Quick non-bloggy writing heads up: I recently got to interview Barry Privett, the lead singer of Carbon Leaf, and while the article doesn’t appear to be online yet, you can grab a print copy of River City Magazine/West End’s Best at these locations.
Carbon Leaf is a name you hear and see quite a bit living in Richmond, but I didn’t know the group’s full backstory — how they all lived together in one house on Floyd Avenue at one point, how they were originally a cover band and had to make the tough transition to playing original music, which venues in town they played in their early years… At the same time that Carbon Leaf has evolved over the years, they’ve been a constant amid a great deal of change during the last two decades. Really interesting, I think. I hope y’all will grab a copy and then grab a ticket to their show this Saturday at The National — should be a really good time.
Carbon Leaf — “Indecision” (live) [Spotify/iTunes]
So happy to see my interview with Perpetual Groove hit the interweb. This was a pleasure to work on, in part because it’s such an exciting moment for the band. They’re picking up steam after taking some time off — new EP, on tour now, and they’ll be stopping in Richmond at the National this Saturday night. Should be a special show — keyboardist Matt McDonald said some really nice things about the National in our interview. I hope you’ll take a few minutes to learn more about their journey and their history of environmental activism in this River City Magazine article.
Perpetual Groove — “Best Of Anything” [Spotify/iTunes]
Call it creative vision. Call it a sense of purpose. Clarity. Self-awareness. However you want to describe it, talking to drummer/percussionist Jake Sellers convinced me: The Hot Seats have it.
I walked away from our recent interview with a stomach full of delicious Pho Tay Do food and a huge amount of respect for the group, which has won fans on both sides of the Atlantic. They strike me as protectors of something vital — something funny and fearless and closer to the actual “root” of the roots music that’s experienced a recent resurgence.
This quote from the article might say it better than any other:
“I think we very much as a band like [what’s] scratchy, looser … I don’t want to say dangerous, but less safe. Take a chance. We’re certainly willing to fall on our faces trying a song we’ve never played before in front of an audience because that’s where the excitement is.”
I love that, and I want to thank Jake for taking the time to meet and explore what he and the band are doing. Click here to read the whole River City Magazine article, or pick up a hard copy at one of these locations.
The Hot Seats — “I Ain’t No Better Now” [Spotify/iTunes]
Very excited that my River City Magazine interview with Clair Morgan is up — click here to check it out at Richmond Navigator’s site. Or you can grab a print copy on newsstands now. My favorite is the red stand outside the Byrd Theatre, but there are a bunch of other places you can go. Here’s a full list.
I mentioned this on Instagram last night, but what a privilege this was to work on. These are some of the most talented and friendly musicians you will ever meet, and they took the time to chat about all sorts of fun stuff, including their upcoming album, New Lions & the Not-Good Night, which I’m 100% certain is going to blow minds and win hearts. Morgan won mine in our interview with how much forethought and emotional investment went into the album’s overarching narrative. Check out this snippet from the article:
While the music is light at times, heavier themes lend balance to “New Lions.” “When you think about an adventure you took as a child,” Morgan said, “when you’re looking through that lens, that really happened. But now you’re looking through a completely different lens, whether you’re an adult or a father, and you look back at that scenario from a completely different perspective. What did you not soak in that actually happened that you were not able to absorb?”
Mind already blown. Click here to read the rest, and don’t miss their show at the Camel tonight — they’ll be closing the book on their previous album cycle by playing No Notes in full. Here’s one of that album’s standout tracks, “Battleship Heart.”
Clair Morgan — “Battleship Heart” [Spotify/iTunes]
I’ve lived in Virginia all my life. In fact, I’m fairly certain I’ve never been outside of the state (JK it’s a commonwealth — just testing you) for more than two consecutive weeks. You could call me a homebody, and you’d be right, but that’s only part of the reason why I tend not to wander. I really, really like it here, and that sense of pride led me to interview Robbin Thompson and Steve Bassett about their song “Sweet Virginia Breeze,” which the General Assembly recently named the state (ahem, commonwealth) popular song. The interview just went up over at Richmond Navigator.
Been so anxious to share this: My interview with the brilliant and talented Trillions went up late last week over at Richmond Navigator. You can find it in print in River City Magazine — copies should be hitting newsstands this week.
One thing I have to add:
Talk about arduous research. I got to write an article for River City Magazine about the symbiotic relationship between Richmond’s breweries and bands. Lots of boozy fun was had, and I’m super-duper excited to share the results — click here to check it out over at Richmond Navigator’s site.
There are bands you appreciate, and then there are bands you root for. Not because they need the extra backing, but because there’s something that joins your experience with theirs. It could be that their music is so good that you feel passionately that it needs to be heard as widely as possible, and that passion acts like glue — their success is your fulfillment. It could also be the case that you meet the members of a band, and their approach to music aligns with some ideal you hold onto — a picture you’ve painted in your mind after hearing and dissecting an album you love.
All of the above applies to Sleepwalkers, who I had the chance to interview for River City Magazine/West End’s Best in early October. The highlights from that conversation just hit the interweb, and you can read them here (a slightly shorter printed version will hit newsstands any day now). There are two quick things I’d like to add: