Lots of great RVA releases this year. Here are a few I particularly enjoyed, with one notable absence that will make sense when I post tomorrow’s list:
Avers — Omega/Whatever
RVA Magazine let me blurb this one for their best local releases list — check it out here. I wrapped up by saying:
They can crack off a breezy summer jam like “Santa Anna,” power through a charged rocker like “Everything Hz,” or sink into moodier tunes like “Don’t Care” with ease. That’s one reason Omega/Whatever is such a gift — we get the clearest glimpse yet of the plurality of Avers’ abilities.
Clair Morgan — New Lions & the Not-Good Night
I wrote a longish review of New Lions & the Not-Good Night around the time it was released. I’ve been doing fewer of those lately — writing time is in short supply these days — but I felt compelled to dive deeper into this one, and I think this bit from the review explains why:
There are a lot of good albums out there, but music that can make you feel pure joy is rare. There has to be something about it that worms way down, through the topsoil of everyday stuff — Is this recycling week? Do I need to go to the grocery store on the way home? — to the core of what makes us who we are. The permanent stuff. The stuff that was forged years ago via childhood experiences we may have only snapshot memories of. New Lions & the Not-Good Night… gets to that place.
Angelica Garcia — Medicine for Birds
I got to see Angelica Garcia perform a happy hour show at The Camel earlier in December. She was drinking tea and commented at one point about the possibility of losing her voice, which makes what I heard — a voice as versatile and expressive as any you’ll find — all the more impressive. In the span of just a few words, she’d jump between talk-singing, pure tones, pop ornamentation, bluesy bent notes, and a rapid waver that feels connected to the vibrato you might find in folk, only more natural and urgent, somehow. Medicine for Birds compiles all these sounds nicely, and while it’s tempting to frame the album as indicative of a wildly promising future, the polish of the production and the quality of the writing and singing make this a destination in itself.
Noah-O + DJ Mentos — The Rain
I only recently started listening to The Rain, but the partnership it features — Noah-O’s storytelling and DJ Mentos’ classic, jazz-inflected production — is clearly a winning one. They recently put up a vinyl pre-order — I look forward to snagging a copy and getting to know this one in person.
White Laces — No Floor
This may turn out to be my favorite White Laces album. I wrote about it a couple of times, once on here and again in RVA Magazine. The latter review struck a heavier tone, since I’d learned by that point that White Laces were disbanding:
Landis Wine’s gliding voice pairs beautifully with synthetic elements that call to mind the ’80s, merging the past and present to create something truly timeless. I know it should feel final, but I’d rather think of it as everlasting.