Tag Archives: Ry Cooder

Skyway Man

So I’m late to the party here, posting about a show just a few hours before it starts, but this Skyway Man album has my adrenaline racing. I’m on my first listen, and it feels like someone’s slowly reading off winning lottery numbers that keep matching the ones on ticket I’m holding. It’s bonkers… all the sounds I’ve been gravitating toward are here.

A few data points:

  • I picked up a copy of Cosmic American Music at the Numero Group’s pop-up sale at Strange Matter in April.
  • Thanks to an especially fruitful Goodwill haul, I’ve been heavy into gospel the last few weeks, from Sister Rosetta Tharpe to Billy Preston’s Gospel in My Soul album to early 1980’s Savoy Records stuff.
  • I’m also in the middle of a big William Tyler kick. A BK Music Instagram post prompted me to play Impossible Truth in the recovery room after my son was born a couple weeks back, and miraculously it was still there a couple of days later, along with his earlier Behold the Spirit album.
  • We named our son Ryland, so I’ve been making my way through my father-in-law’s Ry Cooder albums, marveling at how simultaneously timeless and of-their-time they sound, especially Borderline and “Why Don’t You Try Me.”

Seen Comin’ from a Mighty Eye is tailor-made for someone embroiled in exactly these obsessions, with the spacey aspects of Cosmic American Music, the voluminousness and spirituality of gospel, Tyler’s exploratory spirit, and references to early 1980’s production that remove songs from the present moment, like they’re wandering untethered by time. It’s all here, along with the signature Spacebomb sounds that consistently fill my heart with joy.

As mad at myself as I am for posting this so late — and as ashamed as I am that I haven’t been listening to James Wallace’s stuff all along — I can’t help thinking that Seen Comin’ from a Mighty Eye and I met at exactly the right moment. Many, many thanks to Alexandra Spalding for the heads up.

Doors open at Gallery5 tonight at 7. Twain and Big Kitty will be there as well. Click here for more info.

Skyway Man — “Wires (Donny Angel and the Opening Wide)” [Spotify/iTunes]

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Phil Cook

Phil Cook

It’s hard to overstate the influence the people in this photo have had on my musical life.

Not long after Phil Cook started playing at last week’s Friday Cheers, I saw Matthew E. White walk through the crowd and settle in near the front, and at the risk of being a little bit of a creeper, I made sure to get a shot of these two hugely important people in one place.

This was my first time seeing Phil Cook play under his own name, but I’ve gotten to see him perform three (I think) times before — twice with Hiss Golden Messenger in Richmond and once with Megafaun in Portland, OR. That 2011 Portland show at the Doug Fir was the seed of something that’s grown much bigger. I’ve written about this idea before, but every single thing the Megafaun diaspora touches or is associated with — HGM, Sylvan Esso, The Shouting Matches, Grandma Sparrow — turns to gold, and those projects and Phil Cook’s solo album have brought me a great deal of happiness in the years since Portland.

Less than a year after that show, the first songs from White’s Big Inner debut (Phil Cook was involved with that too) started appearing on the interweb. I hadn’t been clued into Fight the Big Bull back then, so these songs were my introduction to White. It was a little like when I first heard White Laces — it felt like I’d stepped on a live power line in my own backyard, like “Holy crap! Was this here all along?” I preordered the album and followed White on all possible social media channels, including his Spotify profile.

I’m not sure how many of y’all use the feature that allows you to see what your friends/the people you follow are listening to, but White’s feed changed everything for me. It’s how I found out about Randy Newman. About Harry Nilsson. About Stevie Wonder. And then Stevie opened up the whole world of soul music for me — Otis Redding, Marvin Gaye, James Brown, Nina Simone… there’s an entire section of my record collection that probably wouldn’t be there if it weren’t for White’s Spotify feed.

The same goes for one of the happiest moments of my life: In the spring of 2014, Mrs. YHT and I did a long weekend in Corolla, NC while she was very pregnant, knowing we were going to skip my family’s summer beach trip that year. On the last day, before heading back to Richmond — and back to reality, where parenthood was imminent — we spent a few minutes in (what I believe is called) Historic Corolla Park literally sitting on the dock of the bay (OK, the Currituck Sound) listening to Otis Redding. For that short time, I felt completely at peace with the world and my place in it. Peace was scarce in those days, given how anxious I was before our daughter was born, so I’ll never forget listening to that song in that setting in that moment. Without Otis Redding, and by extension, Matt White, I’m not sure I would have found that sense of peace.

Toward the end of his Cheers set, Phil Cook dedicated a song to a friend in the audience, and while I can’t remember the exact words of his dedication, it seemed clear he was talking about White. The song ended up being Randy Newman’s “Sail Away.” Two days later, at the P.S. 321 Flea Market in Brooklyn, I found a copy of Newman’s album of the same name. It felt like all the musical connections I’d been thinking about for those two days came together in that one record I was holding. I’d held a copy of the album before — while flipping through records at Deep Groove a while ago — but on Sunday, it felt like the most valuable record in the entire world.

I really wish I had video of Cook doing “Sail Away” on Friday. My phone’s battery was low because I had already taped Cook playing “Crow Black Chicken,” which Ry Cooder recorded for Boomer’s Story. Here’s that recording — it’s a little blurry, but there’s an excellent bass solo from Michael Libramento. And it seems only fitting, given that this is a story about connections, to share that Ry Cooder played on Newman’s Sail Away album.

Phil Cook — “Crow Black Chicken” (Ry Cooder cover) [YouTube]

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