Wanted to post quickly about Sound Gaze for two reasons. First, I wanted to thank Doug for having me on this weekend. He’s a class act, and if you’re not a regular listener, I’d highly recommend tuning into WDCE on Saturdays or subscribing to the podcast and catching up throughout the week. (I can confirm that it’s an excellent running podcast.)
Second, I thought I’d offer a few corrections and clarifications from Saturday, because I clearly have the recall of an overwhelmed chipmunk:
The new Head and the Heart album, Signs of Light, comes out on September 9.
Jump, Little Children did, in fact, form in North Carolina, though Wikipedia lists Charleston, South Carolina as their pre-breakup “adopted hometown.”
Apologies for smacking my gums before talking. I don’t think I normally do that, which makes it extra weird that I’d repeatedly do it on the radio.
Once again, I apologize for abusing the word “incredible,” though, if I were pressed, I’d probably defend any individual use of it.
I talked about having Carl Broemel’s album on hold at BK Music in part because I originally had “In The Dark” in my mix for Saturday but had to make some tough cuts, so I thought I’d share it below. I really, really like this Broemel album. I went straight to BK after the show to grab it and had it spinning just this morning. Well worth a listen, if you haven’t heard it.
Thanks again, Doug, and thanks to everyone who listened.
What a batshit crazy week. I need a nap. Some good/fun/tuneful stuff did happen, however:
There’s a new Kendrick album! What?!? I haven’t listened, but that’s going to be my reward after I get through today’s workday and tonight’s gig.
I went on a Bandcamp binge on Tuesday. It started when Steady Sounds posted about Les Filles de Illighadad, a Sahelsounds album (great label — check out Music from Saharan Cellphones if you haven’t yet) of Tuareg music recorded in rural Niger. Listening to this — the first side especially — was probably the most peaceful thing about this entire week.
The binge continued when Spencer Tweedy posted something about chris cohen (always styled that way, it seems, like e e cummings) releasing a new album. I went to check out his last one and am now bonkers for its first track, “Monad.” The bass is really interesting, I think. Makes it a totally different song.
I’d really like to find time to write about the Patty Griffin/Sara Watkins/Anaïs Mitchell and Son Little shows — both were excellent — but in case I never do: Both were excellent.
Clair Morgan sent out a note saying his Monday Meetup at Don’t Look Back is switching from weekly to monthly. I haven’t made it to a single one of these, which I feel like a jerk about, but I am going to rededicate myself, because I think it’s a really great idea, and he’s a really great person in a really great band. Also… tacos.
Every week, Rough Trade pushes back the vinyl release of Natalie Prass’ Side by Side EP, which makes me feel like this. Maybe next Friday will be the week. Fingers crossed.
Were I not playing a gig tonight, you know damn well where I’d be — at the Broadberry, helping Lucy Dacus celebrate the release of her triumphant debut album. I’m jealous of all you lucky people who get to go, but I hope y’all have a fun night.
Another new feature for 2016! I always end up with posts I didn’t manage to finish throughout the week, so I’m going to make a list each Friday of stuff worth hearing/seeing/looking out for. Really hoping I can keep up with this one. We’ll see.
Landlady posted to their Facebook account about Adia Victoria, who has a debut album coming out later this spring. The first song to hit the interweb is “Dead Eyes,” and I’m digging it. Especially this morning, thanks to Baby YHT’s pre-dawn wake-up. Because why not loudly list the names of all your daycare friends at 5 a.m.? Really, it’s the best time for that.
I found a really neat Jimmie Rodgers album this week — The Unheard Jimmie Rodgers Vol. II. A bunch of unused cuts from country’s first superstar. Remember the scene from O Brother, Where Art Thou? where the Soggy Bottom Boys sing “In The Jailhouse Now”? A version of that is on there, along with a bunch of songs about how he’s the saddest person on planet Earth. Sample lyric: “I’m lonely and blue/I’m downhearted too.” Yeesh. Great stuff though!
Doug Nunnally of Sound Gaze alerted me to a fantastic version of Miguel’s “waves” that turns the song into a duet with Kacey Musgraves. It’s perfectly assembled, and fits in a really interesting place between a remix and a cover. Well worth a listen. Shouts to Mrs. YHT for finding the best comment on the video: “Kacey is LOVE, Kacey is LIFE. #country”
There’s also the Chris King DJ set happening at Steady Sounds on Sunday. They’re celebrating the release of Why The Mountains Are Black: Primeval Greek Village Music (1907-1960), and King will be spinning original copies of tracks he included on the album. A genuinely unique opportunity. Shouldn’t be missed.
Time to say goodbye to another Friday Cheers season. Sniff. It’s incredibly sad to think of how far off the next one is, but I figure I can suppress some of that longing by looking back at highlights from the shows I was able to make it to.
Without further ado, I present the inaugural YHT Friday Cheers Awards.