Tag Archives: Friday Cheers

Friday News and Notes

Lucy

I’m having a really hard time breaking out of my Brexit WTF stupor, but here is a picture of my daughter wearing a hat that’s way too big for her, and here are a few news and notes items, for what they’re worth:

  • CD Monday update: Loved Mudcrutch’s second album. It’s tighter — doesn’t have that loose, spontaneous feel the first one had — but it’s a testament to the enduring efficacy of well-written rock songs. They just work. Remember when people would say things like “Rock and roll is here to stay” when the genre was first getting started? This is what they were talking about.
  • Congrats to Sleepwalkers on wrapping up their tour with the Lumineers. Joey Wharton’s photos continue to roll in, and they’re stunning. Funny story — I just missed them in Chicago. The last stop on that stretch of the tour (you might have seen the marquee in Wednesday’s record store report) was at the Chicago Theater the day after Mrs. YHT’s brother’s wedding. I think we were even in town at the same time. Not sure what hotel they stayed in, but I think ours was next to the ping pong bar in this Instagram post
  • Sara Watkins’ new album is well worth the First Listen. I was trying to remember if she played any of those songs when I saw her share the Modlin Center stage with Patty Griffin and Anaïs Mitchell… Not sure, but Young in All the Wrong Ways is definitely worth checking out.
  • Jason Isbell put on a pretty much perfect rock show at the Altria on Tuesday. This may sound hyberbolic, but I really believe it: He’s entering the Beyoncé zone, where you look at someone and say “You just can’t do that specific thing any better.” I hope y’all get to see him on this tour. Playing songs from two A+ albums, singing loud and clear, even during the quiet sections of songs, multiple standing ovations… It’s a demonstration of how firm the ground below your feet becomes when you speak and write and play from a place of self-knowledge and truth.
  • One more quick thing about that show: Frank Turner was great. I didn’t know a ton about him, but he was so engaging and fun, and his songs have this great spirit. Defiant. Resilient. It totally clicked why he would have called his last album Positive Songs for Negative People. I didn’t get a copy there, but it went on my Discogs wantlist.
  • Friday Cheers comes to a close tonight with Drew Holcomb and the Neighbors and Norfolk’s Major and the Monbacks. I’ll be gigging tonight at Triple Crossing, so I’ll have to miss it, but I’ve heard excellent things about Holcomb. And Fear of Music at the Broadberry would make a nice after party…

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Friday News and Notes

Friday Cheers

Lots of fun stuff to check in about:

  • CD Monday update: New Lions & the Not-Good Night is a gift that keeps giving and giving. Even more in love with it than I was before. The band is heading out on tour today — get a taste of what those shows will be like here, and join the band in figuring out what their tour hashtag will be (current frontrunner is #thisisandisnotTOURture2016).
  • One Week One Band did Punch Brothers this week! I  read a fair amount of it, but I’m planning to go back through and make sure I saw everything. Might be my favorite OWOB week since I started following along. Really thorough.
  • Y’all see the Lincoln commercial where Sharon Jones covers “Midnight Rider”? It’s fantastic. You even get a little Matthew McConaughey at the end.
  • It was so rewarding following along on social media as Sleepwalkers played Red Rocks two nights this week. This may be the most excited I’ve been for shows that I wasn’t even going to. The pictures are breathtaking — hit up their Twitter account to check a few out. Prepare for goosebumps.
  • I dunno about you, but I’m fixin’ to hop on that there Bonnaroo live stream a fair amount this weekend. I wrote a thing a while back about about how much I love festival live streams. As a substitute for being able to co-locate and do all of the things at all of the times, they’re pretty snazzy.
  • Another song from the new Avers album hit the interweb! It’s called “Santa Anna” and I’m enjoying it very much. Listen over at USA Today’s FTW site. Speaking of FTW, they came out with a list of the 16 best songs of the first half of 2016 and Clair Morgan’s “Rogue Island” is ranked #5, between Chance the Rapper and ANOHNI. How cool is that?!?
  • No gig tonight, but I feel compelled to share with the world that, at last Friday’s gig, I got to say — all in seriousness — the following sentence into a microphone: “This one’s for the dude in the bouncy castle who requested Skynyrd.”
  • Tonight’s might be the season’s most anticipated Friday Cheers show — Kurt Vile and Richmond’s fast-rising phenom, Lucy Dacus — and I will most assuredly be there. Might even bring my copy of No Burden in hopes that Dacus will sign it. I did just that with my copy of Phil Cook’s Southland Mission album and, while I definitely felt like a nerd doing so, it was well worth it. Also bears mentioning that the National has a crazy run of shows coming up: Death Cab for Cutie tonight, M83 on Sunday, Fitz & the Tantrums on Tuesday, Violent Femmes on Wednesday… not too shabby. And the Broadberry has Lucius on Wednesday. Lots of good stuff to see.

See y’all at Cheers!

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Friday News and Notes

Kennedy Draws

A few Friday News and Notes for y’all kind people:

  • I saw Béla Fleck and the Flecktones last night! I didn’t realize it but it seems that this is some sort of reunion tour. They mentioned last night being their “second show,” which caused a little cognitive dissonance, given how long they’ve been around. I also didn’t realize (though I think I knew at some point) that Victor Wooten is their bass player. Dude is a magician. As is Béla. What a talented group. And I can now say I’ve seen a steel drum jazz solo, so there’s that.
  • The Head and the Heart’s new album just became available for preorder!
  • Xenia Rubinos’ new album is out today — definitely worth checking out. She was very, very good at Saturday’s Son Lux show. I wish I could go back in time and do that night differently. The show was happening during game 6 of the western conference finals (which turned out to be pivotal and wildly entertaining), and instead of DVRing the game and watching after, I sat at the bar and kept the game going on my phone and glanced up and down and up and down and ended up feeling like I didn’t really see either. Dumb. Lesson learned, hopefully. I’ve listened to “Lonely Lover” a bunch of times since, and I know I’m taking the lyrics out of context, but the “I just need to breathe today” line resonates so deeply. Especially this week, given that my daughter barfed all over her car seat on the way to daycare on Tuesday.
  • Top album lists for the first half of the year have started popping up, and they’re making me feel like an idiot for not listening to the new Chance album yet. That’s my goal for the weekend. It was awesome to see Lucy Dacus made the Spin list, and on an unrelated note, it was also awesome to see pics on social media from people who were at her Tiny Desk performance this week. Can’t wait for NPR to post video.
  • I’ll be gigging tonight, but Friday Cheers looks awesome — the Revivalists and the Seratones — and I can’t recommend strongly enough also heading to Gallery5 for tonight’s collaborative Girls Rock! RVA fundraiser. It’s a Jennifer Kennedy gallery exhibit AND a show featuring Lady God, Christi, Avers and Lobo Marino AND they’ll be selling Kennedy’s new coloring book. I’m a huge fan of Kennedy’s work — she draws musicians while they’re performing, and it’s astounding how much kinetic energy she manages to capture — and I love Girls Rock! RVA’s mission, which is to “empower girls, gender non-conforming, and trans youth through music, art and activism.” Learn more about Girls Rock! RVA here and listen to Doug Nunnally’s interview with Jennifer Kennedy here.

That’s it for now. Catch y’all next week, assuming I still exist next week. It’s also Greek Fest weekend, and I might end up eating so many gyros so fast that I break space-time and disappear completely. Hopefully not though.

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Friday News and Notes

Toddler YHT
Toddler YHT is clearly ready for the weekend — are you?

  • CD Monday update: Mudcrutch was a hit. My daughter dug it. I dug it. A great time was had by all. There’s a great looseness to it — I’m not sure how long recording took, but it reminds me of the great, lightning-in-a-bottle spontaneity of that Shouting Matches album. Thanks so much to Marcus my coworker for loaning it to me!
  • I saw Car Seat Headrest on Monday night in D.C. I have thoughts about it. While I try to get those thoughts organized and typed up, I recommend reading this Doug Nunnally-penned RVA Magazine interview with Will Toledo and listening to anything and everything of his you can get your hands and ears on.
  • I could have met Bob Boilen on Monday night but got too nervous. So pissed at myself.
  • New Debo Band album!
  • This week’s is a must-see Friday Cheers. RVA Music Night. Natalie Prass. Sam Reed. Lady God. I’ve seen the first two, and am crazy about both, but this will be my first time seeing Lady God. Very much looking forward to it. We’re going to book it down to Brown’s Island after work, and by “we” I mean the whole family. Fingers crossed everyone gets in their respective car seats in a timely fashion. I’M LOOKING AT YOU, MRS. YHT.
  • This is a two-show weekend, actually, because I have a ticket to go see Son Lux at Strange Matter tomorrow night. I was psyched to see that the opening act, Xenia Rubinos, has a new record streaming over at NPR. I’ve yet to hear the whole thing, but what I have heard is varied and intriguing and I’m hoping I can show up early for this one as well.

See y’all at Cheers. First round is on Toddler YHT! (JK she’s broke as a joke.)

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Phil Cook

Phil Cook

It’s hard to overstate the influence the people in this photo have had on my musical life.

Not long after Phil Cook started playing at last week’s Friday Cheers, I saw Matthew E. White walk through the crowd and settle in near the front, and at the risk of being a little bit of a creeper, I made sure to get a shot of these two hugely important people in one place.

This was my first time seeing Phil Cook play under his own name, but I’ve gotten to see him perform three (I think) times before — twice with Hiss Golden Messenger in Richmond and once with Megafaun in Portland, OR. That 2011 Portland show at the Doug Fir was the seed of something that’s grown much bigger. I’ve written about this idea before, but every single thing the Megafaun diaspora touches or is associated with — HGM, Sylvan Esso, The Shouting Matches, Grandma Sparrow — turns to gold, and those projects and Phil Cook’s solo album have brought me a great deal of happiness in the years since Portland.

Less than a year after that show, the first songs from White’s Big Inner debut (Phil Cook was involved with that too) started appearing on the interweb. I hadn’t been clued into Fight the Big Bull back then, so these songs were my introduction to White. It was a little like when I first heard White Laces — it felt like I’d stepped on a live power line in my own backyard, like “Holy crap! Was this here all along?” I preordered the album and followed White on all possible social media channels, including his Spotify profile.

I’m not sure how many of y’all use the feature that allows you to see what your friends/the people you follow are listening to, but White’s feed changed everything for me. It’s how I found out about Randy Newman. About Harry Nilsson. About Stevie Wonder. And then Stevie opened up the whole world of soul music for me — Otis Redding, Marvin Gaye, James Brown, Nina Simone… there’s an entire section of my record collection that probably wouldn’t be there if it weren’t for White’s Spotify feed.

The same goes for one of the happiest moments of my life: In the spring of 2014, Mrs. YHT and I did a long weekend in Corolla, NC while she was very pregnant, knowing we were going to skip my family’s summer beach trip that year. On the last day, before heading back to Richmond — and back to reality, where parenthood was imminent — we spent a few minutes in (what I believe is called) Historic Corolla Park literally sitting on the dock of the bay (OK, the Currituck Sound) listening to Otis Redding. For that short time, I felt completely at peace with the world and my place in it. Peace was scarce in those days, given how anxious I was before our daughter was born, so I’ll never forget listening to that song in that setting in that moment. Without Otis Redding, and by extension, Matt White, I’m not sure I would have found that sense of peace.

Toward the end of his Cheers set, Phil Cook dedicated a song to a friend in the audience, and while I can’t remember the exact words of his dedication, it seemed clear he was talking about White. The song ended up being Randy Newman’s “Sail Away.” Two days later, at the P.S. 321 Flea Market in Brooklyn, I found a copy of Newman’s album of the same name. It felt like all the musical connections I’d been thinking about for those two days came together in that one record I was holding. I’d held a copy of the album before — while flipping through records at Deep Groove a while ago — but on Sunday, it felt like the most valuable record in the entire world.

I really wish I had video of Cook doing “Sail Away” on Friday. My phone’s battery was low because I had already taped Cook playing “Crow Black Chicken,” which Ry Cooder recorded for Boomer’s Story. Here’s that recording — it’s a little blurry, but there’s an excellent bass solo from Michael Libramento. And it seems only fitting, given that this is a story about connections, to share that Ry Cooder played on Newman’s Sail Away album.

Phil Cook — “Crow Black Chicken” (Ry Cooder cover) [YouTube]

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Friday News and Notes

Simpsons

A few Friday News and Notes items to finish out the week:

  • CD Monday update: The Sufjan song is excellent, and I enjoy the Rafter track, but the real winner is the Helado Negro song I posted on Monday. Baby YHT (who isn’t really a baby anymore — maybe she should be Toddler YHT for now?) even liked it and gave it the “Again!” seal of approval a couple times.
  • I can’t remember what day this week it was, but I had to get out of the car right when Marketplace was starting a story about Radiohead’s finances and, presumably, how they start new companies for each record they release. Bandmate 4eva Doug unknowingly came to the rescue by sending me this Guardian article about the same thing a day or two later. Interesting stuff, I think. Maybe I need to start a couple corporations for YHT, especially now that I bought an actual domain for the site.
  • Hey! I forgot to tell y’all! I bought youhearthat.com, so there’s that. Feels like I got my own little plot on this great big internet, and it feels like I should be saying that while standing with a cup of coffee in one hand and a suspender strap in the other, looking out over my growing crop of blog posts through the early morning haze. That’s how the internet works, right…
  • James Blake? Gooood. Radiohead? Goooood. Beyoncé? I trust that it’s good, but I still haven’t heard more than a couple songs. I don’t want to pay to download it, since it might come out on vinyl at some point, and it’s not on Spotify, and I’m not about to sign up for Tidal while I’m still paying for Spotify Premium, so…
  • A+ Friday Cheers tonight, y’all: Phil Cook and Shovels & Rope. Don’t miss it. And might I suggest heading to the Broadberry after for The Big Payback and Life on Mars?

I’ll be heading up to NYC this weekend, which makes three trips up 95 in four weekends. Yet somehow I still get a kick from zooming through E-ZPass only toll lanes. It doesn’t take much.

Have great weekends! See y’all tonight at Cheers!

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Friday News and Notes

Friday Cheers

Happy Friday Cheers, y’all! A few News and Notes items to celebrate the start of my favorite 1/6 of the year:

  • An article I wrote about Friday Cheers and Lucy Dacus for River City Magazine just hit the interweb yesterday. Stephen Lecky and Lucy Dacus are such tremendous people and tremendous contributors to this musical community (who happen to have the same birthday, which happened to happen this week), and getting to meet and interview them meant fulfilling two huge #rvamusic bucket list items. I hope you’ll click here to check the article out or grab a print copy, which has a really snazzy “Cheers to Cheers” cover. Speaking of Friday Cheers…
  • The season kicks off tonight with The Soul Rebels and Mighty Joshua & the Zion #5. Wanna hear something crazy? Mighty Joshua has that same birthday! As Stephen Lecky pointed out on Twitter, this calls for a party on Brown’s Island. How does tonight sound? It may be a little wet, but some of my absolute favorite Friday Cheers experiences have been in the rain. Charles Bradley, the Funky Meters… I’m sure this week will follow suit.
  • Lots of great new music this week. Radiohead’s new songs are instant classics, James Blake has a new album out today (I’ve yet to hear it the whole thing, but what I’ve heard I love), and I’m really digging this new Red Hot Chili Peppers song.
  • CD Monday update: What a wild ride. Sunrise can feel disconnected, and my lasting impression of it will be as a collection of individual moments, but one endearing constant glued the whole thing together for me: Masabumi Kikuchi scratchily singing along with his piano parts. His voice borders on a growl, and while it’s quiet, it’s almost always there, so it’s something of a reassurance amid the chaos. NPR described his voice this way: “His hazy voice is like a walkie-talkie transmission from the moon. It’s too weird to dislike.” Well put.
  • The Broadberry is the place to be this weekend. Clair Morgan’s release party tonight, People’s Blues of Richmond’s release party Saturday night. If you find a good enough overnight hiding place, you might not have to leave all weekend! Speaking of show recommendations, I highly recommend following along with Drew Necci’s RVA Must-See Shows. Great advice from one of Richmond’s most thoughtful and knowledgeable music journalists (she’s also one of the contributors to Off Your Radar).

Have a great weekend, y’all. Don’t forget Mother’s Day!

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