Really neat shindig happening tonight at the Hofheimer Building in Scott’s Addition. Trey Pollard will be debuting pieces from Antiphone, his soon-to-be-released album of contemporary chamber music (out Friday — preorder here). They’ll be played by a string quartet in collaboration with Classical Revolution RVA, an organization that aims to present classical music in inventive ways “by taking it into local bars, restaurants, cafes, and galleries.” Did I mention Matthew E. White will be opening? This promises to be special, y’all. Hope to see you there.
If you’re interested in learning more about Antiphone, be sure to check out the interview I did with Pollard for the Auricular. He was incredibly candid and thoughtful throughout our conversation, and I think you get an especially keen sense for the dedication he brings to his work, whether he’s composing original pieces like the ones being performed tonight or arranging songs written by others. Here’s how Pollard put it when we spoke:
Matt and I talk about it a lot. The craft of what you do is important… It’s about how you go about it — caring about the details, caring about the parts that make up the bigger thing.
While Antiphone certainly represents a moment of cultivation, it’s also a window into how Pollard approaches music on a daily basis. In that sense, his story and Spacebomb’s are one and the same: When you do things the right way, it shows. And Antiphone is nothing short of an achievement. What a gift it’ll be to see these pieces in the live setting.
Get your ticket here, check out my interview with Pollard here, and listen below to a piece from the album entitled “8 Pairs: Fugue VI. Very Slowly.”
[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]
On Tuesday, The Spacebomb Sound hosted a really candid and informative roundtable on race that aired on Red Bull Music Academy Radio. Tiffany Jana, Reggie Pace, Kelli Strawbridge, Devonne Harris, Cameron Ralston, and Matthew E. White participated, and while I’m not sure if audio is available to be replayed, RBMA just posted a fairly extensive transcript of the discussion. I hope you’ll read it and share — read to absorb the ideas and experiences that were relayed on Tuesday, and share to keep the momentum going so honest, substantive discussions like this one keep happening all over the country.
One song they played during the show was Sharon Jones’ version of Woody Guthrie’s “This Land Is Your Land.” I hadn’t heard her version until recently, but I’ve grown very attached to it in that short time. It’s amazing how much gravity her voice adds. Growing up, I didn’t realize how political the song was — depending on which verses people choose to include, it can still seem apolitical and/or downright hypocritical — but I had a conversion experience last year when Dave Rawlings Machine closed their November show at The National with it. The verse about the signs and private property and how signs say nothing on the back… I don’t know whether I hadn’t heard that verse before or if I just wasn’t listening intently, but when Dave Rawlings sang it, it felt powerfully subversive. Got goosebumps and everything.
Here’s how Jones sings it:
As I was walking, they tried to stop me
They put up a sign that said “private property”
On the back side, it said nothing
That side was made for you and me
Sharon Jones — “This Land Is Your Land” (Woody Guthrie cover) [Spotify/iTunes]
Filed under #features, #rva
A few quick notes before the weekend. Just a warning: Things will likely get political on here next week, so let’s enjoy this carefree* moment while we can.
- I’m not crying at this video of First Aid Kit singing to Emmylou Harris, YOU ARE.
- Hell yeah, new Daniel Bachman album. And a First Listen sampling of that huge Bob Dylan live box set. Fun stuff over at NPR.
- I hadn’t listened to Delicate Steve in a while, and I hadn’t listened to his 2015 live album at all, but I spent some time with it earlier this week. Hot damn, it is good. Really makes me wish I’d caught him a couple years back at The National. Come back to Richmond plz!
- More fun Spacebomb news: Foxygen just released a super fun video for their new single, “Follow the Leader.” The song sounds incredible, and there is, according to Matthew E. White, “a huge dose of Richmond” stirred in. Excited to hear the rest of the new album.
- Speaking of doses of Richmond, be sure to check out Heartracer’s new Eat Your Heart Out EP. It’s wonderfully clean and intentionally constructed. Really well done.
- Did some crucial prep work this morning by spinning Animal Collective’s Live At 9:30 album while getting Toddler YHT ready for daycare. Very psyched for tonight’s show at the National, as I am for Kikagaku Moyo and Helado Negro at Strange Matter on Monday. (And Truckers at The National later next week!)
*I’m an anxious train wreck right now and Wednesday can’t come soon enough.
Happy Halloweekend, y’all! Pictured above is Toddler YHT is dressed as your classic tiger-panda-fairy hybrid. Can’t wait for trick or treating. Until then…
I’m off to have a semi-serious conversation with Mrs.YHT about whether we should do the Jimmy Kimmel thing where you pretend you ate all your kid’s candy and videotape the reaction. I’m not that mean… am I?