Tag Archives: Angel Bat Dawid

Buy from Bandcamp today… again!

It’s time for another installment in Bandcamp’s series of fee-free Fridays, though this month’s event has an elevated sense of purpose amid the Black Lives Matter demonstrations happening all over the country. While Bandcamp started waiving its revenue share once a month as a way to generate income for artists who have been negatively impacted by COVID-19 and social distancing, several bands and labels are pledging some or all of today’s proceeds to organizations working toward racial justice, including the National Bailout Fund, Reclaim the Block, NAACP Legal Defense & Education Fund, and many more.

Whether you’re supporting black artists directly or pledging funds to the organizations listed above, there are so many great (and great sounding) ways to show your support during this pivotal moment. Here’s Bandcamp’s official list, and here are a few recommendations of my own:

Angel Bat Dawid — Transition East

Back in May, the composer, clarinetist, singer, and “spiritual jazz soothsayer” Angel Bat Dawid released a pair of new tracks — “Transition East” and “No Space Fo Us” — with the option to buy a vinyl/book/poster bundle that includes an outer space grey 7-inch, a copy of Emma Warren’s book Make Some Space, and a poster that bridges the two. “Transition East” was originally conceived as accompanying music for the audiobook version of Make Some Space, which tells the story of the dynamic London DIY music facility and community called Total Refreshment Centre. (Dawid and Warren met there in 2017.) What a beautifully rendered collection this is. And what beautiful music this is.

Damon Locks’ Black Monument Ensemble — “Stay Beautiful”

Angel Bat Dawid is also part of International Anthem labelmate Damon Locks’ 15-piece Black Monument Ensemble, which released the stunning Where Future Unfolds LP in 2019. Can’t recommend that one highly enough. Same goes for “Stay Beautiful,” which was recorded live in November of 2018 at Chicago’s Garfield Park Conservatory and released a couple of months ago as a single. It’s a tale of layered meditation, from the spoken poetry to poetry in motion (video available here), backed by Dawid’s pulsing clarinet and culminating with a cappella repetition of the title phrase.

McKinley Dixon — The House That Got Knocked Down

If you thought the Angel Bat Dawid thread in this post was finished, not so fast. Richmond-based artist McKinley Dixon released The House That Got Knocked Down in March, and as it turns out, Dawid is a fan of Dixon’s work. The clarinetist had this to say about “Sun Black,” the third track on the EP:

McKinley Dixon is an incredible MC. His new album… is full of laid back vibes, soulful beats and powerful delivery. I met McKinley at a film festival and we became great friends. When he told me that he had a new album coming out I immediately downloaded it when it was released and was completely blown away!

I had no idea this connection existed when I started working on this post. True story. I also recommend picking up Dixon’s entry in Saddle Creek’s Document Series.

Amaria Hamadalher — Music from Saharan WhatsApp 05

Sahel Sounds has a great thing going with its Music from Saharan WhatsApp series, which shares music recorded in the Sahel directly to cell phones. It’s immediate. It’s direct. There’s such electricity to seeing a new set of recordings pop up, knowing they’re unfiltered but not knowing what you’ll hear. This month’s featured artist is Amaria Hamadalher, and while I have heard her play before, it’s been with the group Les Filles de Illighadad. Excited to start exploring her work outside of that context. And can we all agree that this cover art is amazing? (I believe it’s from a shot that appears in the first issue of Third Man’s new Maggot Brain magazine, which is excellent.)

Mdou Moctar — Mixtape Vol. 2

Speaking of Sahel Sounds, Mdou Mactor released the first volume of this new mixtape series for the May 1 Bandcamp day, and it’s a keeper, mixing various live and acoustic recordings into one long track in a way that feels organic and alive. Speaking of “alive,” Moctar’s guitar is a live wire as always. Brings me back to the frenzied feel of his live shows at Strange Matter and Gallery5 over the past few years. While he may not have been able to perform at Friday Cheers this year as scheduled, these mixtapes are a great way to get a sense for what his sets are like.

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