybe it’s a sound or a taste. A mode. A chapter in your life. You often don’t notice those associations until after the fact — until you’re away for a while, or until you’ve moved on. It’s hard to process meaning when you’re busy. I don’t know about you, but the life-on-hold stillness of 2020 has resulted in waves of meaning cresting and crashing constantly, and as the year comes to a close, I’m flooded with gratitude for Richmond music. It’s been a lifeline. A source of joy. A way to locate myself in the world. A way to remember that the world is still, in fact, out there. A reminder that community boils down to something more essential than physically being together. Charlottesville singer-songwriter Devon Sproule called that “The Gold String,” singing:

I’m imagining a golden string that is connecting
Everything but especially, beings where love has been.
I’ve imagined it again and again so often,
It isn’t even imagining, it is making it happen.

That’s exactly the pull I’ve felt when spending time with the albums below. I bet you’ll feel it too if you give them a listen. You’ll notice there are a few more in this list than the others I’ve posted before. Like I said — it’s been a flood. And my sincerest thanks go out to the artists mentioned below. 

addy — Eclipse

I am so happy Eclipse is in my life. There’s a specific sense of joy in putting it on the turntable and knowing that Adam Watkins’ voice is going to be drifting through the house, carving graceful and distinctive contours around their songs’ lyrics. I love this album, and while this may sound obvious, it seems uniquely worth saying that I love listening to it. It’s wonderfully layered and immersive, and Watkins’ singing is a big reason why. If you haven’t heard Eclipse yet, treat yourself to an enjoyably enveloping experience.

Saw Black — Horsin’ ‘Round

Looking back, it seems fitting that Saw Black was the first artist I posted about after the pandemic started getting truly scary. I’ve turned to his music during other difficult times and have found comfort and joy when both seemed hard to come by. In what’s either coincidence or fate, I spent a few sentences in that post playing up Bandcamp as a way to support artists — just before Bandcamp held its first fee-free Friday. The next such event isn’t until February, but there’s not a bad day to buy music at Bandcamp, and while this Horsin’ Around EP may be sold out, the WarHen Records page has plenty more Saw for sale.

Butcher Brown — #KingButch

In a year that was as eventful as any I can remember, this album shone like an event unto itself. The build-up, the singles, Mothership Mondays, finally getting to hear the whole thing… these were some of my fondest musical memories of 2020. That’s one reason why I put together a bulleted recap of those milestones on the week #KingButch was finally released. In a year that was deeply upsetting in so many ways, everything Butcher Brown did was a reason to celebrate. I feel lucky to be living in Richmond during the Butcher Brown era. If I have grandkids, I’m going to be bragging to them about that fact one day. I’m certain of it.

Deau Eyes — Let It Leave

I didn’t publish many interviews in 2020, but one artist I had the great honor of chatting with was Ali Thibodeau of Deau Eyes. Here’s a snippet from the intro I wrote for our Q&A, which was published by The Auricular:

Over the course of nine beautifully rendered songs, Thibodeau demonstrates vocal skills and versatility that were shaped by a past in musical theater, while giving listeners every reason to celebrate her decision to leave that world behind to pursue her songwriting. It’s an inspiring listen, whether you’re rocking out with the wry and retrospective lead single “Some Do,” or soaking in her soaring anthem to freedom, “Autonomy” — a live set staple that ends, simply, “Let’s begin.”

McKinley Dixon — The House That Got Knocked Down

Did y’all see this teaser clip announcing a 2021 McKinley Dixon/Spacebomb project? Mind blown. Details are scant, but whatever they’re working on, I can’t wait to hear it. In the meantime, I’ll keep spinning this excellent EP, which came out in early 2020. “Sun Back” is on one of the first mix CDs I made from my Bandcamp Friday purchases, and as a result, it’s been a constant — something I’ve come back to again and again to recharge and reset.

DJ Mentos — The Maxell Tapes Volume 2

It was so rewarding seeing this on Bandcamp Daily’s list of the best beat tapes of November. DJ Mentos’ work has an off-the-charts consistency when it comes to quality and impact. His beats hit hard, and the Bandcamp write-up confirmed as much:

The Maxell Tapes bumps from the middle of a boom-bap and trip-hop Venn diagram. These were beats for fans of Da Beatminerz and DJ Shadow, DJ Premier and Portishead. The Maxell Tapes Vol. 2 picks up where Vol. 1 left off, further mining and moving around that middle ground for more skull-cracking downtempo beats.

FM Skyline — liteware

Love this album. A few words from the very first Bandcamp Friday post, which, by my calculations, went up approximately 175 years ago:

With the backing of the 100% Electronica label, Pete Curry’s vaporwave project represents one of Richmond’s most ascendant acts at present.

Angelica Garcia — Cha Cha Palace

2020’s concert calendar was short but illustrious; I made it out to only a handful of performances before things shut down due to COVID, but the ones I did see were phenomenal. The release show for Angelica Garcia’s Cha Cha Palace was one of them. It was as magical and dynamic as the album itself, with decorations around Gallery5 that turned the venue into a living representation of the album’s visual identity. Take a look at that cover art, and imagine being immersed in that beautiful assemblage of personal history. It was so generous of Garcia to invite us in like that, and the energy she brought onstage was utterly unforgettable.

Gold Connections — Ammunition

Another artist I feel very fortunate to have spoken to for The Auricular this year (read the interview here) was Will Marsh of Gold Connections, who is as gracious in conversation as he is adept at writing songs that stay with you — both because they’re endlessly relistenable and because they pull zero punches lyrically. The material on Ammunition was written before the lockdown, but the EP feels as pointed and vital as anything I heard this year.

Hotspit — Hotspit Live Session

From October’s Bandcamp Friday post:

If you’ve been following this Bandcamp bonanza from the very beginning, you might remember that my very first Bandcamp Friday post included music by Avery Fogarty, who fronts the Richmond band Hotspit. That group just released a three-track live session, which is very exciting. I’m especially fond of the first track, which illustrates the range the group has, and how great they sound in exploratory mode. Well worth a download.

The Hustle Season — Volume 1

A quick snippet from my November Bandcamp Friday post:

I’m a relatively new listener [the The Hustle Season podcast], so I’m in that honeymoon phase of familiarizing myself with all the regular segments and recurring jokes, but no additional research is needed to know that the show’s hosts (Reggie Pace, Gabriel Santamaria, James Seretis, and Kelli Strawbridge) bring a super-deep pool of musical talent to the table, and their Volume 1 LP provides a kaleidoscopic glimpse of those varied interests and abilities.

Kids Techno — The Harmony of Spheres

While the creator of The Harmony of Spheres remains mysterious, the album’s impact has become familiar over the course of 2020, given its release right around New Year’s. With apologies to Radiohead, another fine purveyor of mystery, I put this on when I want to disappear completely. It’s such a great way to zone out or zone in — whatever you’re looking for. 

Lefthnd — ad mausoleum

From my review for the Auricular:

The album packs an abundance of ideas into 28 minutes, grabbing your attention from the outset and keeping it over the course of eight songs that form an exceedingly rewarding encapsulation of Lane’s talents as a player, songwriter, and producer.

Lonely Rooms — Until We Have To

From September’s Bandcamp Friday post:

I love this album. It’s remarkably poised, capturing moments of quiet turmoil and questioning made crystalline by melodies and structures that make you want to sing along and stay in the moment, however difficult it may be. And while there’s tremendous weight to the lyrics, closing track “Comeback” leaves you with a hopeful mantra I plan to return to repeatedly:

No alarms. No attacks.
Today wasn’t that bad.
I can take some comfort in that.
Try and figure out where my head is at.
I need strength and I find that I can
Feel it coming back.

Erin Lunsford — The Damsel

The chat with Erin Lunsford that I mentioned ahead of my covers list followed an earlier interview we did for an issue of James Magazine that came out in March. I haven’t been able to get my hands on a hard copy, but you can read the piece here. In it, she previews a solo record that would embrace her musical roots, and The Damsel is the extraordinary result of that sonic rediscovery. Lunsford has a rare vocal gift, and she pairs that power with generous, intimate storytelling for a totally distinctive set of songs — an album only she could produce. No matter where her path leads — and hers is clearly among the most promising of anyone’s in Richmond — this is an album future fans can return to when seeking a more complete understanding of her artistry.

Philip James Murphy Jr — bummer is icumen in

From the last Bandcamp Friday post of the year:

Philip James Murphy Jr has been a Bandcamp Friday MVP throughout this year… His music has a sense of melodic detail I enjoy, as well as a lived-in feeling that I’ve found to be comforting. Great winter listening.

Given that last bit, the song below may seem like an odd choice (the middle-English song it’s derived from references summer), but give credit where credit’s due: You can’t get much more right than releasing a song called “bummer is icumen in” in January of 2020. Come to think of it, WHAT DID MURPHY KNOW AND WHEN?!? We need answers.

Noah-O — DEADSTOCK VOL​.​1-8

Tremendous respect is due to Noah-O, who released an album a week from late April to mid June. Eight straight Fridays putting music out into the world, with sorely needed stories of perseverance and growth. Just incredible. A true inspiration.

Oneness of Juju — African Rhythms 1970​-​1982

Plunky Branch is another 2020 MVP. His front porch concerts were a staple of Byrd Park life for months. What a beautiful scene that was — lawn chairs, dancing, strollers, actual live music… I only made it out a couple of times, and didn’t get to stay long either time. When I did, I wished I could bottle those moments and carry them with me.

On that same day I got to see my first Plunky porch concert, I picked up a copy of this new comp from Deep Groove. The timing was impeccable; I’d just started to get into his music, and I wanted to snag something to spin at home, but I wasn’t sure where to start. Strut Records to the rescue with this excellent sampling of Oneness’ output.

Ophelia — Ophelia

From October’s Bandcamp Friday post:

A big part of past Bandcamp Fridays has been music that’s resurfaced — extra copies of pressings that had sold out, or albums that are seeing the light of day after spending some time on the shelf. This Ophelia album is such a glorious example of the latter, as it hit Bandcamp a couple of weeks ago after having been recorded back in 2010. After hearing it and enjoying it tremendously — including a magnificent listen all the way through on a long run at dusk — it’s hard to imagine this not being out in the world. 

Opin — Media & Memory

From October’s Bandcamp Friday post:

There’s a specific anticipatory joy that floods in just before you hear a new Opin song for the first time. Their track record of adventurousness means you’re never sure where they’re about to take you. It’s exhilarating — especially when, time and time again, you end up thrilled with where they’ve decided to go with their sound…

PANGEYA — PANGEYA

While exceedingly deserving of a place on this list on its own, the self-titled PANGEYA tape also stands in for the many other amazing 2020 releases from Ohbliv’s various pseudonyms. Here’s a list of the ones that were on my radar:

Bradford Thomas — Bradventure III
DarkTwaine_ — Shadow Work
DarkTwaine_ — The Hainted
DarkTwaine_ — BLACKRADIANCE
DarkTwaine_ — L’enfants Savage
Ohbliv — Foreverpayingdues
Ohbliv — LewseJoints Number 8 (a)
Ohbliv — LewseJoints Number 8 (b)
Ohbliv — Spirit Medicine
Ohbliv — Spirit Medicine B Sides

Only a legend like Ohbliv would warrant his own list within a list like this. And we’re not even factoring in the beats of his included on other amazing albums. Speaking of which…

Pink Siifu & Fly Anakin — FlySiifu’s

From December’s Bandcamp Friday post:

I already have my copy of FlySiifu’s, but I thought I’d include the album here for two reasons: 1. It’s excellent and well worth your Bandcamp bucks, and 2. The merch associated with it is A+. Can’t-miss holiday shopping right here. The work shirts are mostly sold out, sadly, but there are still long sleeve shirts and sweatshirts, among other items. Consider it a rule going forward that if your album invents/takes place in a fictional record store, and you then start selling merch for said fictional record store, you have my undivided attention. (Especially when said album happens to be one of the best released all year.)

Ruth Good — Haunt

I got more into cassettes this year, and was thrilled when I saw the Citrus City notification about this Ruth Good EP getting a release on tape. It’s a quick but super-substantive 4-song listen, with contributions from A-plus instrumentalists like Alan Parker and Eric Slick. (Not the last time you’ll see that name on one of these lists!) I’m especially fond of “All My Life,” which has a monster chorus that hits like something that would have been on a Traveling Wilburys album — big and memorable, the kind that makes for a killer live singalong. Hopefully one day.

Sons Of The James — Everlasting

I’ve spent a ton of time with “Things I Should Have Said” — to the point that the song’s distinctive fade-in has become a piece of music I look forward to in and of itself. No surprise there, given the mastery of sonic texture and detail that DJ Harrison brings to everything he produces. 

Spacebomb House Band — IX: The Best Played Lands

I’ve been a fan of these Spacebomb House Band tapes since they were released under the “Library Music” banner. They’re uniformly excellent and consistently surprising, and 2020 saw three new volumes added to the series. Picking a favorite out of those three is tough, since they collect so many unique moments and vibes, but I have to single out “The Bigs” from the ninth installment — a super-fierce beat that would have been right at home on Liquid Swords. So good.

Various — A Little Bit at a Time: Spacebomb Family Rarities

Speaking of Spacebomb, this comp is an absolute gold mine, showing how multifaceted the outfit’s impact is, from management and publishing to production. There are gems here from local and non-local artists alike, but I was especially thrilled to see an unreleased Sleepwalkers song on here. As someone who spent the years between Greenwood Shade and Ages eagerly awaiting more of their music, I value new Sleepwalkers tunes very highly, and the sudden appearance of “Why Am I So Sad” was a real treat.   

Buy from Bandcamp today… again!

Happy Bandcamp Friday, y’all! I’ve been eager to get this list out into the world since the first item hit the ‘camp a couple of weeks ago, so without further ado, here are this month’s recommendations. Remember, fees are waived, so it’s a great day to show your support.

Ophelia — Ophelia

A big part of past Bandcamp Fridays has been music that’s resurfaced — extra copies of pressings that had sold out, or albums that are seeing the light of day after spending some time on the shelf. This Ophelia album is such a glorious example of the latter, as it hit Bandcamp a couple of weeks ago after having been recorded back in 2010. After hearing it and enjoying it tremendously — including a magnificent listen all the way through on a long run at dusk — it’s hard to imagine this not being out in the world. It immediately feels canonical, given the strength of these tunes and the involvement of two Richmond favorites: David Shutlz (a Bandcamp Friday favorite) and Jonathan Vassar, who you might remember from the excellent Lonely Rooms album I wrote about last month.

PJ Sykes — “Rain in to the Sea”

Speaking of David Shultz, I absolutely love the “Rain in to the Sea” cover PJ Sykes released today. What a perfect illustration how a song can vibrate harmoniously on wildly different wavelengths. (Ocean pun fully intended.) Halfway through this new version, it’s easy to imagine the song having been written with this arrangement in mind, especially when it comes to the delivery of the central metaphor. So cool. And can we all agree this cover art wins Bandcamp Friday?

Opin — Media & Memory

There’s a specific anticipatory joy that floods in just before you hear a new Opin song for the first time. Their track record of adventurousness means you’re never sure where they’re about to take you. It’s exhilarating — especially when, time and time again, you end up thrilled with where they’ve decided to go with their sound, from their self-titled full length in 2017, to the EPs they’ve released since (including a cover of Mariah’s “Shinzo no Tobira” that I’ve listened to approximately 1.5 million times since it came out). I’m on pace to catch up with that play count when it comes to the first two songs from their upcoming LP, Media & Memory — out 10/30 on WarHen Records. I couldn’t decide which to embed below, so they’re both there. And while I don’t know where the other seven tracks on the album will go, I know by now to sit back and enjoy the ride, because Opin’s sense of sonic navigation is as good as it gets.

Bartees Strange — Live Forever

We’ve all heard “You are what you eat,” but “You are who (whom?) you hear” seems increasingly applicable the more time we spend with earbuds in catching up on the podcasts that reflect and shape our thinking about the world. The voice that’s been bouncing around my brain most during the pandemic has been Steven Hyden’s; his 36 from the Vault podcast about the Dick’s Picks Grateful Dead live album series has been my primary means of auditory escape. As a result, the line between his thinking on music and mine is starting to blur, and when he tweeted the following, I was eager to snag my own seat on the Bartees Bandwagon™:

Live Forever promises to be one of this year’s most celebrated albums, and today’s the big release day. I’m 100% in. It’s so good. The “Half Orange/Half Bone” pressing I snagged is sold out, but he recently added a “Red with Bone & Orange Splatter” variant, and copies of that are still available. Don’t sleep. As a side note, the Hyden-Strange connection came full circle with the publication of this Uproxx interview. Don’t sleep on that either. No sleeping whatsoever, ok? It’s Bandcamp Friday!

Hiss Golden Messenger — School Daze: A fundraiser for Durham Public Schools students

This is the second live album Hiss Golden Messenger has released during the pandemic — click here for my post about the first one. Proceeds are going to the same great cause — the Durham Public Schools Foundation — but not a single song is repeated from his previous live release, which is fun. One other Hiss-related recommendation: If you’re not already signed up for M.C. Taylor “Kitchen Table Speculator” mailing list, I recommend it highly. He includes poetry, books and music he’s been enjoying, and words of hope like these:

I realize that life is chaotic and complicated right now. I’m trying to remember to take some time each day or week to thank the folks that keep showing up, nose to the grindstone, every day. I’m trying to give back to my community with emotions as well as dollars. If you have the bandwidth, please consider donating your time, money, or other resources to an organization doing good work in your community. I’ve found it’s the best way to alleviate feelings of hopelessness.

I plan to heed that excellent advice by downloading School Daze right about now.

Hotspit — Hotspit Live Session

If you’ve been following this Bandcamp bonanza from the very beginning, you might remember that my very first Bandcamp Friday post included music by Avery Fogarty, who fronts the Richmond band Hotspit. That group just released a three-track live session, which is very exciting. I’m especially fond of the first track, which illustrates the range the group has, and how great they sound in exploratory mode. Well worth a download.

Other items on my radar today:

Sam Gendel — DRM
Spacebomb House Band — X: Kernel Eternal
Mdou Moctar — Mixtape Vol 6
Phil Cook — From the Kitchen: Winston​-​Salem, NC – 10​/​27​/​​2018 @ Ramkat
ragenap — “masters of war” (benefits Sustain Chicago Music)
Various — Good Music to Avert the Collapse of American Democracy, Volume 2 (benefits Voting Rights Lab)
John Moreland — Live at The Grey Eagle – Asheville, NC – 6​/​9​/​19
addy — re call/bug (benefits MAD RVA)
Durand Jones & The Indications — “Power To The People
Avery Fogarty — “sunken cities

Buy from Bandcamp today!

I posted earlier this week about how buying from Bandcamp is a great way to support artists right now, and today is an excellent day to act on that. Bandcamp is waiving their cut of all transactions today, meaning more of your dollars will go directly to artists, many of whom have seen steep declines in income as a result of COVID-19.

Here are a few recommendations, based on my buying plans:

FM Skyline — Liteware

Been looking forward to putting in a preorder for this since a few Thursdays ago, when I stayed up until midnight for the live YouTube premier of “polygon park.” With the backing of the 100% Electronica label, Pete Curry’s vaporwave project represents one of Richmond’s most ascendant acts at present. The first pressing of his Advanced Memory Suite album sold out, so if vinyl is your thing, I’d recommend acting quickly.

Avery Fogarty — #​(​$​%​&​@​*​&​)​!

Fogarty is the frontwoman of Hotspit, another ascendant Richmond act. When we’re on the other side of all this craziness, I recommend seeing them in person ASAP. Their live show is nothing short of arresting, characterized by big dynamic swings and complex guitar work. Forgary’s solo material focuses more on studies in mood and texture, and I do a joyful dance inside every time a new one shows up on Bandcamp.

The Blue Hens — Heavenly Sunlight

Brand new gospel EP straight outta Galax, Virginia, courtesy of Dori Freeman and husband Nicholas Falk. I had the chance to see them perform the title track at the Richmond Folk Festival. It’s gorgeous, not to mention rhythmically hypnotic.

Elkhorn — The Storm Sessions

A snowstorm caused Elkhorn to cancel their show, so they decided to make an impromptu album, making this a real-life manifestation of making the most of being stuck indoors.

Philip James Murphy Jr — bummer is icumen in

Murphy is a friend of a friend, and I’m so glad the intermediary introduced me to this album earlier this year. Really beautiful and varied. (How about that prophetic title?)

Whether or not you dig the tunes above, what’s important is that we keep finding ways to support musicians right now. For a way more extensive list of Bandcamp options, check out the Auricular’s amazing rundown.