2020 in Review Part 7: RVA

Part 1: Duos
Part 2: Covers
Part 3: Survival Sounds
Part 4: Jazz
Part 5: Live
Part 6: Blasts from the Past
Part 7: RVA (You are here!)
Part 8: 31 Favorites

Think about a place that’s especially meaningful to you. It isn’t just a place, is it? It’s a feeling too, I bet. Maybe it’s a sound or a taste. A mode. A chapter in your life. You often don’t notice those associations until after the fact — until you’re away for a while, or until you’ve moved on. It’s hard to process meaning when you’re busy. I don’t know about you, but the life-on-hold stillness of 2020 has resulted in waves of meaning cresting and crashing constantly, and as the year comes to a close, I’m flooded with gratitude for Richmond music. It’s been a lifeline. A source of joy. A way to locate myself in the world. A way to remember that the world is still, in fact, out there. A reminder that community boils down to something more essential than physically being together. Charlottesville singer-songwriter Devon Sproule called that “The Gold String,” singing:

I’m imagining a golden string that is connecting
Everything but especially, beings where love has been.
I’ve imagined it again and again so often,
It isn’t even imagining, it is making it happen.

That’s exactly the pull I’ve felt when spending time with the albums below. I bet you’ll feel it too if you give them a listen. You’ll notice there are a few more in this list than the others I’ve posted before. Like I said — it’s been a flood. And my sincerest thanks go out to the artists mentioned below. 

addy — Eclipse

I am so happy Eclipse is in my life. There’s a specific sense of joy in putting it on the turntable and knowing that Adam Watkins’ voice is going to be drifting through the house, carving graceful and distinctive contours around their songs’ lyrics. I love this album, and while this may sound obvious, it seems uniquely worth saying that I love listening to it. It’s wonderfully layered and immersive, and Watkins’ singing is a big reason why. If you haven’t heard Eclipse yet, treat yourself to an enjoyably enveloping experience.

Saw Black — Horsin’ ‘Round

Looking back, it seems fitting that Saw Black was the first artist I posted about after the pandemic started getting truly scary. I’ve turned to his music during other difficult times and have found comfort and joy when both seemed hard to come by. In what’s either coincidence or fate, I spent a few sentences in that post playing up Bandcamp as a way to support artists — just before Bandcamp held its first fee-free Friday. The next such event isn’t until February, but there’s not a bad day to buy music at Bandcamp, and while this Horsin’ Around EP may be sold out, the WarHen Records page has plenty more Saw for sale.

Butcher Brown — #KingButch

In a year that was as eventful as any I can remember, this album shone like an event unto itself. The build-up, the singles, Mothership Mondays, finally getting to hear the whole thing… these were some of my fondest musical memories of 2020. That’s one reason why I put together a bulleted recap of those milestones on the week #KingButch was finally released. In a year that was deeply upsetting in so many ways, everything Butcher Brown did was a reason to celebrate. I feel lucky to be living in Richmond during the Butcher Brown era. If I have grandkids, I’m going to be bragging to them about that fact one day. I’m certain of it.

Deau Eyes — Let It Leave

I didn’t publish many interviews in 2020, but one artist I had the great honor of chatting with was Ali Thibodeau of Deau Eyes. Here’s a snippet from the intro I wrote for our Q&A, which was published by The Auricular:

Over the course of nine beautifully rendered songs, Thibodeau demonstrates vocal skills and versatility that were shaped by a past in musical theater, while giving listeners every reason to celebrate her decision to leave that world behind to pursue her songwriting. It’s an inspiring listen, whether you’re rocking out with the wry and retrospective lead single “Some Do,” or soaking in her soaring anthem to freedom, “Autonomy” — a live set staple that ends, simply, “Let’s begin.”

McKinley Dixon — The House That Got Knocked Down

Did y’all see this teaser clip announcing a 2021 McKinley Dixon/Spacebomb project? Mind blown. Details are scant, but whatever they’re working on, I can’t wait to hear it. In the meantime, I’ll keep spinning this excellent EP, which came out in early 2020. “Sun Back” is on one of the first mix CDs I made from my Bandcamp Friday purchases, and as a result, it’s been a constant — something I’ve come back to again and again to recharge and reset.

DJ Mentos — The Maxell Tapes Volume 2

It was so rewarding seeing this on Bandcamp Daily’s list of the best beat tapes of November. DJ Mentos’ work has an off-the-charts consistency when it comes to quality and impact. His beats hit hard, and the Bandcamp write-up confirmed as much:

The Maxell Tapes bumps from the middle of a boom-bap and trip-hop Venn diagram. These were beats for fans of Da Beatminerz and DJ Shadow, DJ Premier and Portishead. The Maxell Tapes Vol. 2 picks up where Vol. 1 left off, further mining and moving around that middle ground for more skull-cracking downtempo beats.

FM Skyline — liteware

Love this album. A few words from the very first Bandcamp Friday post, which, by my calculations, went up approximately 175 years ago:

With the backing of the 100% Electronica label, Pete Curry’s vaporwave project represents one of Richmond’s most ascendant acts at present.

Angelica Garcia — Cha Cha Palace

2020’s concert calendar was short but illustrious; I made it out to only a handful of performances before things shut down due to COVID, but the ones I did see were phenomenal. The release show for Angelica Garcia’s Cha Cha Palace was one of them. It was as magical and dynamic as the album itself, with decorations around Gallery5 that turned the venue into a living representation of the album’s visual identity. Take a look at that cover art, and imagine being immersed in that beautiful assemblage of personal history. It was so generous of Garcia to invite us in like that, and the energy she brought onstage was utterly unforgettable.

Gold Connections — Ammunition

Another artist I feel very fortunate to have spoken to for The Auricular this year (read the interview here) was Will Marsh of Gold Connections, who is as gracious in conversation as he is adept at writing songs that stay with you — both because they’re endlessly relistenable and because they pull zero punches lyrically. The material on Ammunition was written before the lockdown, but the EP feels as pointed and vital as anything I heard this year.

Hotspit — Hotspit Live Session

From October’s Bandcamp Friday post:

If you’ve been following this Bandcamp bonanza from the very beginning, you might remember that my very first Bandcamp Friday post included music by Avery Fogarty, who fronts the Richmond band Hotspit. That group just released a three-track live session, which is very exciting. I’m especially fond of the first track, which illustrates the range the group has, and how great they sound in exploratory mode. Well worth a download.

The Hustle Season — Volume 1

A quick snippet from my November Bandcamp Friday post:

I’m a relatively new listener [the The Hustle Season podcast], so I’m in that honeymoon phase of familiarizing myself with all the regular segments and recurring jokes, but no additional research is needed to know that the show’s hosts (Reggie Pace, Gabriel Santamaria, James Seretis, and Kelli Strawbridge) bring a super-deep pool of musical talent to the table, and their Volume 1 LP provides a kaleidoscopic glimpse of those varied interests and abilities.

Kids Techno — The Harmony of Spheres

While the creator of The Harmony of Spheres remains mysterious, the album’s impact has become familiar over the course of 2020, given its release right around New Year’s. With apologies to Radiohead, another fine purveyor of mystery, I put this on when I want to disappear completely. It’s such a great way to zone out or zone in — whatever you’re looking for. 

Lefthnd — ad mausoleum

From my review for the Auricular:

The album packs an abundance of ideas into 28 minutes, grabbing your attention from the outset and keeping it over the course of eight songs that form an exceedingly rewarding encapsulation of Lane’s talents as a player, songwriter, and producer.

Lonely Rooms — Until We Have To

From September’s Bandcamp Friday post:

I love this album. It’s remarkably poised, capturing moments of quiet turmoil and questioning made crystalline by melodies and structures that make you want to sing along and stay in the moment, however difficult it may be. And while there’s tremendous weight to the lyrics, closing track “Comeback” leaves you with a hopeful mantra I plan to return to repeatedly:

No alarms. No attacks.
Today wasn’t that bad.
I can take some comfort in that.
Try and figure out where my head is at.
I need strength and I find that I can
Feel it coming back.

Erin Lunsford — The Damsel

The chat with Erin Lunsford that I mentioned ahead of my covers list followed an earlier interview we did for an issue of James Magazine that came out in March. I haven’t been able to get my hands on a hard copy, but you can read the piece here. In it, she previews a solo record that would embrace her musical roots, and The Damsel is the extraordinary result of that sonic rediscovery. Lunsford has a rare vocal gift, and she pairs that power with generous, intimate storytelling for a totally distinctive set of songs — an album only she could produce. No matter where her path leads — and hers is clearly among the most promising of anyone’s in Richmond — this is an album future fans can return to when seeking a more complete understanding of her artistry.

Philip James Murphy Jr — bummer is icumen in

From the last Bandcamp Friday post of the year:

Philip James Murphy Jr has been a Bandcamp Friday MVP throughout this year… His music has a sense of melodic detail I enjoy, as well as a lived-in feeling that I’ve found to be comforting. Great winter listening.

Given that last bit, the song below may seem like an odd choice (the middle-English song it’s derived from references summer), but give credit where credit’s due: You can’t get much more right than releasing a song called “bummer is icumen in” in January of 2020. Come to think of it, WHAT DID MURPHY KNOW AND WHEN?!? We need answers.

Noah-O — DEADSTOCK VOL​.​1-8

Tremendous respect is due to Noah-O, who released an album a week from late April to mid June. Eight straight Fridays putting music out into the world, with sorely needed stories of perseverance and growth. Just incredible. A true inspiration.

Oneness of Juju — African Rhythms 1970​-​1982

Plunky Branch is another 2020 MVP. His front porch concerts were a staple of Byrd Park life for months. What a beautiful scene that was — lawn chairs, dancing, strollers, actual live music… I only made it out a couple of times, and didn’t get to stay long either time. When I did, I wished I could bottle those moments and carry them with me.

On that same day I got to see my first Plunky porch concert, I picked up a copy of this new comp from Deep Groove. The timing was impeccable; I’d just started to get into his music, and I wanted to snag something to spin at home, but I wasn’t sure where to start. Strut Records to the rescue with this excellent sampling of Oneness’ output.

Ophelia — Ophelia

From October’s Bandcamp Friday post:

A big part of past Bandcamp Fridays has been music that’s resurfaced — extra copies of pressings that had sold out, or albums that are seeing the light of day after spending some time on the shelf. This Ophelia album is such a glorious example of the latter, as it hit Bandcamp a couple of weeks ago after having been recorded back in 2010. After hearing it and enjoying it tremendously — including a magnificent listen all the way through on a long run at dusk — it’s hard to imagine this not being out in the world. 

Opin — Media & Memory

From October’s Bandcamp Friday post:

There’s a specific anticipatory joy that floods in just before you hear a new Opin song for the first time. Their track record of adventurousness means you’re never sure where they’re about to take you. It’s exhilarating — especially when, time and time again, you end up thrilled with where they’ve decided to go with their sound…

PANGEYA — PANGEYA

While exceedingly deserving of a place on this list on its own, the self-titled PANGEYA tape also stands in for the many other amazing 2020 releases from Ohbliv’s various pseudonyms. Here’s a list of the ones that were on my radar:

Bradford Thomas — Bradventure III
DarkTwaine_ — Shadow Work
DarkTwaine_ — The Hainted
DarkTwaine_ — BLACKRADIANCE
DarkTwaine_ — L’enfants Savage
Ohbliv — Foreverpayingdues
Ohbliv — LewseJoints Number 8 (a)
Ohbliv — LewseJoints Number 8 (b)
Ohbliv — Spirit Medicine
Ohbliv — Spirit Medicine B Sides

Only a legend like Ohbliv would warrant his own list within a list like this. And we’re not even factoring in the beats of his included on other amazing albums. Speaking of which…

Pink Siifu & Fly Anakin — FlySiifu’s

From December’s Bandcamp Friday post:

I already have my copy of FlySiifu’s, but I thought I’d include the album here for two reasons: 1. It’s excellent and well worth your Bandcamp bucks, and 2. The merch associated with it is A+. Can’t-miss holiday shopping right here. The work shirts are mostly sold out, sadly, but there are still long sleeve shirts and sweatshirts, among other items. Consider it a rule going forward that if your album invents/takes place in a fictional record store, and you then start selling merch for said fictional record store, you have my undivided attention. (Especially when said album happens to be one of the best released all year.)

Ruth Good — Haunt

I got more into cassettes this year, and was thrilled when I saw the Citrus City notification about this Ruth Good EP getting a release on tape. It’s a quick but super-substantive 4-song listen, with contributions from A-plus instrumentalists like Alan Parker and Eric Slick. (Not the last time you’ll see that name on one of these lists!) I’m especially fond of “All My Life,” which has a monster chorus that hits like something that would have been on a Traveling Wilburys album — big and memorable, the kind that makes for a killer live singalong. Hopefully one day.

Sons Of The James — Everlasting

I’ve spent a ton of time with “Things I Should Have Said” — to the point that the song’s distinctive fade-in has become a piece of music I look forward to in and of itself. No surprise there, given the mastery of sonic texture and detail that DJ Harrison brings to everything he produces. 

Spacebomb House Band — IX: The Best Played Lands

I’ve been a fan of these Spacebomb House Band tapes since they were released under the “Library Music” banner. They’re uniformly excellent and consistently surprising, and 2020 saw three new volumes added to the series. Picking a favorite out of those three is tough, since they collect so many unique moments and vibes, but I have to single out “The Bigs” from the ninth installment — a super-fierce beat that would have been right at home on Liquid Swords. So good.

Various — A Little Bit at a Time: Spacebomb Family Rarities

Speaking of Spacebomb, this comp is an absolute gold mine, showing how multifaceted the outfit’s impact is, from management and publishing to production. There are gems here from local and non-local artists alike, but I was especially thrilled to see an unreleased Sleepwalkers song on here. As someone who spent the years between Greenwood Shade and Ages eagerly awaiting more of their music, I value new Sleepwalkers tunes very highly, and the sudden appearance of “Why Am I So Sad” was a real treat.   

Buy from Bandcamp today… again!

Here we are. The last Bandcamp Friday of the year. Maybe the last one ever. (Has anyone heard if they’re doing more next year?) It’s been a trip, y’all. If you’ve been following along with these posts, I hope you’ve found some fun new tunes here and there, and I hope you’ve been using these monthly events as a way to take stock of how important it is that we support the art that matters to us. Since it’s December, this month’s list includes a few extra merch alerts, in case you’re on the hunt for holiday gifts to send the music-loving cousin/niece/cousin’s niece on your shopping list.

Without further ado…

Iris DeMent — “Going Down to Sing in Texas

Learned about this powerful protest tune (proceeds benefit the Poor People’s Campaign) from Spencer Tweedy’s email newsletter. Are you subscribed to Spencer Tweedy’s email newsletter? I’d recommend it highly. Merch alert #1: His new book on home recording would make a great gift, if there’s anyone in your life who’s into that sort of thing.

Dezron Douglas & Brandee Younger — Force Majeure

Pure bliss in the form of bass and harp. One of the categories I decided to add for the 2020 year-end list extravaganza was duo albums, and this epitomizes why those are so relevant this year: musicians leaning into the way circumstances unavoidably inform scope, thereby making something that’s in perfect harmony with this far-from-perfect moment. One quick note about the label that’s releasing this one: International Anthem is running a deal on bundled 45s that may already be sold out by the time you read this, but if it’s not, it’d make a great gift for any vinyl-spinning jazz lover in your life.

Landlady — Landlady

Pre-orders going live for a new album from one of my very favorite bands on the entire planet would be an event unto itself, but that happening on Bandcamp Friday is like when a fast food restaurant or state fair booth finds a new way to combine two of your favorite foods into one exceedingly delightful thing. So I guess that makes Landlady’s self-titled album the Luther Burger of Bandcamp Friday — only without the ignominious distinction of being dubbed “a cardiologist’s worst nightmare.” In truth, I don’t believe the medical community has issued any findings at all relating to this album, but in my non-medical opinion, lead single “Supernova” is very good for your heart, as all of Landlady’s music is. Can’t wait to hear more of the new tunes.

Philip James Murphy Jr — darkness seen and the sound in between

 

Philip James Murphy Jr has been a Bandcamp Friday MVP throughout this year, and it feels fitting to end the year by recommending his latest, which I believe will be his most fully realized release of 2020 in terms of running time — a nine-track album entitled darkness seen and the sound in between. I’m excited to get to know this one as I have the singles and EPs he’s shared this year. His music has a sense of melodic detail I enjoy, as well as a lived-in feeling that I’ve found to be comforting. Great winter listening.

Pink Siifu & Fly Anakin — FlySiifu’s

I already have my copy of FlySiifu’s, but I thought I’d include the album here for two reasons: 1. It’s excellent and well worth your Bandcamp bucks, and 2. The merch associated with it is A+. Can’t-miss holiday shopping right here. The work shirts are mostly sold out, sadly, but there are still long sleeve shirts and sweatshirts, among other items. Consider it a rule going forward that if your album invents/takes place in a fictional record store, and you then start selling merch for said fictional record store, you have my undivided attention. (Especially when said album happens to be one of the best released all year.)

Esther Rose — “Keeps Me Running

I’m late to the Esther Rose party, but the buzz around her recent covers EP started echoing when I saw Father/Daughter Records’ notification about the release of “Keeps Me Running.” Really glad I listened to those echoes. This chorus is going to help me make it through what I’m sure we can all agree is going to be, with apologies to the Counting Crows, a long-ass December.

Other releases on my radar today:

DarkTwaine_ — Shadow Work
Lee Han — PIWA PI
Bryan Hooten: Solo TromboneIsolation
Mdou Moctar — Mdou Moctar Mixtape Vol 8
Eric Slick — “Can We Still Be Friends” (Todd Rundgren cover)
Nathan Salsburg — Landwerk No. 2
Various — Going to Georgia (Merge Records comp to benefit the Georgia senate run-off)
Alan Good Parker — “Johnsburg, Illinois” (Tom Waits cover)
The Mountain Goats — The Jordan Lake Sessions: Volumes 1 and 2
Ohbliv — Foreverpayingdues

Buy from Bandcamp today… again!

We’re back, baby! Bandcamp has generously decided to waive its 15% cut on the the first Friday of each month through the end of this godforsaken year, which is pretty awesome in my book. Also awesome? The albums below, which I submit for your consideration as you browse the ‘camp and decide which artists you’ll support.

Carlos Niño & Friends — Actual Presence

If you’re as smitten with International Anthem Recording Co. as I am, you likely already have your pre-order in for a copy of the album Carlos Niño & Miguel Atwood-Ferguson released in late June via the Chicago label. Atwood-Ferguson is among Niño’s “Friends” on this set as well, and another name jumped out among those who contributed to Actual Presence: Sam Gendel. I wrote about Gendel and his innovative album Satin Doll in connection with the May Bandcamp event, and I love how his unique sax treatment moves within in the space Niño creates. (To be clear, this isn’t their first collaboration. I’m late to the party. Very happy to be here, though!)

Reginald Chapman — Prototype Remixes 

Reginald Chapman may have moved away from Richmond, but “Hoodie” remains one of the core compositions I think of when I picture in my mind’s eye (as we’re forced to these days) the glory of seeing Richmond’s most overwhelmingly outstanding live act, the No BS! Brass Band. I love this Foisey. remix of the version of “Hoodie” that appeared on Chapman’s 2018 Prototype album, and I can’t wait to hear the rest of these Prototype Remixes. (Full album out in September.)

Kate Bollinger — A word becomes a sound

If there were ever a chorus to keep in the front of your brain in order to maintain sanity during a global pandemic, it would have to be:

Grey skies, they don’t scare me
I find them unnecessary
There’s no tellin’ when the bad’s gonna come around
And it’ll come around no doubt

It’s like a badly needed pat on the back from a friend who’s reassuring you without bullshitting you. And Kate Bollinger’s gift for phrasing means the words slide through your consciousness so gracefully the toxic parts of your psychology don’t have a chance to play defense.

Bollinger’s 5-song album A word becomes a sound is available on cobalt colored vinyl, and I can’t wait to have it spinning at home, and have my head spinning a little less as a result.

William Tyler — Music from First Cow

I’d totally planned see this movie before I bought the soundtrack. That seemed like the right order of events — as if there were a “wrong” time to buy a William Tyler album. (There’s not.) Then I listened to Music from First Cow a third time, and a fourth time, and I feel hard for how beautiful, musically economical, and evocative these pieces are, and I started to develop the kind of emotional responses you might expect to have after actually having seen the film, like how “The Arrival” triggers the kind of nostalgia you feel when something’s not even over yet but you already miss it… I’m still going to see this movie, but I’m not waiting to but its soundtrack a moment longer.

Ohbliv — LewseJoints Number 8 (a) and LewseJoints Number 8 (b)

Where Ohbliv goes, I’ll follow. His DarkTwaine_  pseudonym? Yup. The PANGEYA tape that became available last Bandcamp Friday? I’m there. The two new volumes in his LewseJoints series that hit the interweb earlier this week? Yes, please.

As always, here’s a running list of the other stuff I have my eye on, updated as needed throughout the day. Yay for Bandcamp Fridays, y’all. Now go forth and get some great music.

Mary Lattimore & Elysse Thebner Miller — And the Birds Flew Overhead (60 vinyl copies were made available today, but they’re going quick)
Philip James Murphy Jr — I went to sleep
Bon Iver — “AUATC
Christian Lee Hutson — The Version Suicides
Mdou Moctar — Mixtape Vol. 4
Alabaster dePlume — “Seen” (will be deleted tomorrow)
Various — Habibi Funk 014: Solidarity With Beirut (proceeds go to the Lebanese Red Cross)
left.hnd — ad mausoleum

Buy from Bandcamp today!

I posted earlier this week about how buying from Bandcamp is a great way to support artists right now, and today is an excellent day to act on that. Bandcamp is waiving their cut of all transactions today, meaning more of your dollars will go directly to artists, many of whom have seen steep declines in income as a result of COVID-19.

Here are a few recommendations, based on my buying plans:

FM Skyline — Liteware

Been looking forward to putting in a preorder for this since a few Thursdays ago, when I stayed up until midnight for the live YouTube premier of “polygon park.” With the backing of the 100% Electronica label, Pete Curry’s vaporwave project represents one of Richmond’s most ascendant acts at present. The first pressing of his Advanced Memory Suite album sold out, so if vinyl is your thing, I’d recommend acting quickly.

Avery Fogarty — #​(​$​%​&​@​*​&​)​!

Fogarty is the frontwoman of Hotspit, another ascendant Richmond act. When we’re on the other side of all this craziness, I recommend seeing them in person ASAP. Their live show is nothing short of arresting, characterized by big dynamic swings and complex guitar work. Forgary’s solo material focuses more on studies in mood and texture, and I do a joyful dance inside every time a new one shows up on Bandcamp.

The Blue Hens — Heavenly Sunlight

Brand new gospel EP straight outta Galax, Virginia, courtesy of Dori Freeman and husband Nicholas Falk. I had the chance to see them perform the title track at the Richmond Folk Festival. It’s gorgeous, not to mention rhythmically hypnotic.

Elkhorn — The Storm Sessions

A snowstorm caused Elkhorn to cancel their show, so they decided to make an impromptu album, making this a real-life manifestation of making the most of being stuck indoors.

Philip James Murphy Jr — bummer is icumen in

Murphy is a friend of a friend, and I’m so glad the intermediary introduced me to this album earlier this year. Really beautiful and varied. (How about that prophetic title?)

Whether or not you dig the tunes above, what’s important is that we keep finding ways to support musicians right now. For a way more extensive list of Bandcamp options, check out the Auricular’s amazing rundown.