Seen/Eaten/Heard

Alamo

4 adults, 3 fish tacos, 2 brisket sandwiches, 1 baby with a granola bar. Add in the Scud Mountain Boys version of “Please Mr. Please” on the way home and you’ve got yourself a successful trip to Alamo BBQ.

Scud Mountain Boys — “Please Mr. Please” [Spotify/iTunes]

 

 

Friday News and Notes

Ralph Easter

Happy Easter weekend! A few news and notes items to crack open before you go hunting for eggs:

  • Going to start giving a quick CD Monday update at the end of the week. I enjoyed rolling around to Daniel Bachman, though I’m not sure if Baby YHT did. Not much of a reaction. Then again this was some pretty out there stuff — some drone-y songs, diverse instrumentation… really neat. While that disc isn’t available, I don’t think, it reminds me of Miscellaneous Ephemera and Other Bullshit, which you can still buy.
  • Have you heard the Sturgill “In Bloom” cover yet? Really interesting I think — takes cojones to give the major-key treatment to such a dark song. The video is wild as well — definitely worth a watch. Apparently the rights were almost denied because of a changed lyric…
  • I know I’m late to the party, but I listened to last year’s Nathaniel Rateliff album for the first time this week and hot damn. Floyd Fest is suddenly looking pretty snazzy.
  • So Hrishikesh Hirway from the excellent Song Exploder podcast started a West Wing podcast with his friend… Joshua Malina. They’re going to do an episode for every single episode of the show. 100% on board — the first one was super cool. Perfect for West Wing fans and newcomers alike (if you up for watching and listening to 150 of something).
  • Lots going on Saturday — Horsehead at the Camel, No BS! at the Broadberry. I’ll be at home watching the tournament with basketball-loving in-laws, but I might spin my copy of Brass Knuckles in No BS!’s honor.

Happy Friday!

CD Monday

Daniel Bachman

A much longer thing needs to be written about the relationship between Daniel Bachman’s style of composition — how he introduces themes and variations on top of a drone — and springtime, in all its genetically varied, ground-splitting, frost-fighting glory. For now, I’ll just say this: Bachman’s music is excellent company on a cold, early spring morning.

I got this handmade CD-R album at an in-store performance a few years ago, and while I can’t provide a sample of any of the songs on it — don’t see any on the interweb — here’s “Won’t You Cross Over To That Other Shore,” from his recent River album.

Daniel Bachman — “Won’t You Cross Over To That Other Shore” [Bandcamp/iTunes]

Friday News and Notes

Baketball gif

Happy tournament y’all! Crazy first day of games. Early exits for Baylor, Arizona, and Purdue… should be a fun weekend. Until then, a few news and notes:

Whether you’re out and about or glued to the TV like I’ll be, I hope your weekend is a [dribbles up to the basket and unleashes a 360-degree windmill jam] slam drunk. [Winks]

CD Monday

Thin Lizzy

This one’s for Baby YHT, whose 18-month sleep regression makes just about every lyric in the title song applicable. More like “Cribbreak,” but you get the idea. “Tonight’s the night all systems fail” indeed.

Thin Lizzy — “Jailbreak” [Spotify/iTunes]

Seen/Eaten/Heard

Greek Night 1

I picked up a copy of collector/producer Chris King’s latest project (pictured above) at Steady Sounds two Sundays ago. While I was there, I also picked up King’s signature (pictured below), a completely delicious slice of baklava, and a copy of the Anthology of American Folk Music: Volume III, which I learned about from Amanda Petrusich’s book Do Not Sell at Any Price, which I bought at a signing that was hosted by Steady Sounds and DJ’d by… Chris King. Pretty sure the universe folded in on itself. But in a good way.

I decided I’d wait to play Why the Mountains Are Black until Mrs. YHT and I could whip up a proper Greek feast. Could not recommend the full experience highly enough. Made sure to snap a few crappy iPhone photos:

Greek Night 2

Back cover

Beginnings of a Greek salad

Beginnings of a Greek salad

Greek Night 4

Baked feta with tomatoes, peppers, onions, and a bunch of olive oil

Greek Night 6

Marinated shrimp, grilled halloumi, pita

Greek Night 5

Mythos, which someone who won’t be named drank lots of while traveling in Greece with Mrs. YHT

I’ll spare you the selfie I took while wearing the Kosta Koufos jersey I bought while we were in Athens. Here’s a sample of what you’ll find on Why the Mountains Are Black:

Kalamatianos” (“Dance of Kalamata”) [Spotify/iTunes]

CD Monday

Fiona Apple

This is where I hopped on the Fiona Apple wagon. Been a happy, devoted passenger ever since. I still get that displaced, uncanny feeling during certain Extraordinary Machine songs, like the leaked version of the album I first heard was the real one and these tracks are remixes, but it’s been a really long time since I heard the leaked stuff — not even sure I still have it — so that feeling is more faded than ever. Like a ghost that just kinda shrugged its shoulders and started walking away.

Speaking of giving things up, I gave this to Baby YHT to hold while we were walking out to the car this morning and she refused to give it back. I buckled her into her car seat and calmly said “If you want to listen to this music, you have to let go.” And she did. What a kid. Either she:

A. Is getting easier to bargain with
B. Really likes Fiona Apple
C. Really hates Morning Edition
D. Knows that it’s her mom’s copy and desperately wanted to cling to anything mommy-related because mommy being in a different room or somewhere else these days is ABSOLUTELY A REASON TO PANIC WHY AREN’T YOU PANICKING TOO DADDY WE’VE GOT A REAL SITUATION ON OUR HANDS HERE

Fiona Apple — “Not About Love” [Spotify/iTunes]

Friday News and Notes

Nap

What a batshit crazy week. I need a nap. Some good/fun/tuneful stuff did happen, however:

  • There’s a new Kendrick album! What?!? I haven’t listened, but that’s going to be my reward after I get through today’s workday and tonight’s gig.
  • I went on a Bandcamp binge on Tuesday. It started when Steady Sounds posted about Les Filles de Illighadad, a Sahelsounds album (great label — check out Music from Saharan Cellphones if you haven’t yet) of Tuareg music recorded in rural Niger. Listening to this — the first side especially — was probably the most peaceful thing about this entire week.
  • The binge continued when Spencer Tweedy posted something about chris cohen (always styled that way, it seems, like e e cummings) releasing a new album. I went to check out his last one and am now bonkers for its first track, “Monad.” The bass is really interesting, I think. Makes it a totally different song.
  • I’d really like to find time to write about the Patty Griffin/Sara Watkins/Anaïs Mitchell and Son Little shows — both were excellent — but in case I never do: Both were excellent.
  • Clair Morgan sent out a note saying his Monday Meetup at Don’t Look Back is switching from weekly to monthly. I haven’t made it to a single one of these, which I feel like a jerk about, but I am going to rededicate myself, because I think it’s a really great idea, and he’s a really great person in a really great band. Also… tacos.
  • Every week, Rough Trade pushes back the vinyl release of Natalie Prass’ Side by Side EP, which makes me feel like this. Maybe next Friday will be the week. Fingers crossed.
  • Were I not playing a gig tonight, you know damn well where I’d be — at the Broadberry, helping Lucy Dacus celebrate the release of her triumphant debut album. I’m jealous of all you lucky people who get to go, but I hope y’all have a fun night.

And I hope all y’all have a great weekend!

CD Monday

WXPN

Mrs. YHT comes from a family of devoted WXPN listeners. Her parents still listen regularly despite having moved from Harrisburg, PA to Northern Virginia, and Robert Drake’s “Night Before” Christmas music marathon has become a really fun tradition. Every year, my brother-in-law manages to garner an on-air shout-out via Twitter, which means that every time Drake pauses the marathon to list songs and make announcements, everything stops. Abruptly. Whoever is talking is aggressively shushed and we wait to see if he’ll mention us. (Keep in mind there’s a fair amount of red wine involved.) It’s hilarious. “Shut up he’s talking!!!”

Mrs. YHT’s dad passed along this sampler CD a couple weeks back. The Langhorne Slim song on there is one I especially enjoy. Listen below.

Langhorne Slim & The Law — “Strangers” [Spotify/iTunes]

Friday News and Notes

Friday1

Another new feature for 2016! I always end up with posts I didn’t manage to finish throughout the week, so I’m going to make a list each Friday of stuff worth hearing/seeing/looking out for. Really hoping I can keep up with this one. We’ll see.

  • Landlady posted to their Facebook account about Adia Victoria, who has a debut album coming out later this spring. The first song to hit the interweb is “Dead Eyes,” and I’m digging it. Especially this morning, thanks to Baby YHT’s pre-dawn wake-up. Because why not loudly list the names of all your daycare friends at 5 a.m.? Really, it’s the best time for that.
  • I found a really neat Jimmie Rodgers album this week — The Unheard Jimmie Rodgers Vol. II. A bunch of unused cuts from country’s first superstar. Remember the scene from O Brother, Where Art Thou? where the Soggy Bottom Boys sing “In The Jailhouse Now”? A version of that is on there, along with a bunch of songs about how he’s the saddest person on planet Earth. Sample lyric: “I’m lonely and blue/I’m downhearted too.” Yeesh. Great stuff though!
  • Doug Nunnally of Sound Gaze alerted me to a fantastic version of Miguel’s “waves” that turns the song into a duet with Kacey Musgraves. It’s perfectly assembled, and fits in a really interesting place between a remix and a cover. Well worth a listen. Shouts to Mrs. YHT for finding the best comment on the video: “Kacey is LOVE, Kacey is LIFE. #country”
  • A big YHT high five to Lucy Dacus for her Pitchfork review today. So excited. Here are my thoughts about the album, in case you missed Wednesday’s post.
  • Some great shows going on this weekend. Clair Morgan’s Good Day RVA video release at Hardywood and Wood Brothers at the Broadberry tonight, Patty Griffin, Sara Watkins, and Anaïs Mitchell at the Modlin Center tomorrow night, and Son Little at Strange Matter on Sunday. That Patty Griffin one is sold out, so I guess I’m just bragging at this point. Really psyched about it.
  • There’s also the Chris King DJ set happening at Steady Sounds on Sunday. They’re celebrating the release of Why The Mountains Are Black: Primeval Greek Village Music (1907-1960), and King will be spinning original copies of tracks he included on the album. A genuinely unique opportunity. Shouldn’t be missed.

That’s all for now — happy Friday, y’all!