Tag Archives: Landlady

Ian Chang

Been gnawing on a bunch of non-bloggy writing, but I thought I’d share one thing I’ve been playing on repeat while I work — “Romeo,” from Ian Chang’s upcoming album, Spiritual Leader.

I’ve gotten to know Chang’s virtuosic drumming via Landlady and Son Lux, and its hard to overstate how captivating he is in the live setting. He’s a show unto himself, which makes a solo album — especially this solo album — a natural fit.

Chang’s using a type of technology that allows him to express a wide range of sounds with his kit — sensory percussion, it’s called. Two things jump out: 1. He really can be a show unto himself this way, and 2. This opens the door to a whole new way of listening — form, tonality, decision-making… you get to think a little differently about all of it given how the music is being created.

And you get to hear Ian Chang play drums, which is always a gift. “Romeo” is below, and the preorder is here.

Ian Chang — “Romeo” [Spotify/Bandcamp]

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Landlady

landlady

Foregoing news and notes because this isn’t just any Friday — today is the day Bandcamp is donating their cut of all sales to the ACLU, which strikes me as a completely kickass move.

My plan is to snag Landlady’s newest album, The World Is a Loud Place. I had a chance to see and hear a few of these new tunes when the band came to Hardywood in August — “Driving In California” for sure, and I think “Nina” and “Electric Abdomen” made appearances as well. It’s a fantastic album, every bit as imaginative, tightly executed, and soul replenishing as Upright Behavior. In fact, Landlady has become one of the bands –maybe you have a similar list — whose shows are more like exercises in spiritual fulfillment than just a pairing of people playing music and people watching those people play music. They’ll be at The Camel on March 6, and I highly recommend grabbing a ticket. If you’re like me, you could use some spiritual fulfillment right now.

In fact, I was having one of those days just yesterday. I bet you know the kind. Checking Twitter every few minutes and bracing yourself for the awful shit it would reveal. Feeling sad/angry/confused about how so much could be allowed to go so wrong so quickly. I’ve had days that weren’t one of those days since January 20, but they’re the exception. Sad/angry/confused has become my new normal, even though I’m committed to the fight to keep intolerance from becoming America’s new normal.

You know who else is? The good people at the ACLU, and seeing that Bandcamp was doing what they’re doing today snapped me out of yesterday’s daze. I couldn’t wait to write this post and chip in.

Here are a few of the RVA bands and labels who are going a step further and pledging their own share of song/album sales to the ACLU:

And then there’s Lightfields, who have been donating their Bandcamp sales to Planned Parenthood for some time now. Richmond is full of amazing people. If you’re a band or label in town and I left you off the list above, please let me know so I can include you, because you’re awesome.

Happy Friday, y’all. Consider this today’s act of resistance. We’re just getting warmed up.

Landlady — “Nina” [Bandcamp]

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Friday News and Notes

Lots to catch up on since my last news and notes post. To be honest, I’m having trouble posting these days because the world seems so grim, but there is still so much good music worth celebrating, and I’m trying to let the light in. Here are a few things that have been shining particularly bright for me lately:

  • This is almost a month late, but I’d recommend Amanda Petrusich’s thoughts on the Mariah Carey NYE debacle. After reading it, my first thought was that it’s a pleasure to read along as Petrusich makes sense of things. It reminds me of one theory about dreams — that they help you process and file away the things that are happening around you. That’s Petrusich’s writing to me.
  • While I’m tempted to say the outfits are the best part of this hour-plus video of Herbie Hancock’s Headhunters performing in Germany in 1974, the groove is too damn good. Cheers to Aquarium Drunkard for posting it.
  • I included Spencer Tweedy’s Geezer Love in my best EPs of 2016 post, and just weeks later, his brother Sammy released his own EP, called Canoe Country, comprised of looping synth sounds and guitar. Really neat. Jeff Tweedy has some talented kids.
  • How’s about a recent Daniel Bachman live set recorded in Richmond? While you’re at it, check out the Liza Kate set from that same show that starts with the following joke:
    “What do you do when you see a fireman?
    “Put it out, man.”
  • This Phantogram cover of Radiohead’s “Weird Fishes” is precise and wonderful and I don’t know how you repeatedly and consistently arpeggiate guitar chords like this without your name being Jonnie Greenwood.
  • I didn’t go too crazy for Conor Oberst’s Ruminations album, but hot damn am I psyched for this upcoming Salutations album. (This NPR write-up had me at “Guests on Salutations include Gillian Welch…”) I’ve listened to this updated version of “A Little Uncanny” more than a dozen times and counting. Fuck Ronald Reagan. Seriously.
  • So Ryan Adams is coming to The National here in Richmond, and I’ve managed to snag my ticket for the Sunday (3/5) show. Tickets for that one and the next night’s show are on sale now, unless they aren’t because they’ve already sold out. This might be my favorite pairing of artist and venue since Landlady came to Hardywood last year. (Oh yeah, they’re coming to Richmond — to The Camel — on the second night Adams is in town, so I get to see him and them on consecutive nights. Pretty sure I’m going to happy cry at one or both.)

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Friday News and Notes

Lucy Olympics

Happy Olympics, y’all! Can’t believe I didn’t say something last week.

Dunno about you, but I just about cried last night when Simone Manuel got her gold, and while I know what happened in the women’s individual all-around, I’m not going to say anything because Mrs. YHT is trying to achieve the informationally gymnastic feat of not finding out until she has a chance to finish watching. On a slightly less triumphant note, I’m worried about the men’s basketball team. That Australia game was slightly terrifying, even watching via DVR knowing what the outcome would be. Let’s hope they pick it up against Serbia tonight.

A few News and Notes items to keep you company until then:

  • Many thanks to Doug Nunnally for inviting me to my first Shockoe Session. We got to see a jazz group called Doors Wide Open, and I got my first glimpse of In Your Ear studios. Very cool space, very cool monthly event — check out Doug’s description of Doors Wide Open’s performance here. (Hoping to have a post of my own up about it next week.)
  • Cheers to White Laces on the cassette reissue of Sick of Summer! Stream it here and place your preorder here.
  • I know I said it yesterday, but BK’s latest used haul really is worth checking out. Two albums you won’t find there: The Clash’s London Calling and The Postal Service’s Give Up. Grabbed them when I went to pick up Durand Jones’ jam (say that five times fast). Gonna be a fun turntable weekend.
  • Finally watched the Michelle Obama/Missy Elliott episode of Carpool Karaoke. Planning to watch it whenever my faith in humanity needs to be restored, because it’s absolutely beautiful.
  • Hey! It’s my Off Your Radar turn this week! We’re going to be covering Jump, Little Children’s Magazine album, with yours truly kicking things off with the long first blurb. Click here to subscribe if’n you’re interested and haven’t yet.
  • The Big Payback is playing tonight at the Broadberry (read the article I wrote about them here) and Landlady will be at Hardywood on Saturday. Still can’t believe I’m getting to see Landlady there — the combination of one of my favorite bands and one of my favorite places to see music feels fated. Tailor-made. Cozy. It’s even Doug’s Pick of the Week for fellow OYR contributor Drew Necci’s RVA Must-See Shows. And get this — Landlady’s frontman, Adam Schatz, is making a guest appearance on OYR next week! So excited. Hope to see y’all at Hardywood!

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2015! Holy Crap! Part 3: Excellent EPs

Dead Professional — Young Hardware

Dead Professional

I’m either too lazy or scatterbrained to do a post compiling my favorite songs of 2015, but were I more industrious, “You Heard What You Wanted” would definitely be on that list. I called it an “architectural marvel” when I first wrote about it, and I can’t wait to hear what John Harouff builds next.

Dead Professional — “You Heard What You Wanted” [Spotify/iTunes]

Landlady — Heat

Landlady

Landlady is one of my favorite groups making music right now, and they gave us a wonderful EP in June, with covers of Sly Stone and Talking Heads songs and originals that had been shelved for different reasons. Their gift wasn’t just musical — frontman Adam Schatz also gave us (via the liner notes on Bandcamp) a most elegant description of what an EP can achieve. Like everything else Landlady does, those notes and the songs they describe feel a little more thoughtful — elevated, somehow — and I’m left feeling very, very thankful. So thankful, in fact, that I ending up buying a cassette copy of Heat for a coworker whose car has a tape deck. Then I started feeling jealous about not having a tape deck in mine. I have a problem.

Landlady — “I’m Afraid” [Bandcamp]

Natalie Prass — Side by Side

Natalie Prass

I had an A+ freakout trying to order this from Rough Trade when I found out that the UK label had pressed a small number to vinyl. Their checkout system was down, and I think their account registration system was on the fritz, too (this was my first order from the site), so I’m pretty sure I now have accounts via three different email addresses. Whatever — it’ll all be worth it when Side by Side arrives. It’s an excellent companion to Prass’ self-titled debut, giving her voice a chance to breathe via some sparseness and giving us all a chance to enjoy the electricity she creates in the live setting. Fingers crossed that Rough Trade order went through…

Natalie Prass — “REALiTi” (Grimes cover) [Spotify/iTunes]

Mavis Staples — Your Good Fortune

Mavis Staples

From when I first posted about Your Good Fortune:

-New EP from Mavis Staples? Check.
-Savvy electronic production from labelmate Son Little that lays down a haunting and murky atmospheric foundation while threading the reverence+newness needle? Mhmm.
-Two songs written by Son Little? Yup. One by Blind Lemon Jefferson and another by Pops Staples? Yuuuup.
-Perfectly unsettling background vocals (Son Little’s, I think) on “See That My Grave Is Kept Clean”? Damn right.
-Worth a listen? You better believe it.

Mavis Staples — “Your Good Fortune” [Spotify/iTunes]

Thundercat — The Beyond/Where the Giants Roam

Thundercat

Have y’all started listening to Song Exploder yet? It’s a great podcast (short episodes — usually in the neighborhood of 15 minutes) in which musicians pull songs apart and piece them back together to share insight on how they were made. (The songs — not the musicians. I think we all know how the musicians were made.) Thundercat did an episode that detailed the production of “Them Changes,” and it changed the way I look at the song. What Stephen Bruner does can sound extremely complex, but when he describes his music, he makes it sound so natural. Off-the-cuff, even. And I loved hearing about how the vocals took shape. Long story short: Listen to Song Exploder, listen to The Beyond/Where the Giants Roam, be happy you did both.

Thundercat — “Them Changes” [Spotify/iTunes]

More retrospective fun!

Part 1: Fav Physical Releases
Part 2: Blasts from the Past

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Landlady

Landlady

On repeat. All day. Can’t wait for tonight’s show at The Camel.

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Top 10 Albums of 2014

Parks and Rec

Fun fact: When you wait until December 31 to finish your top 10 albums of the year post, your top 10 albums of the year post becomes, by default, your New Year’s Eve post! Before getting to the list, I just want to thank everyone who takes the time to read this blog, whether it’s once a week, once a month, or just this once. It’s such a gift thinking/knowing/believing that there are people out there who share your enthusiasms, and to everyone who left comments, retweeted links, reblogged posts, did guest posts, invited me to do guests posts, or interacted with YHT in any other way, thank you for being such awesome Internet buds.

Now for the 10 albums that meant the most to me in 2014:

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