Tag Archives: James Blake

Friday News and Notes

Simpsons

A few Friday News and Notes items to finish out the week:

  • CD Monday update: The Sufjan song is excellent, and I enjoy the Rafter track, but the real winner is the Helado Negro song I posted on Monday. Baby YHT (who isn’t really a baby anymore — maybe she should be Toddler YHT for now?) even liked it and gave it the “Again!” seal of approval a couple times.
  • I can’t remember what day this week it was, but I had to get out of the car right when Marketplace was starting a story about Radiohead’s finances and, presumably, how they start new companies for each record they release. Bandmate 4eva Doug unknowingly came to the rescue by sending me this Guardian article about the same thing a day or two later. Interesting stuff, I think. Maybe I need to start a couple corporations for YHT, especially now that I bought an actual domain for the site.
  • Hey! I forgot to tell y’all! I bought youhearthat.com, so there’s that. Feels like I got my own little plot on this great big internet, and it feels like I should be saying that while standing with a cup of coffee in one hand and a suspender strap in the other, looking out over my growing crop of blog posts through the early morning haze. That’s how the internet works, right…
  • James Blake? Gooood. Radiohead? Goooood. Beyoncé? I trust that it’s good, but I still haven’t heard more than a couple songs. I don’t want to pay to download it, since it might come out on vinyl at some point, and it’s not on Spotify, and I’m not about to sign up for Tidal while I’m still paying for Spotify Premium, so…
  • A+ Friday Cheers tonight, y’all: Phil Cook and Shovels & Rope. Don’t miss it. And might I suggest heading to the Broadberry after for The Big Payback and Life on Mars?

I’ll be heading up to NYC this weekend, which makes three trips up 95 in four weekends. Yet somehow I still get a kick from zooming through E-ZPass only toll lanes. It doesn’t take much.

Have great weekends! See y’all tonight at Cheers!

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Friday News and Notes

Friday Cheers

Happy Friday Cheers, y’all! A few News and Notes items to celebrate the start of my favorite 1/6 of the year:

  • An article I wrote about Friday Cheers and Lucy Dacus for River City Magazine just hit the interweb yesterday. Stephen Lecky and Lucy Dacus are such tremendous people and tremendous contributors to this musical community (who happen to have the same birthday, which happened to happen this week), and getting to meet and interview them meant fulfilling two huge #rvamusic bucket list items. I hope you’ll click here to check the article out or grab a print copy, which has a really snazzy “Cheers to Cheers” cover. Speaking of Friday Cheers…
  • The season kicks off tonight with The Soul Rebels and Mighty Joshua & the Zion #5. Wanna hear something crazy? Mighty Joshua has that same birthday! As Stephen Lecky pointed out on Twitter, this calls for a party on Brown’s Island. How does tonight sound? It may be a little wet, but some of my absolute favorite Friday Cheers experiences have been in the rain. Charles Bradley, the Funky Meters… I’m sure this week will follow suit.
  • Lots of great new music this week. Radiohead’s new songs are instant classics, James Blake has a new album out today (I’ve yet to hear it the whole thing, but what I’ve heard I love), and I’m really digging this new Red Hot Chili Peppers song.
  • CD Monday update: What a wild ride. Sunrise can feel disconnected, and my lasting impression of it will be as a collection of individual moments, but one endearing constant glued the whole thing together for me: Masabumi Kikuchi scratchily singing along with his piano parts. His voice borders on a growl, and while it’s quiet, it’s almost always there, so it’s something of a reassurance amid the chaos. NPR described his voice this way: “His hazy voice is like a walkie-talkie transmission from the moon. It’s too weird to dislike.” Well put.
  • The Broadberry is the place to be this weekend. Clair Morgan’s release party tonight, People’s Blues of Richmond’s release party Saturday night. If you find a good enough overnight hiding place, you might not have to leave all weekend! Speaking of show recommendations, I highly recommend following along with Drew Necci’s RVA Must-See Shows. Great advice from one of Richmond’s most thoughtful and knowledgeable music journalists (she’s also one of the contributors to Off Your Radar).

Have a great weekend, y’all. Don’t forget Mother’s Day!

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Moses Sumney

Moses Sumney

Days like yesterday are why I love reading and writing about music. All of this happened within the span of a few hours:

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Top 10 Albums of 2013

Countdown gif

It’s customary to start year-end lists by chewing some fat about how making them is strange and difficult work, and in general, I find that these intros can be exceedingly skippable. Everyone knows that album rankings are subjective (even when they’re created on behalf of a publication or website), and no one needs to be reminded that the list maker didn’t listen — and couldn’t have listened, of course! — to every single thing that came out in the preceding 12 months. You don’t share Santa Claus’ knack for bending the space-time continuum. Understood. But before I get to my Top 10 albums, I would like to share a quick story about how I came up with my list, and how Beyoncé helped me find meaning in this whole strange and difficult exercise.

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Tournament Album Coverage, Vol. 2

Couch Cat 2

For those of you who missed Volume 1 of YHT’s Tournament Album Coverage, I spent last weekend glued to my couch, watching the first rounds of the NCAA Tournament in a most gloriously sloth-like fashion. I can think of no better occasion for acting like a shut-in and no better way to enhance the experience than muting the television and choosing your own soundtrack for each game. (There’s only so much of Jay Bilas’ voice I can take before I just start yelling at the TV screen like a crazy person.)

With a few exceptions, things took a decidedly more contemporary turn after Friday night’s Garfunkel-fest. Below, I’ve posted the art for everything my friends and I listened to on Saturday and Sunday, along with a sample song and a context-free quote from someone in the room about each record.

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Cover Tennis

I have some pretty strange eating habits. Mind if I share one? I promise to make it snappy. It involves Hot Tamales, which are almost certainly Mrs. YHT’s favorite non-chocolate candy. Whenever I manage to wrest one away from her, I apply squishing pressure to either end of the capsule-shaped Tamale until it looks like how movies sometimes depict catastrophic explosions in space (it more closely resembles this yo-yo, but that’s not nearly as dramatic, is it?). Once the capsule’s modification is complete, down the hatch it goes. I don’t know how my Hot Tamale ritual started, and I sure as hell don’t know why it makes me so happy. It just does.

I have a listening habit just as idiosyncratic that I’d like to share, and unlike the candy custom above, you can join in on the fun right this very minute! It has to do with cover songs. Often, when I find a cover I really like, I’ll listen to it, then listen to the original version, then the cover again, then the original again, cover, original, cover, original, over and over, until I absolutely, positively have to take my headphones off and and pay attention to something else. A little crazy, right? I’d say it’s like being a tennis spectator, glancing left and right to follow a rally, but if I’m being honest, it’s more like being the ball. And as nutty as it may sound, I could go on forever like that, comparing the songs, finding little differences in the phrasing of the lyrics, trying to imagine why certain decisions were made during the respective recording processes.

Wanna play a little cover tennis? C’mooooooon, it’s super fun. I’ve picked out three pairs of tunes, and I’ve even assigned a tennis player (two of whom are competing in the London Olympics) to each pair, based on how obsessed with them I’ve become. So let’s crack open a new tube of balls, take a sniff — because it’s the best smell in the universe — and get to thwackin’!

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Harmonimix

For the longest time, I had no idea that “Crazy Little Thing Called Love” was a Queen song. This totally blew my mind when I first found out. The song’s rockabilly simplicity and Elvis-tinged vocals scream 1959, not 1979 — the latter being the year Freddie Mercury reportedly penned the tune while lounging in a hotel bath tub. If I had to trace the emotional pathway that led away from this revelation, it would probably look a little something like this:

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