Tag Archives: John Prine

Sid Kingsley

Think about one of your favorite singers, and try to remember the very first time you heard him or her sing. Did it stop you in your tracks? Did you look around the room, like “What the hell is happening right now?”

That was my experience hearing Sid Kingsley for the first time. Listening through Good Way Home on its release day back in May was an uncanny experience, both because of the jolt I got from his voice and because the album includes covers of songs by artists who are near and dear to my heart. A new favorite vocalist. New versions of favorite songs. It was such a trip…

…which made having the opportunity to sit down with Kingsley and interview him for River City Magazine even more of a trip. We chatted on the patio outside Cary Street Café, and in case you’re wondering, yes, I did nerd out and bring my vinyl copy of Good Way Home for him to sign. He did so graciously, and the article that resulted from our conversation hit the interweb this week. Click here to check it out, and click here to see where you can snag a physical copy of the magazine.

Want to know what’s really crazy? The uncanny experiences with Good Way Home haven’t stopped. I’m seeing two concerts in the next two nights, and Kingsley’s album features versions of songs either written or made famous by both of them: “Moonshiner,” a traditional tune previously recorded by Bob Dylan, and “Sam Stone,” by John Prine. Both are embedded below.

If you haven’t heard Good Way Home yet, you’re in for a treat. Maybe you’ll even have your own “What the hell is happening right now?” moment.

Sid Kingsley — “Moonshiner” [Spotify/iTunes]

Sid Kingsley — “Sam Stone” [Spotify/iTunes]

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2016 in Review: Blasts from the Past

Easing into the numbered lists with Blasts from the Past — the reissues and archival releases I had the most fun with this year.

1. John Prine — In Spite of Ourselves

john-prine

I once found myself outside a recording studio talking to a very large and friendly stranger about how much we both loved “In Spite Of Ourselves,” trading the verses we could remember off the tops of our heads and laughing hysterically. The power of John Prine’s songwriting, y’all. I think about that dude every time I hear the song. I think about you too, Mrs. YHT, just [adjusts collar nervously] not just you. I’m going to stop typing about this now.

John Prine — “In Spite Of Ourselves” [Spotify/iTunes]

2. Allen Toussaint — Live In Philadelphia 1975

Allen Toussaint

The Last Waltz introduced me to Allen Toussaint The Arranger, and Matthew E. White’s interviews and Spotify listening feed helped me get to know Allen Toussaint The Influence, but I hadn’t really met Allen Toussaint The Performer until Record Store Day, when this live set was reissued. Predictably, that part of his personality is like the other parts — charming, entertaining, and close enough to flawless that you find yourself wondering if he ever makes mistakes. (Just a few months later, when I grabbed a copy of American Tunes while in Chicago for a wedding, I got to meet Allen Toussaint The Technician-Historian — he’s pretty great, too.)

Allen Toussaint — “Last Train” (live) [Discogs]

3. Gillian Welch — Boots No. 1: The Official Revival Bootleg

gillian-welch

If you buy into the Gillian-Welch-as-self-styled-Southern-person narrative, you’d probably call this album evidence of a crucial turning point in her persona definition. I tend to think we’re all constructs of the people we want to be, with varying degrees of consciousness about the whole deal. Having grown up in Norfolk — large military presence, friends’ families moving away and moving back, not all that rednecky but right near the North Carolina border — I understand how it feels to embrace Southern-ness consciously, selectively, and gradually, and I tend to feel a little defensive when people talk/write about her origin story. It’s weird, and I can’t tell whether I like this Boots album because of or in spite of that defensiveness. Probably a little of both.

Gillian Welch — “Dry Town” (demo) [Spotify/iTunes]

4. Various — Why the Mountains Are Black – Primeval Greek Village Music: 1907-1960

why-the-mountains-are-black

Spooky tunes compiled and analyzed by legendary 78’s collector Chris King? Check. Cover art by R. Crumb? Check. Release party at Steady Sounds with King spinning 78’s from the second floor? Check. Something to play whenever we want to make Greek food and/or remember our trip there? Check.

Kalamatianos” (“Dance of Kalamata”) [Spotify/iTunes]

5. Jack White — Acoustic Recordings 1998-2016

jack-white

[knock, knock, knock] “Hi, I’m here for the alternate version of ‘Carolina Drama,’ and I’m not leaving until I understand the critical plot points.”

Jack White — “Carolina Drama (Acoustic Mix)” [Spotify/iTunes]

BONUS: Bob Dylan — The Real Royal Albert Hall 1966 Concert

bob-dylan

I hadn’t planned on buying this, but that giant 1966 box set has been looking more interesting by the day, and a used copy popped up on BK Music’s Instagram feed. I figure this’ll keep the box set at bay. For now.

Bob Dylan — “Tell Me, Momma” (live) [Spotify/iTunes]

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Friday News and Notes

tiger-panda-fairy

Happy Halloweekend, y’all! Pictured above is Toddler YHT is dressed as your classic tiger-panda-fairy hybrid. Can’t wait for trick or treating. Until then…

I’m off to have a semi-serious conversation with Mrs.YHT about whether we should do the Jimmy Kimmel thing where you pretend you ate all your kid’s candy and videotape the reaction. I’m not that mean… am I?

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Friday News and Notes

bon-iver

A few news and notes to complement your Friday…

I hope everyone has a fun weekend ahead. The band is recording all day tomorrow at Audio Verite with Pedro Aida. Trying to get three songs done. Fingers crossed…

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Friday News and Notes

Heart

That’s a heart-shaped leaf I found on the sidewalk, because I love all you weirdos. And these are Friday News and Notes!

  • Congrats to Adam Henceroth — Mr. EggHunt Records himself — on this great Style Weekly profile. EggHunt is on one hell of a winning streak, and the albums they’re putting out are serious points of pride for this city. Adam is also just a very friendly person, so it’s nice seeing him get this kind of recognition. Applause emojis all around.
  • Anyone else think this fairly snazzy new Britney Spears song would sound right at home on The 20/20 Experience? Is that you I hear, Timbaland? And can someone tell me why I have to look up the spelling of Britney Spears’ first name every time I type it?
  • Really wish I would have found out about this Durand Jones & The Indications album before it’s resell price got up to $75…
  • Y’all see that they just pressed John Prine’s In Spite Of Ourselves to vinyl for the first time? Feel very fortunate to have snagged a copy at BK. It’s a fantastic album of duets, and the title song might be my favorite song of his.
  • I’m enjoying the hell out of next week’s Off Your Radar album, Dear Bo Jackson by The Weeks. Not sure what I’m going to say about it, but it’s definitely getting filed under “How on Earth did I miss this?” Southern rocky, soulful, horns, pedal steel — like shooting fish in my musical preferences barrel.
  • Just bought a bunch of concert tickets I’d been meaning to get. Car Seat Headrest and Mountain Goats are coming to the National on consecutive Mondays — that’s going to be a fun week. And Drive-By Truckers just went on sale today, and I grabbed a couple for the Friday show. That Thursday show is pretty tempting as well, though. Hm.
  • Did y’all know that video killed the radio star?

Hope a great weekend awaits each and every one of you, and that random heart-shaped things pop out at you wherever you look.

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Friday News and Notes

Baketball gif

Happy tournament y’all! Crazy first day of games. Early exits for Baylor, Arizona, and Purdue… should be a fun weekend. Until then, a few news and notes:

Whether you’re out and about or glued to the TV like I’ll be, I hope your weekend is a [dribbles up to the basket and unleashes a 360-degree windmill jam] slam drunk. [Winks]

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Bon Iver

Bon Iver

Looks like some serious (well… Southerner-serious) snow is on the way in RVA, so I’ve activated my Bon Iver snow day record bunker, which is comprised of the three 12-inch singles released in conjunction with his self-titled masterpiece and the Blood Bank EP that preceded it. I don’t normally splurge on singles, but these have dynamite B-sides — covers of Bonnie Raitt’s “I Can’t Make You Love Me,” John Prine’s “Bruised Orange (Chain Of Sorrow)” and Peter Gabriel’s “Come Talk To Me.” And Blood Bank is my favorite kind of EP — one that documents a pivotal moment. In this case it’s Vernon’s transition from the cloistered simplicity of For Emma, Forever Ago to the vastness of Bon Iver.

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