Tag Archives: Matthew E. White

Lonnie Holley

lonnie-holley

Passing along a piece of advice Matthew E. White issued regarding your arrival time for his show tonight at The Broadberry:

The opening set will be played by Lonnie Holley, who is an artist in more than one sense of the word. Holley first gained recognition for turning reclaimed junkyard objects into arrayed sculptures on a massive scale, which he started to do when he was 29. More than 30 years later, he’s still in constant creative motion, and from the sound of the New York Times profile White tweeted out, creation isn’t just an impulse for Holley — it’s more elemental than that. Here’s a bit I found fascinating:

We were sitting at an outdoor table with a partly filled ashtray. Holley stopped talking to reach over and pluck out a cigarette butt, examining it as if he had discovered a rare penny in a handful of change. He asked me for a sheet of paper from my notebook, then tore apart the butt and affixed its cottony filter to a wooden coffee stirrer, also liberated from the ashtray. “This is called white oak,” he said. “It’s what they use to weave baskets and things, because it’s flexible.” He fashioned a miniature paintbrush and then painted a heart and the word LOVE using ashes mixed with a few drops of his iced coffee, the solution creating an appealing speckled-eggshell patina.

It wasn’t until later, but Holley started recording music in which looped elements backline winding and soaring image-based vocal storytelling. That same New York Times piece described how all of Holley’s musical performances are unique pieces — how he makes something new each time he addresses an audience. As a person who tries to write songs and feels lucky for whatever fleeting moments of inspiration I can hold onto, I’m in awe of the total paradigm shift Holley embodies. He doesn’t so much grasp at inspiration as he floats in it. Surrounds himself in it.

I can’t want to see what he has in store tonight. In his tweet, White called it a “rare event,” which I love, given the irony at work here: Everything Holley does is once-in-a-lifetime.

Lonnie Holley – “From The Other Side Of The Pulpit” [Bandcamp]

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American Tunes: “Will You Love Me”

Big Inner

[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]

I dunno about you, but given the way January 20 has been looming — ominously, darkly — on the horizon, the days before then have seemed unusually pregnant and worthy of cherishing. Today, especially, given that Martin Luther King Jr. preached lessons of love, progress, and decency that have, unfortunately, become urgently relevant of late. Holding up his example seems crucial, which is why I’m posting “Will You Love Me” — a song from Matthew E. White’s debut album that gently adjusts a King quotation on loving your enemies and refusing to co-opt despair:

Darkness can’t drive out darkness
Only love can do that

The original quote — “Darkness cannot drive out darkness; only light can do that.” — appears to have first been said in a 1957 sermon, though it can also be found in King’s book Strength to Love. As it happens, I heard the very same quote at my mom’s church this past Sunday, when the rector included it in his sermon. With all the ugliness of the 2016 election, it may seem harder than ever to live up to King’s compassionate, loving example, but these words exude a deep, unchanging truth that’s bigger than any one politician, businessman, or political party, and I truly believe they represent the most direct line between where we are and where we need to go.

Matthew E. White — “Will You Love Me” [Spotify/iTunes]

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American Tunes: “This Land Is Your Land”

spacebomb-roundtable

[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]

On Tuesday, The Spacebomb Sound hosted a really candid and informative roundtable on race that aired on Red Bull Music Academy Radio. Tiffany Jana, Reggie Pace, Kelli Strawbridge, Devonne Harris, Cameron Ralston, and Matthew E. White participated, and while I’m not sure if audio is available to be replayed, RBMA just posted a fairly extensive transcript of the discussion. I hope you’ll read it and share — read to absorb the ideas and experiences that were relayed on Tuesday, and share to keep the momentum going so honest, substantive discussions like this one keep happening all over the country.

One song they played during the show was Sharon Jones’ version of Woody Guthrie’s “This Land Is Your Land.” I hadn’t heard her version until recently, but I’ve grown very attached to it in that short time. It’s amazing how much gravity her voice adds. Growing up, I didn’t realize how political the song was — depending on which verses people choose to include, it can still seem apolitical and/or downright hypocritical — but I had a conversion experience last year when Dave Rawlings Machine closed their November show at The National with it. The verse about the signs and private property and how signs say nothing on the back… I don’t know whether I hadn’t heard that verse before or if I just wasn’t listening intently, but when Dave Rawlings sang it, it felt powerfully subversive. Got goosebumps and everything.

Here’s how Jones sings it:

As I was walking, they tried to stop me
They put up a sign that said “private property”
On the back side, it said nothing
That side was made for you and me

Sharon Jones — “This Land Is Your Land” (Woody Guthrie cover) [Spotify/iTunes]

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Record Store Day

record-store-day

The YHT crew is heading up to Northern Virginia for Thanksgiving, which means I won’t be making my semiannual early morning pilgrimage to BK Music for Record Store Day festivities. I haven’t decided if I’ll seek out a participating store near Alexandria. Previous attempts to celebrate RSD out of town have been haphazard, but if you have suggestions, I’m all ears.

That said, uncertainty hasn’t stopped me from drooling over a few of the limited releases that will be hitting shelves on Friday…

Angel Olsen/Steve Gunn — Live at Pickathon

angel-olsen

Two people I admire and respect tremendously, both of whom I’ve gotten to see live — Olsen at Strange Matter and Gunn at Steady Sounds. Sign me up for this split live LP, which features some seriously snazzy cover art.

Angel Olsen — “Acrobat” [Spotify/iTunes]

Otis Redding — Live at the Whiskey A Go Go

otis-redding

I know that, when I need a live Otis fix, I can turn to one of the Stax/Volt Revue albums, or my copy of the Historic Performances Recorded At The Monterey International Pop Festival album that features Jimi Hendrix on the other side. But I seriously doubt I’ll be able to put Live at the Whiskey A Go Go down if I pick it up. (I’m just realizing how fitting it is that Redding and Hendrix share that Monterey album — both would be very, very high on my list of acts I’d travel through time and/or raise from the dead to be able to see live.)

Otis Redding — “I’ve Been Loving You Too Long” (live) [YouTube]

Aquarium Drunkard — Lagniappe Sessions Vol. 1

lagniappe-sessions

This is the one I’m dying to find a copy of. I’ve followed along with Aquarium Drunkard’s Lagniappe Sessions, and Matthew E. White has done two now. One of those featured a cover of Randy Newman’s “I’ll Be Home,” and that’s the track that was chosen for this compilation. Given White’s prominent role in helping me find my way to Newman’s music, this feels like the nexus of something important.

Matthew E. White — “I’ll Be Home” (Randy Newman cover) [Aquarium Drunkard]

 

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Friday News and Notes

animal-collective

A few quick notes before the weekend. Just a warning: Things will likely get political on here next week, so let’s enjoy this carefree* moment while we can.

*I’m an anxious train wreck right now and Wednesday can’t come soon enough.

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Friday News and Notes

devon-sproule

Lots of fun stuff going on this week — including a ticket giveaway below!

  • I picked this past week’s Off Your Radar album — Devin Sproule’s I Love You, Go Easy — and I want to thank the other writers for taking a listen. I’d also like to officially and publicly cop to not knowing that “Runs In The Family” was a Roches cover. Doug Nunnally may never forgive me. Click here to read this week’s issue.
  • Speaking of Doug, I can’t wait to read the RVA Magazine article he wrote about Andrew Cothern and his efforts with Virginia Tourism. Might have to go hunting for a copy after work today.
  • It has begun — the Record Store Day lust started welling up last night when I saw that this collaboration between Light in the Attic Records and the Aquarium Drunkard blog will be released on Black Friday. It collects Lagniappe Sessions — informal covers recorded for the blog — including Matthew E. White covering Randy Newman.
  • I picked up a copy of Nels Cline’s Lovers album last weekend, and it’s an absolute monster. I listened to it around when it came out in the summer of last year, but I guess I wasn’t listening intently enough, because it is so broadly and consistently brilliant.
  • Lucy Dacus did a Take Away Show. Lucy Dacus did a Take Away Show. [tries to catch breath] Lucy Dacus did a Take Away Show.
  • Just got my ticket for Helado Negro’s show at Strange Matter on 11/7 and was surprised to see another band listed as the headliner: Kikagaku Moyo. Checking them out now, both their album from this year — House in the Tall Grass — and this Revolt of the Apes profile.
  • Speaking of tickets, remember how I interviewed Jethro Tull guitarist Martin Barre? Exciting news — Richmond Navigator is giving away two tickets to tomorrow night’s show at The Tin Pan! Be the first to comment below or respond on Twitter or Facebook and they’re yours!

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Friday News and Notes

A few Friday news and notes items, starting with the video above…

  • Holy crap — have y’all heard this Angelica Garcia songMatthew E. White tweeted about her yesterday, and Ted, the bass player for my band, saw her at The Tin Pan last night and raved about it. Can’t wait to hear more. (BTW s/o to a fellow son [daughter in her case] of a preacher [Episcopalian priest in both our cases] man [woman in my case].)
  • Mrs. YHT and I finished Stranger Things last night. No, YOU were a sobbing mess. Did you hear that the band that contributed the original score — they’re called, appropriately, Survive — is going on tour?
  • Speaking of soundtracks hitting the road, Seu Jorge is doing a David Bowie tribute tour, reprising his role in The Life Aquatic. He’s coming to D.C., but it’s on a Tuesday, and that Tuesday happens to be election day. Not sure I’m brave enough to go to that city on that day, but hot damn do I want to see that show. And hot damn to I want to get my hands on a copy of this.
  • So Delicate Steve played on Paul Simon’s last album. Which I love. I had no idea. I found this out because a press release celebrating his signing to ANTI- mentioned it. (Here’s the new tune of his they linked to in that email.)
  • David Vandervelde — one of two people named David who played music at my sister’s wedding — is putting out a collaborative EP with Tess Shapiro. It’s streaming over at Brooklyn Vegan, and I’d recommend listening all the way through. The whole thing is good, but I’m really digging the last two tracks.
  • The only thing better than friends who make mixtapes are friends who make mixtapes and also link you to other excellent mixtapes. Thank you for sending a link to this wonderful Aquarium Drunkard mix, Giselle!
  • I’m turning 33 tomorrow, and I’ll be celebrating the first few hours of my birthday by joining Doug Nunnally on Sound Gaze. Not sure when I’ll be jumping in, but the show runs from 11 a.m. to 1 p.m. on WDCE. Listen online, listen on the radio, peer into the windows of the station… whatever it takes.
  • Gigging tonight at bdubs, so no show recommendations. As for bdubs recommendations: spicy garlic. Now and forever, spicy garlic.

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