Tag Archives: Matthew E. White

Friday News and Notes

animal-collective

A few quick notes before the weekend. Just a warning: Things will likely get political on here next week, so let’s enjoy this carefree* moment while we can.

*I’m an anxious train wreck right now and Wednesday can’t come soon enough.

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Friday News and Notes

devon-sproule

Lots of fun stuff going on this week — including a ticket giveaway below!

  • I picked this past week’s Off Your Radar album — Devin Sproule’s I Love You, Go Easy — and I want to thank the other writers for taking a listen. I’d also like to officially and publicly cop to not knowing that “Runs In The Family” was a Roches cover. Doug Nunnally may never forgive me. Click here to read this week’s issue.
  • Speaking of Doug, I can’t wait to read the RVA Magazine article he wrote about Andrew Cothern and his efforts with Virginia Tourism. Might have to go hunting for a copy after work today.
  • It has begun — the Record Store Day lust started welling up last night when I saw that this collaboration between Light in the Attic Records and the Aquarium Drunkard blog will be released on Black Friday. It collects Lagniappe Sessions — informal covers recorded for the blog — including Matthew E. White covering Randy Newman.
  • I picked up a copy of Nels Cline’s Lovers album last weekend, and it’s an absolute monster. I listened to it around when it came out in the summer of last year, but I guess I wasn’t listening intently enough, because it is so broadly and consistently brilliant.
  • Lucy Dacus did a Take Away Show. Lucy Dacus did a Take Away Show. [tries to catch breath] Lucy Dacus did a Take Away Show.
  • Just got my ticket for Helado Negro’s show at Strange Matter on 11/7 and was surprised to see another band listed as the headliner: Kikagaku Moyo. Checking them out now, both their album from this year — House in the Tall Grass — and this Revolt of the Apes profile.
  • Speaking of tickets, remember how I interviewed Jethro Tull guitarist Martin Barre? Exciting news — Richmond Navigator is giving away two tickets to tomorrow night’s show at The Tin Pan! Be the first to comment below or respond on Twitter or Facebook and they’re yours!

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Friday News and Notes

A few Friday news and notes items, starting with the video above…

  • Holy crap — have y’all heard this Angelica Garcia songMatthew E. White tweeted about her yesterday, and Ted, the bass player for my band, saw her at The Tin Pan last night and raved about it. Can’t wait to hear more. (BTW s/o to a fellow son [daughter in her case] of a preacher [Episcopalian priest in both our cases] man [woman in my case].)
  • Mrs. YHT and I finished Stranger Things last night. No, YOU were a sobbing mess. Did you hear that the band that contributed the original score — they’re called, appropriately, Survive — is going on tour?
  • Speaking of soundtracks hitting the road, Seu Jorge is doing a David Bowie tribute tour, reprising his role in The Life Aquatic. He’s coming to D.C., but it’s on a Tuesday, and that Tuesday happens to be election day. Not sure I’m brave enough to go to that city on that day, but hot damn do I want to see that show. And hot damn to I want to get my hands on a copy of this.
  • So Delicate Steve played on Paul Simon’s last album. Which I love. I had no idea. I found this out because a press release celebrating his signing to ANTI- mentioned it. (Here’s the new tune of his they linked to in that email.)
  • David Vandervelde — one of two people named David who played music at my sister’s wedding — is putting out a collaborative EP with Tess Shapiro. It’s streaming over at Brooklyn Vegan, and I’d recommend listening all the way through. The whole thing is good, but I’m really digging the last two tracks.
  • The only thing better than friends who make mixtapes are friends who make mixtapes and also link you to other excellent mixtapes. Thank you for sending a link to this wonderful Aquarium Drunkard mix, Giselle!
  • I’m turning 33 tomorrow, and I’ll be celebrating the first few hours of my birthday by joining Doug Nunnally on Sound Gaze. Not sure when I’ll be jumping in, but the show runs from 11 a.m. to 1 p.m. on WDCE. Listen online, listen on the radio, peer into the windows of the station… whatever it takes.
  • Gigging tonight at bdubs, so no show recommendations. As for bdubs recommendations: spicy garlic. Now and forever, spicy garlic.

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Phil Cook

Phil Cook

It’s hard to overstate the influence the people in this photo have had on my musical life.

Not long after Phil Cook started playing at last week’s Friday Cheers, I saw Matthew E. White walk through the crowd and settle in near the front, and at the risk of being a little bit of a creeper, I made sure to get a shot of these two hugely important people in one place.

This was my first time seeing Phil Cook play under his own name, but I’ve gotten to see him perform three (I think) times before — twice with Hiss Golden Messenger in Richmond and once with Megafaun in Portland, OR. That 2011 Portland show at the Doug Fir was the seed of something that’s grown much bigger. I’ve written about this idea before, but every single thing the Megafaun diaspora touches or is associated with — HGM, Sylvan Esso, The Shouting Matches, Grandma Sparrow — turns to gold, and those projects and Phil Cook’s solo album have brought me a great deal of happiness in the years since Portland.

Less than a year after that show, the first songs from White’s Big Inner debut (Phil Cook was involved with that too) started appearing on the interweb. I hadn’t been clued into Fight the Big Bull back then, so these songs were my introduction to White. It was a little like when I first heard White Laces — it felt like I’d stepped on a live power line in my own backyard, like “Holy crap! Was this here all along?” I preordered the album and followed White on all possible social media channels, including his Spotify profile.

I’m not sure how many of y’all use the feature that allows you to see what your friends/the people you follow are listening to, but White’s feed changed everything for me. It’s how I found out about Randy Newman. About Harry Nilsson. About Stevie Wonder. And then Stevie opened up the whole world of soul music for me — Otis Redding, Marvin Gaye, James Brown, Nina Simone… there’s an entire section of my record collection that probably wouldn’t be there if it weren’t for White’s Spotify feed.

The same goes for one of the happiest moments of my life: In the spring of 2014, Mrs. YHT and I did a long weekend in Corolla, NC while she was very pregnant, knowing we were going to skip my family’s summer beach trip that year. On the last day, before heading back to Richmond — and back to reality, where parenthood was imminent — we spent a few minutes in (what I believe is called) Historic Corolla Park literally sitting on the dock of the bay (OK, the Currituck Sound) listening to Otis Redding. For that short time, I felt completely at peace with the world and my place in it. Peace was scarce in those days, given how anxious I was before our daughter was born, so I’ll never forget listening to that song in that setting in that moment. Without Otis Redding, and by extension, Matt White, I’m not sure I would have found that sense of peace.

Toward the end of his Cheers set, Phil Cook dedicated a song to a friend in the audience, and while I can’t remember the exact words of his dedication, it seemed clear he was talking about White. The song ended up being Randy Newman’s “Sail Away.” Two days later, at the P.S. 321 Flea Market in Brooklyn, I found a copy of Newman’s album of the same name. It felt like all the musical connections I’d been thinking about for those two days came together in that one record I was holding. I’d held a copy of the album before — while flipping through records at Deep Groove a while ago — but on Sunday, it felt like the most valuable record in the entire world.

I really wish I had video of Cook doing “Sail Away” on Friday. My phone’s battery was low because I had already taped Cook playing “Crow Black Chicken,” which Ry Cooder recorded for Boomer’s Story. Here’s that recording — it’s a little blurry, but there’s an excellent bass solo from Michael Libramento. And it seems only fitting, given that this is a story about connections, to share that Ry Cooder played on Newman’s Sail Away album.

Phil Cook — “Crow Black Chicken” (Ry Cooder cover) [YouTube]

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The Mountain Goats

The Mountain Goats

Step 1: Head to the Answer on a Monday night to interview Kelli Strawbridge and see Mekong Xpress and the Get Fresh Horns.

Step 2: Finish the interview and sit at the bar next to trumpet player Bob Miller.

Step 3: Chat with Miller about being part of the horn section that Matthew E. White and the Mountain Goats shared when they toured in support of their respective 2012 albums.

Step 4: Head to Steady Sounds the next day over lunch to snag an original pressing (!) of D’Angelo’s Voodoo.

Step 5: Take a quick look through the bins and find a used copy the aforementioned 2012 Mountain Goats album, Transcendental Youth, and pull out the liner notes to see if Bob Miller played on the album.

Step 6: See that he did and feel that “Everything is connected and beautiful” feeling.

Step 7: Play the album later that night and soak in White’s smart and reverential arrangements.

Step 8: Listen as a hair gets stuck on the needle, causing the lyrics “I could do this all day” from “Counterfeit Florida Plates” to loop perfectly about a dozen times.

Step 9: Feel that “Everything is connected and beautiful” feeling again.

Step 10: Buy tickets to the Mountain Goats’ September 19 show at the National.

The Mountain Goats — “Counterfeit Florida Plates” [Spotify/iTunes]

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CD Monday

Record Store Day

Rolling around this week with this sampler I got on my way out of BK Music on Record Store Day. I haven’t listened all the way through yet, but I already love it, because it serves as a reminder of a very fun and fruitful Saturday.

What I got:

Matthew E. White — “Cool Out” B/W “Maybe In The Night”

Matthew E. White

This was my one must-get item this year. Y’all’ve already heard me freak out about the A-side, but I’m just as psyched for people to hear the B-side, “Maybe In The Night,” which has a fantastic singalong chorus that climbs right into White’s falsetto wheelhouse. And it was mixed at Abbey Road, which is neat. I’ll update this post whenever that one makes it online.

Matthew E. White — “Cool Out” (feat. Natalie Prass) [Spotify/iTunes]

Charlie Parr — I Ain’t Dead Yet EP

Charlie Parr

This was a leap of faith, but given how much faith I have in Phil Cook (who recorded a cover of Parr’s “1922 Blues“), I shouldn’t be surprised that it paid off. Parr has such a great, whip-smart writing voice, with a dry humor I’m really enjoying. You can get a taste of that deadpan humor at the start of this video of Parr doing the EP’s title track.

Charlie Parr — “I Ain’t Dead Yet” (live) [YouTube/Discogs]

Allen Toussaint — Live in Philadelphia 1975

Allen Toussaint

Gonna have to report back about this one. I’m waiting for just the right cooking situation — something that involves lots of chopping — so I can get a good listen.

Allen Toussaint — Live in Philadelphia 1975 [YouTube/Discogs]

BONUS: Ryan Adams — Live at Carnegie Hall

Ryan Adams

So BK does a raffle before the store opens on Record Store Day, and by some glorious stroke of luck, Bandmate 4eva Doug and I had the first two numbers, giving us first crack at a bin full of box sets, t-shirts, and other fun stuff. My adrenaline was off the charts when I was walking up to see what the choices were, and it reached Uma Thurman in Pulp Fiction levels when I saw this 6-LP Ryan Adams set was there. I love these big, career-spanning live albums — Doug actually got something similar, the one Drive-By Truckers put out last year — in part because they function as greatest hits albums as well. I’ve listened to Ryan Adams a fair amount, but I don’t have physical copies of many of his albums, so Live at Carnegie Hall fills in gaps that would have gone unfilled for who knows how long.

This particular situation feels almost star-crossed, because the album of his that I’ve listened to more than any other isn’t an official release — it’s just a download of the live set he did before his 2011 Letterman performance. I love Adams in that setting, where he can tell discursive stories and jokes and jump between eras of his career. Many have said that Adams needs to self-edit more, but the flexibility of the solo acoustic environment suits him well, I think, and I love having two full nights of his music and storytelling at my fingertips. One hell of a raffle prize, that’s for sure.

One more note before I go — BK Music continues to amaze me with their customer service, from the good-natured way they approach the chaos of Record Store Day, to their willingness to go above and beyond to help you find what you need. If you haven’t been to BK, I recommend going and getting to know the nice people who work there. Such a great place.

Ryan Adams — “New York, New York” (live) [Spotify/iTunes]

 

 

 

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Friday News and Notes: Record Store Day Edition

RSD16

These aren’t your usual Friday News and Notes — tomorrow is Record Store Day, so let’s get some special edition, limited pressing, hand-numbered (OK, so they’re not actually numbered) bullets going…

  • As per usual, I’ll be starting the day where so many of my RSD wishes have been granted: BK Music. I have a gig at McCook’s tonight, so waking up early and getting close to the front of the line tomorrow will involve an extra degree of difficulty, but Bandmate 4eva Doug is giving me a ride, and a 7-inch copy of the Matthew E. White/Natalie Prass/DJ Harrison collaboration “Cool Out” is on the line, so there’s plenty of motivation for getting out of bed when my phone’s alarm tells me to. Also I’ll be having bad FOMO dreams all night, so that should help.
  • That “Cool Out” single is the only item I’m dead set on, but there are a few others I’m interested in taking a closer look at: There’s the Etta James At Last reissue, the Allen Toussaint Live in Philadelphia 1975 album (with “Southern Nights” on it), J Dilla’s lost vocal album, Charlie Parr’s releasing an EP (got into him thanks to Phil Cook), the Hamilton Leithauser/Paul-Maroon EP… I love Hoist, but I just want Phish to release twenty-something dollar reissues of some of these albums. I’d still be up for, like, holding it for a few minutes, maybe?
  • Lots of fun stuff happening around town in addition to BK’s celebration: Steady Sounds has DJs and an attractive mention of pizza on the FB event page, Plan 9 is hosting performances by Ohbliv, Lady God, and Zgomot, Deep Grove will have Sugar Shack donuts and a raffle for a Music Hall Turntable, Vinyl Conflict will be continuing their self-styled oppositional Customer Appreciation Day, featuring a Parking Lot Party and a Simpsons arcade game tournament… so many options, so many ways to support stores that bring you closer to the music that you love, past and present.

Hope you find your ideal spot to cool out tomorrow.

Matthew E. White — “Cool Out” (feat. Natalie Prass) [Spotify/iTunes]

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