Landlady

Landlady

[cracks knuckles] OK, it’s been a hot minute since I wrote one of these blog things, so let’s see if I can remember how to do this. Band I feel strongly about? Check? Experience with that band I can’t not share with the whole damn Internet? Check. Picture to put at the top/song to put at the bottom? Check and check.

Let’s do this thing.

Landlady! Remember them? I wrote glowingly of their 2014 album Upright Behavior just before going on baby break. My feelings have only grown since. We shared a Twitter exchange about Spotify’s inadequate payout system, I ordered and received a special Coke-bottle-green pressing of Upright Behavior from Bandcamp, I got to see them perform last Friday night as part of the second-annual Fall Line Fest… it’s been a torrid affair — rewarding in ways I couldn’t have guessed it would be.

Mrs. YHT and I have been fairly bunkered-in lately, which shouldn’t come as a surprise to those of you who have kids and remember what that first month was like. In some ways, it’s felt like a month-long snow day — you huddle close, maybe start a new series on Netflix (we’ve knocked out more than three seasons of Friday Night Lights) and the most contact you have with the outside world some days is noticing the temperature of the air that rushes in when you open the back door to throw a can in the recycling. Much more of the outside world rushed in when I went back to work, but the snow day resumes every evening when I get home. It’s just as magical as an actual snow day, just replace the sense of spontaneous freedom with its polar opposite — a sense of responsibility you’ve spent months joynervously preparing to shoulder.

I love our little bunker, and I love that music has a physical presence in it. It’d be a stretch to lump my collecting vinyl for the last half dozen years into the nesting process, but those records are a non-minor part of the world Mrs. YHT and I prepared for our daughter, and that thought makes me very happy. I’ve gotten a huge kick out of choosing which records to play for Baby YHT. I waited until we got home from the hospital to open the copy of Lullaby Renditions of David Bowie I got last Record Store Day and made that the first record my daughter heard. She’s heard dozens since, and while I haven’t picked up on any nascent preferences, watching her facial reactions and knowing that every song she hears she’s hearing for the first time — I can’t even put it into words. I could do it all day every day and never get bored. (She might though — that kid’s attention span needs work.)

As amazing as the bunkered life has been, venturing out for Friday of Fall Line Fest was a real treat.

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Landlady

Landlady

Landlady broke my Spotify classification system.

I have a bunch of Spotify playlists, but one has become absolutely indispensable since I started adding to it — my hastily named That’s My Jam playlist. It’s where I drag the songs I get most excited about and want to hear over and over (well, the upbeat ones — I have a separate sad sack playlist I’m too embarrassed to share the name of). Sometimes a song jumps out at me and has to go on TMJ right away, other times I’ll decide that I like a new album and will add one of its tracks so I’ll have a lasting tether back to it. “Lasting” is the operative word there, because I would be crushed if I lost this playlist. Whenever I have trouble logging into my Spotify account, a deep-seated, panicky feeling rushes in. (I really need to back up this list somewhere, but you’re talking to the same person who puts off doing laundry until he’s wearing bathing suits for underwear, so who knows when that’ll actually happen.)

I recently started another list called Favorite Whole Albums, for releases that seem are particularly suited for front-to-back listening. Usually they’re cohesive in some meaningful way, like how Beck’s Morning Phase feels like a single idea played out over multiple tracks, or how Kendrick Lamar’s good kid, m.A.A.d city tells a story that builds from beginning to end, with interludes that need to be played in the correct order.

When I step back and look at those last two paragraphs all typed out, it’s painfully clear how helpless trying to categorize and catalog your listening really is. It’s like trying to bottle up wind with a napkin, or something — just plain insufficient when you zoom out and consider the massive musical universe and all it has to offer. Taxonomy can feel insufficient in micro sense too, as Landlady just taught me.

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