Tag Archives: Spacebomb

Trey Pollard

Really neat shindig happening tonight at the Hofheimer Building in Scott’s Addition. Trey Pollard will be debuting pieces from Antiphone, his soon-to-be-released album of contemporary chamber music (out Friday — preorder here). They’ll be played by a string quartet in collaboration with Classical Revolution RVA, an organization that aims to present classical music in inventive ways “by taking it into local bars, restaurants, cafes, and galleries.” Did I mention Matthew E. White will be opening? This promises to be special, y’all. Hope to see you there.

If you’re interested in learning more about Antiphone, be sure to check out the interview I did with Pollard for the Auricular. He was incredibly candid and thoughtful throughout our conversation, and I think you get an especially keen sense for the dedication he brings to his work, whether he’s composing original pieces like the ones being performed tonight or arranging songs written by others. Here’s how Pollard put it when we spoke:

Matt and I talk about it a lot. The craft of what you do is important… It’s about how you go about it — caring about the details, caring about the parts that make up the bigger thing.

While Antiphone certainly represents a moment of cultivation, it’s also a window into how Pollard approaches music on a daily basis. In that sense, his story and Spacebomb’s are one and the same: When you do things the right way, it shows. And Antiphone is nothing short of an achievement. What a gift it’ll be to see these pieces in the live setting.

Get your ticket here, check out my interview with Pollard here, and listen below to a piece from the album entitled “8 Pairs: Fugue VI. Very Slowly.”

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Sleepwalkers

Blessed be this day.

The birds are singing more sweetly. The sun is shining more brightly, rendering colors more vivid than had previously been seen by the human eye. And in a stunning reversal, Friday the 13th has officially been declared the luckiest day. Why?

Because Sleepwalkers have released new music. This is not a drill.

Fresh on the heels of news they were signing with Spacebomb Records, Sleepwalkers have shared “Wake Up” and “Reasons To Give Up In You,” both absolute gems. All hyberbole aside, this is a truly exciting day for those of us who fell in love with their 2014 album, Greenwood Shade, and have been waiting to see what their next move would be. A move to Spacebomb? The payoff couldn’t be more perfect.

Part of the newsworthiness of this moment is the fact that Spacebomb is putting out music they had “no direct hand in making,” as the label’s site puts it. “No need to improve on this maximalist pop masterpiece,” they go on to say, pointing to something that has always distinguished Sleepwalkers — their complete mastery of the studio environment. The group complements savvy songwriting and memorable melodies with a rare ability to envision and achieve specific moods and colors. This guitar effect. That snare sound. The specificity reflects a powerful knowledge of recording approaches from the 1960’s onward, and that focus on process is infectious — it invites ongoing deconstruction and appreciation as you notice how individual studio brush strokes come together to form something that’s undeniable and fun in aggregate. In short, it’s music that makes me like music more.

Speaking of fun, here are the videos for “Wake Up” and “Reasons To Give Up In You.” The former is home to a hook you’ll be humming along to for the foreseeable future, with guitar work that captivates just as quickly. The latter offers a sense of buoyancy that swells and swells throughout, with a chorus that lifts you up and places you back down beautifully.

Go forth, dear reader, into this new and wonderful world that includes new Sleepwalkers songs. Long live the new Friday the 13th.

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Hiss Golden Messenger

Coming out of blog hibernation to post a great song that’s being released for a great cause.

Hiss Golden Messenger recently teamed up with the Spacebomb gang to record “Passing Clouds,” a groovy Cameron Ralston-produced tune that combines the best of what the Spacebomb process and talent pool have to offer with M.C. Taylor’s distinctive and desperately needed sense of spiritual buoyancy. The cause I mentioned earlier? Everytown for Gun Safety, a nonprofit organization whose mission is to end gun violence via education and advocacy.

Click here to snag the song and read a powerful message from Taylor. All proceeds go to Everytown, so please do show your support by making a purchase — the digital version is $2, and you can pre-order a 7″ vinyl version for $10.

Hiss Golden Messenger — “Passing Clouds” [Bandcamp]

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Skyway Man

So I’m late to the party here, posting about a show just a few hours before it starts, but this Skyway Man album has my adrenaline racing. I’m on my first listen, and it feels like someone’s slowly reading off winning lottery numbers that keep matching the ones on ticket I’m holding. It’s bonkers… all the sounds I’ve been gravitating toward are here.

A few data points:

  • I picked up a copy of Cosmic American Music at the Numero Group’s pop-up sale at Strange Matter in April.
  • Thanks to an especially fruitful Goodwill haul, I’ve been heavy into gospel the last few weeks, from Sister Rosetta Tharpe to Billy Preston’s Gospel in My Soul album to early 1980’s Savoy Records stuff.
  • I’m also in the middle of a big William Tyler kick. A BK Music Instagram post prompted me to play Impossible Truth in the recovery room after my son was born a couple weeks back, and miraculously it was still there a couple of days later, along with his earlier Behold the Spirit album.
  • We named our son Ryland, so I’ve been making my way through my father-in-law’s Ry Cooder albums, marveling at how simultaneously timeless and of-their-time they sound, especially Borderline and “Why Don’t You Try Me.”

Seen Comin’ from a Mighty Eye is tailor-made for someone embroiled in exactly these obsessions, with the spacey aspects of Cosmic American Music, the voluminousness and spirituality of gospel, Tyler’s exploratory spirit, and references to early 1980’s production that remove songs from the present moment, like they’re wandering untethered by time. It’s all here, along with the signature Spacebomb sounds that consistently fill my heart with joy.

As mad at myself as I am for posting this so late — and as ashamed as I am that I haven’t been listening to James Wallace’s stuff all along — I can’t help thinking that Seen Comin’ from a Mighty Eye and I met at exactly the right moment. Many, many thanks to Alexandra Spalding for the heads up.

Doors open at Gallery5 tonight at 7. Twain and Big Kitty will be there as well. Click here for more info.

Skyway Man — “Wires (Donny Angel and the Opening Wide)” [Spotify/iTunes]

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American Tunes: “This Land Is Your Land”

spacebomb-roundtable

[Editor’s Note: American Tunes is a series of posts dedicated to songs that address America’s social and political challenges. For more information on the series, click here.]

On Tuesday, The Spacebomb Sound hosted a really candid and informative roundtable on race that aired on Red Bull Music Academy Radio. Tiffany Jana, Reggie Pace, Kelli Strawbridge, Devonne Harris, Cameron Ralston, and Matthew E. White participated, and while I’m not sure if audio is available to be replayed, RBMA just posted a fairly extensive transcript of the discussion. I hope you’ll read it and share — read to absorb the ideas and experiences that were relayed on Tuesday, and share to keep the momentum going so honest, substantive discussions like this one keep happening all over the country.

One song they played during the show was Sharon Jones’ version of Woody Guthrie’s “This Land Is Your Land.” I hadn’t heard her version until recently, but I’ve grown very attached to it in that short time. It’s amazing how much gravity her voice adds. Growing up, I didn’t realize how political the song was — depending on which verses people choose to include, it can still seem apolitical and/or downright hypocritical — but I had a conversion experience last year when Dave Rawlings Machine closed their November show at The National with it. The verse about the signs and private property and how signs say nothing on the back… I don’t know whether I hadn’t heard that verse before or if I just wasn’t listening intently, but when Dave Rawlings sang it, it felt powerfully subversive. Got goosebumps and everything.

Here’s how Jones sings it:

As I was walking, they tried to stop me
They put up a sign that said “private property”
On the back side, it said nothing
That side was made for you and me

Sharon Jones — “This Land Is Your Land” (Woody Guthrie cover) [Spotify/iTunes]

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Friday News and Notes

animal-collective

A few quick notes before the weekend. Just a warning: Things will likely get political on here next week, so let’s enjoy this carefree* moment while we can.

*I’m an anxious train wreck right now and Wednesday can’t come soon enough.

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Friday News and Notes

tiger-panda-fairy

Happy Halloweekend, y’all! Pictured above is Toddler YHT is dressed as your classic tiger-panda-fairy hybrid. Can’t wait for trick or treating. Until then…

I’m off to have a semi-serious conversation with Mrs.YHT about whether we should do the Jimmy Kimmel thing where you pretend you ate all your kid’s candy and videotape the reaction. I’m not that mean… am I?

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